Artist Registry
The White Columns Curated Artist Registry is an online platform for emerging and under-recognized artists to share images and information about their respective practices. The Registry seeks to create a context for artists who have yet to benefit from wider critical, curatorial or commercial support. To be eligible, artists cannot be affiliated with a commercial gallery in New York City.
To apply to the Registry, click here. Join our mailing list here to receive our open call announcement and other programming updates. For any further questions about the Registry, please contact us at registry@whitecolumns.org.
STATEMENT OF WORK
Artist Statement
My art is based upon observation. The act of painting is a way to process and interpret the complexities of life. I draw inspiration from my surroundings and personal journey, allowing my art to evolve as I do. I see this evolution in my body of work; my early pieces reflect different concerns and styles, while my more recent works incorporate new techniques and themes that arise from my ongoing growth and shifting perspectives. Each painting becomes a snapshot of the dialogue between me and my experiences
Through my art, I realize that I’m not just reflecting life; I’m actively shaping and influencing my understanding of it. Each piece I create becomes a conversation starter, inviting viewers to engage with the insights I’ve woven into the work. In this way, while both my life and my art are ever-changing, they reveal enduring truths about my identity and the human condition. My journey is continuous, marked by growth and transformation, yet anchored in the authenticity of who I am.
I grew up in Australia, surrounded by a blend of intellectual and artistic influences. My father, a political scientist and economist, and my mother, a pianist. When I was very young, my mother moved to London to further her musical career, taking my brother and me with her. One day, we visited the Tate Museum, where I wandered into the Turner room. I was spellbound by the light emanating from the paintings. I had no idea who Turner was or what the paintings depicted, but it didn't matter; their warm light was enough. This experience ingrained in me the belief that art can evoke profound emotions, inspiring me to create paintings imbued with feeling and excitement.
I hold an MFA from the National Art School in Sydney, Australia. In 1979, I moved to New York to study at the New York Studio School. In 1986, I moved to Paris, where I now live with my wife, dividing our time between the French capital and the Greek island of Paros.