Artist Registry
The White Columns Curated Artist Registry is an online platform for emerging and under-recognized artists to share images and information about their respective practices. The Registry seeks to create a context for artists who have yet to benefit from wider critical, curatorial or commercial support. To be eligible, artists cannot be affiliated with a commercial gallery in New York City.
To apply to the Registry, click here. Join our mailing list here to receive our open call announcement and other programming updates. For any further questions about the Registry, please contact us at registry@whitecolumns.org.
RESUME
Sáandlaanaay | Curriculum Vitae
Kimberly Fulton Orozco
m. 951.255.7677 | kimberly@krfo.art
CV | Selected Works
Exhibitor
2025
- Institute of Contemporary Art Santa Fe, New Mexico | MFA Thesis Exhibition IAIA MFASA
- Anchorage Museum & Alaska Native Heritage Center | Curate the North | Gathering & pop-up exhibition with Jenny Irene, Joel Isaak, Emily Johnson, Tanya Lukin Linklater, Melissa Shaginoff, & Amber Webb curated by Nadia Jackinsky, Erin Gingrich, and Angie Demma
2024
- Venice Biennale U.S. Pavilion | The Space in Which We Story | anti-performative public gathering with Avis Charly, Cole Taylor, Kathleen Wall, Shannon Christy Hooper, and Ursala Hudson hosted by Jeffrey Gibson
- Site Santa Fe | Dispatch | Group performance with Raven Chacón, Candice Hopkins, Mekkoh Harjo, Ursala Hudson
2023
- Fazakas Gallery | Everything the Raven Says, She Understands (Intergenerational Chatter) | Solo Exhibit
- Anchorage Museum | Salmon Culture curated by Anna Hoover, Erin Gingrich, Rochelle Adams, Drew Michael, Nadia Jackinsky Sethi, and Ilgavak Peter Williams | Turbulence, Tides & the Moon
- Swan Coach House Gallery, Atlanta, GA | Summer Invitational | Insecure Mixtapes
- Sealaska Heritage Institute, Juneau, AK | Native Women’s Art: Drawn from the Spirits of Ancestors Within | Mother Carrying Child (Stop Looking at My Titties)
- Sainsbury Centre for Visual Arts, Norwich, England | Empowering Art: Indigenous Creativity and Activism From America’s Northwest Coast | Kugaan Jaad Emerges | Skulka’s Silhouette | Bound & Beholden
- Artfields, Lake City, South Carolina | Our Lady Raven of the Kelp & Salmon
2022
- Georgia State University | BFA Thesis Exhibition
- Pratt Museum, Homer, AK | Salmon Culture curated by Anna Hoover, Erin Gingrich, Rochelle Adams, Drew Michael, Nadia Jackinsky Sethi, and Ilgavak Peter Williams | Turbulence, Tides & the Moon
- Woman Made Gallery, Chicago, IL | The Deeply Rooted curated by Sundas Abduli Hadi | Chicago, Illinois | Split U | Children of the Rising Sun
2021
- Georgia State University | Crash Juried Exhibit | Jurors Dr. Cynthia Hawkins, Jamaal Barber Split U | Push, Pull
- Georgia State University | Annual Juried Student Exhibition | Juror Theo Tyson | Wounded Daughter of Foam Woman
Collections
Disjointed Raven 2023. Burnaby Art Gallery
Insecure Mix. Love Story. 2023. Gochman Family Collection
Skulka’s Silhouette, 2020 & Bound and Beholden, 2021. Sainsbury Center for Visual Arts Permanent Collection
Residencies & Awards
2025 Early Career Artist Residency in Visual Arts at Banff Centre
2024 Nudlaghi Leadership Institute | Artist Workshop: Monumental Conversations with Nicholas Galanin
2024 IAIA Journey Home Apprenticeship with Haida carver Reg Davidson
2023 United States Mint | Artistic Infusion Program
2023 White Columns Artist Registry
2022 Anchorage Museum | Virtual Artist Residency with Art Bridges Foundation
2022 Welch Undergraduate Award | Ernest G. Welch School of Art & Design
2021 Sealaska Heritage Institute | Celebration 2022 Design Contest Winner | The Energy that Moves Us
2021 Communication Arts | Award of Excellence | “Inspiring Awe In Alaska” published by Smithsonian Magazine
Education
2025 MFA Studio Arts, Institute of American Indian Arts, Santa Fe, NM
2024 Carving Apprenticeship. Reggie Davidson (Haida)
2022 BFA in Drawing, Painting & Printmaking, Georgia State University, GPA 4.13
2022 Chilkat Design. Steve Brown, Sealaska Heritage Institute
2022 Formline Design. Robert Mills (Tlingit), Sealaska Heritage Institute
2022 Formline Design. David Robert Boxley (Tsimshian), Sealaska Heritage Institute
2021 Northwest Coast Art Theory. Jackson Polys (Tlingit), Sealaska Heritage Institute
2021 Formline Design. Robert Mills (Tlingit), Sealaska Heritage Institute