Artist Registry


The White Columns Curated Artist Registry is an online platform for emerging and under-recognized artists to share images and information about their respective practices. The Registry seeks to create a context for artists who have yet to benefit from wider critical, curatorial or commercial support. To be eligible, artists cannot be affiliated with a commercial gallery in New York City.




To apply to the Registry, click here. Join our mailing list here to receive our open call announcement and other programming updates. For any further questions about the Registry, please contact us at registry@whitecolumns.org.

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Updated: 2024-01-16 14:08:55

Videos


Tehran, I Saw you from A Distance

2019
In 2011 Farima spent a period of three months in near isolation alongside her close friend Sara Mohammadi Ardehali at the latter’s vacation home an hour’s drive outside the capi- tal city. Their mornings and afternoons were spent sharing a sun-soaked room that hummed with quiet productivity: one painting, the other writing poetry. The locale of- fered a time for reflection and observation at a physical and emotional remove from the ever-watchful eyes of family and state. They have maintained a strong friendship despite their geographical distance. Farima was one of many in her social network who subse- quently left Iran to settle across the globe. Sara has remained, becoming a successful poet who takes the ever-changing city and its social ramifications as her primary subject mat- ter. Each artist, in their own way, is concerned with the notion of displacement in its many forms. A connection to place remains essential despite its ability to elude descrip- tion.
Added on: July 2, 2019


Tehran, I Saw you from A Distance

In 2011 Farima spent a period of three months in near isolation alongside her close friend Sara Mohammadi Ardehali at the latter’s vacation home an hour’s drive outside the capi- tal city. Their mornings and afternoons were spent sharing a sun-soaked room that hummed with quiet productivity: one painting, the other writing poetry. The locale of- fered a time for reflection and observation at a physical and emotional remove from the ever-watchful eyes of family and state. They have maintained a strong friendship despite their geographical distance. Farima was one of many in her social network who subse- quently left Iran to settle across the globe. Sara has remained, becoming a successful poet who takes the ever-changing city and its social ramifications as her primary subject mat- ter. Each artist, in their own way, is concerned with the notion of displacement in its many forms. A connection to place remains essential despite its ability to elude descrip- tion.
Added on: May 13, 2020