Artist Registry
The White Columns Curated Artist Registry is an online platform for emerging and under-recognized artists to share images and information about their respective practices. The Registry seeks to create a context for artists who have yet to benefit from wider critical, curatorial or commercial support. To be eligible, artists cannot be affiliated with a commercial gallery in New York City.
To apply to the Registry, click here. Join our mailing list here to receive our open call announcement and other programming updates. For any further questions about the Registry, please contact us at registry@whitecolumns.org.
RESUME
Julia Goldman
BIOGRAPHY
Born 1982 in Philadelphia, PA
Lives in Long Island City, NY
EDUCATION
2008 MFA, School of the Arts, Columbia University
2004 BA, Columbia College, Columbia University
SOLO EXHIBITIONS
2022 Couches and mugs
Gordon Robichaux, New York
2013 Magazine
American Contemporary, New York
2010 Swimmers
Museum 52, New York
2009 Girls
Museum 52, New York
GROUP EXHIBITIONS
2022 Fragments are the only forms I trust
White Columns, New York, curated by Louis-Philippe Van Eeckhoutte
2020 Private View
traveling exhibition conceived by COLLECTIVE_VIEW, a New York-based group of female-identified art professionals
2019 Well: KB Jones, Juliana Paciulli and Julia Goldman
Sunview Luncheonette, Brooklyn, NY
2016 Floaters and Mugs: Recent Paintings by Colt Hausman and Julia Goldman
Max Fish, New York, NY
2013 Art Los Angeles Contemporary, American Contemporary Booth
2012 Making Waves: International Contemporary Art from the Saatchi Gallery
London, UK
2011 NADA Miami, American Contemporary Booth
2011 Part 1: Vernalis
North Henry Annex, Brooklyn, NY
2009 My Gay Uncle
Kate Werble Gallery, New York
2009 The Ankle Bones are Higher on the Inside
Museum 52, New York
BIBLIOGRAPHY
2013 Baumgardner, Julie. “Repetition Makes Perfect: Julia Goldman’s
Women at American Contemporary,” Blouin Artinfo, September
2009 Goings On About Town, “Julia Goldman,” The New Yorker, November
2009 Smith, Roberta. “The Ankle Bones are Higher on the Inside,” The
New York Times, July