Artist Registry
The White Columns Curated Artist Registry is an online platform for emerging and under-recognized artists to share images and information about their respective practices. The Registry seeks to create a context for artists who have yet to benefit from wider critical, curatorial or commercial support. To be eligible, artists cannot be affiliated with a commercial gallery in New York City.
To apply to the Registry, click here. Join our mailing list here to receive our open call announcement and other programming updates. For any further questions about the Registry, please contact us at registry@whitecolumns.org.
RESUME
SELECT SOLO EXHIBITIONS
2024 Walter Maciel Gallery, Los Angeles, CA 2022 Walter Maciel Gallery, Los Angeles, CA 2019 Walter Maciel Gallery, Los Angeles, CA 2017 Walter Maciel Gallery, Los Angeles, CA, 2016 Traywick Contemporary, Berkeley, CA, 2015 Walter Maciel Gallery, Los Angeles, CA 2014 Traywick Contemporary, Berkeley CA 2013 Walter Maciel Gallery, Los Angeles, CA 2010 Walter Maciel gallery, Los Angeles, CA 2008 Walter Maciel Gallery, Los Angeles, CA, 2006 Walter Maciel Gallery, Los Angeles, CA 2005 Braunstein/Quay Gallery, San Francisco, CA 2003 Braunstein/Quay Gallery, San Francisco, CA
SELECT GROUP EXHIBITIONS
2024 Museum of Northern California Art, Chico, CA 2023 San Jose Museum of Quilts & Textiles, San Jose, CA, XELA Institute of Art, Long Beach, CA, Walter Maciel Gallery, Los Angeles, CA, California Museum of Art Thousand Oaks, CA 2021 Walter Maciel Gallery, Los Angeles, CA 2020 Sun Valley Museum of Art, Ketchum, ID 2019 PS122 Gallery, New York, NY 2018 Kala Art Institute, Berkeley, CA. 2017 San Jose Institue of Contemporary Art, San Jose, CA. San Francisco Art Commission Gallery, San Francisco, CA. Berkeley Art Center, Berkeley, CA. 2016 San Jose Institute of Contemporary Art, San Jose, CA. 2014 The Drawing Center, New York, NY. Walter Maciel Gallery, Los Angeles, CA. 2013 Jordan Faye Contemporary, Baltimore, MD. 2012 Shick Art Gallery, Skidmore College, Saratoga Springs, NY. Traywick Contemporary, Berkeley, CA. 2011 La Porte Peinte Centre for the Arts, Noyers Sur Serein, France. Walter Maciel Gallery, Los Angeles, CA. 2009 Walter Maciel Gallery, Los Angeles, CA. Kala Gallery, Berkeley, CA. 2008 PLAySPACE Gallery, San Francisco, CA. 2007 Yerba Buena Center for the Arts, SF, CA. Southern Exposure Gallery, SF, CA 2006 San Francisco Arts Commission Gallery, CA Headlands Center for the Arts, Sausalito, CA. 2005 Southern Exposure Gallery, San Francisco, CA. 2004 Kala Art Institute Gallery, Berkeley, CA. 2003 PS 122 Gallery, New York, NY 2002 Anne Reed Gallery, Ketchum, ID. 1999 Berkeley Art Museum Pacific Film Archive, Berkeley, CA.
GRANTS, AWARDS AND RESIDENCIES
2022 Joan Mitchell Fellowship Nomination, New York 2017 Kala Parent Artists Residency Award, California 2016 Barbara Deming Memorial Fund Grant, New York 2016 Wildlands Artist Residency, California 2014 Sustainable Arts Foundation Grant, California 2012-2013 Affiliate Artist Program, Headlands Center for the Art, California 2011 Residency and Exhibition, La Porte Peinte Centre for the Arts, Noyers Sur Serein, France 2006 SF Arts Commission Gallery Honorarium and Exhibition, California 2005 James D. Phelan Award in Printmaking, California 2005 MacDowell Colony Fellowship and Residency, New Hampshire 2003 Kala Fellowship Residency, Kala Art Institute, California
BIBLIOGRAPHY
Fiber Art Now, 2023, Winter 2023, Vol 12, Excellence in Fibers, curated by Kate Irvin, pgs 24-25, 44, Eugene, OR. The Woven Tale Press, 2022, Vol.X#1, Cynthia Ona Innis, Pages 32. 45-52. LUM Art Magazine, 2022, Issue No.6, "Layers Of California, Cynthia Ona Innis" by Grace Miles. pages 32-22, Santa Barbara, CA. Alameda Magazine, January 6, 2017, “Cynthia Ona Innis Paints Our Floating World” by DeWitt Cheng. Square Cylinder, December 14, 2016, "Cynthia Ona Innis @ Traywick" by David M. Roth. Huffington Post, Jan 21, 2016, "2015 Miami Art Week: Rain, Crowds, Slashing?!" by Kathy Leonardo. Vanguard Seattle, August 7, 2016, “Seattle Art Fair 2016: Layered Meaning,” by T.s. Flock. Exhibition Catalog, "Fuse, Cynthia Ona Innis", Traywick Contemporary, Edition One, Berkeley, CA.2015 Los Angeles Times, June 23, 215, Cynthia Ona Innis' Painted Topographies Resonate" by Leah Ollman 2014 Shotgun Review, Art Practical, "Shift", by Maria Porges. 2010 New American Paintings 15th Anniversary Edition. Open Studios Press. 2008 Los Angeles Times, Friday, March 28, 2008,"Immersed in an Artists Vision: Cynthia Ona Innis at Walter Maciel Gallery" By Holly Myers. Saatchi's Daily Magazine, April 2008, "Emma Gray's Top LA Ten Picks", by Emma Gray. 2007 San Francisco Bay Guardian, January 24-30, 2007, Vol. 41, No 17, Pg 26. "Local Artist Pick: Cynthia Ona Innis" Rocky Mountain News, Denver, CO., March 30, 2007, "Creating a flow: Current at Robischon Gallery" by Mary Chandler. Page 22, Spotlight, Art & Architecture. 2006 ArtReview, August 2006, "Cynthia Ona Innis" by Catherine Taft. Page 22. LA Times, June 23, 2006, "They're Subtle Yet Absorbing", Cynthia Ona Innis at the Walter Maciel Gallery by Holly Myers. Stretcher.Org, May 2006, "Coversation 3: Globus and Innis" by Veronica Kavass. http://www.stretcher.org/reviews/rev7.php Artweek, Volume 37, Issue 3, April 2006. "Close Calls: 2006" at Headlands Center for the Arts", by Mark Van Proyen. 2005 MacDowell Colony Newsletter, "Open Studio-Painter Cynthia Ona Innis" by Brendan Tapley. Cover and page 20. Vol. 34, No. 1., Summer 2005 San Francisco Chronicle Sunday Magazine, "Big Easy" by Sylvia Rubin. February 27, 2005. Cover and pages 1, 14-18. 2003 Artweek,Volume 34, Issue 6, July/August 2003, "San Francisco in Napa? Yes", by Colin Berry. Boise Weekly, June 11-17, 2003, "Satin Underground" by Chris Schnoor. 2002 Artweek, Volume 33, Issue 1, "Cynthia Ona Innis at Braunstein/Quay Gallery", by Juan Rodriguez. 2001 New American Painting, Volume 37 December 2001/January 2002 issue. (pp. 54-57) Open Studios Press.