Artist Registry
The White Columns Curated Artist Registry is an online platform for emerging and under-recognized artists to share images and information about their respective practices. The Registry seeks to create a context for artists who have yet to benefit from wider critical, curatorial or commercial support. To be eligible, artists cannot be affiliated with a commercial gallery in New York City.
To apply to the Registry, click here. Join our mailing list here to receive our open call announcement and other programming updates. For any further questions about the Registry, please contact us at registry@whitecolumns.org.
RESUME
Susanna Starr lives and works in New York City. For more information visit: https://www.susannastarr.net
Solo Exhibitions
2020 Susanna Starr, Project Space, Kenise Barnes Fine Art, Larchmont, NY
2015 Hyperglo, Marcia Wood Gallery, Atlanta, GA
2015 Chromatic Reverb, curated by Amanda Lundy, Georgia College, Milledgeville, GA
2012 Susanna Starr: SOAKED, beta pictoris gallery, Birmingham, AL
2012 Psychedelicate, Marcia Wood Gallery, Atlanta, GA
2010 Not so Domestic, Marcia Wood Gallery, Atlanta, GA
2008 Laced, Humanities Gallery, Long Island University, Brooklyn, NY
2004 Susanna Starr, Caren Golden Fine Art, NYC, NY
2003 Reading in Color, Avram Art Gallery, Long Island University, Southampton, NY
2002 Supersaturation, Museum of Contemporary Art, Fort Collins, Co (catalog)
2002 Susanna Starr: New Work, Caren Golden Fine Art, NYC, NY
2001 Susanna Starr, Harwood Art Center Albuquerque, NM
2000 Absorbed, Cynthia Broan Gallery, NYC, NY (catalog)
1999 Susanna Starr, Visegelia Gallery, Caldwell College, Caldwell, NJ
Group Exhibitions
2021 Those Spaces Between Us, curated by Nikki Brugnoli, Torpedo Factory, Alexandria, VA
The Sky Has No Surface, curated by Catherine McCaw-Aldworth, Online Exhibition
Always Present, Void Collective, Online Exhibition
2019 Unseen, curated by Akili Tommasino, Collar Works, Troy, NY
2017 Personals, Skowhegan School of Painting & Sculpture, NYC, NY
2016 Defining Sculpture, Albright-Knox Art Gallery, Buffalo, NY
Abstraction Today, curated by Marcia Wood, Museum of Contemporary Art (MOCA GA),
Fictious Fibers, curated by Jane Sauer, Tansey Contemporary, Santa Fe, NM
2015 Folk Modern, Albany International Airport Gallery, Albany, NY
Cut It Out: Susanna Starr + Nancy Baker, Amy Simon Fine Art, Wesport, CT
2014 Auga Doce (Fresh Water), Museo Centro Gaias, Gaias Cidade Da Cultura, Santiago de Compostela, Spain
2013 Resplendent, curated by Cynthia Nourse Thompson, Univ. of Arkansas, Fayetteville, AR
An Intricate Exchange: Susanna Starr and Arthur Hash, curated by Katie Shaw, Flippo Gallery,
Randolph-Macon College, Ashland, VA
2012 Domestic Objects, Bridge Gallery, NYC, NY
I have a secret wish...,curated by John Fields, University of Alabama, Birmingham, AL (catalog)
Textility, Visual Arts Center of New Jersey, Summit, NJ (catalog)
A Modern Marriage, Design Within Reach Studio, Atlanta, GA
Pulp (pure xtraction), beta pictoris gallery, Birmingham, AL
Piet and Ida Sanders. A Life With Art, Stedelijk Museum, Schiedam, Netherlands
The Matter At Hand, curated by Magaly Perez, Ventana 244 Gallery, Brooklyn, NY
2011 In Bloom, Islip Art Museum, Islip, NY, curated by Karen Shaw
To The Heart of A Woman, Stephan Stoyanov Gallery, NYC, NY
Wavelength, Storefront Gallery, Bushwick Brooklyn, NY
Private View, The Collection of Piet Sanders, Wereldmuseum, Rotterdam, Netherlands
Washington Project for the Arts, exhibition and auction, Washington, DC
Made In Long Island City, Jeffrey Leder Gallery, LIC, NY
2 + 2 = 4, Elizabeth Harris Gallery, NYC, NY
Is That (a) Painting?, RaumZWEI beta pictoris gallery, Birmingham, AL
Cast, Tint, Shade, Glow, Mikhail Zakin Gallery, Demarest, NJ
A Violent Thought Of Love, RaumZWEI Beta pictoris gallery, Birmingham, AL
2010 Tunneling, curated by Will Pappenheimer, Famous Accountants, Ridgewood, NY
Summertime, Stephan Stoyanov Gallery, NYC, NY
Depth of Perception, Stephan Stoyanov Gallery, NYC, NY
10th Anniversary Invitational Part II, Frederieke Taylor Gallery, NYC
Phantoms, Stephan Stoyanov Gallery, NYC, NY
2009 Content/Discontent, curated by Dede Young, Frederieke Taylor Gallery,NYC
2008 Washington Project for the Arts, exhibition and auction, Katzen Arts Center, Wash, DC
2006 Plastic Fantastic, Shore Institute of Contemporary art, Long Branch, NJ
Material Abuse, Caren Golden Fine Art, NYC, NY; Clifford Gallery, Colgate University, Hamilton, NY
Collector’s Show & Sale, Arkansas Art Center, Little Rock, Arkansas
2005 Hot Town Summer in the City, Caren Golden Fine Art, NYC, NY
Botany 5000, The Lab Gallery, The Roger Smith Hotel, NYC, NY
2004 Inaugural Exhibition, Marcia Wood Gallery, Atlanta, GA
Form and Contents: Corporal Identity-Body Language, The Museum of Arts and Design Traveled to:
Museum fur Angewandte Kunst (MaKu), Frankfurt,Germany
2003 Tickled Pink, Marcia Wood Gallery, Atlanta, GA
2002 Beyond the Pale, curated by Dede Young, Neuberger Museum, Purchase, NY
Benefit Auction & Gala, White Columns, NYC, NY
Paper Remix, curated by Edwin T. Ramoran, Gallery at Dieu Donne Papermill, NYC, NY
2001 Pushing Paint, Joseph Helman Gallery, NYC, NY
25th Anniversary Benefit Exhibition, Dieu Donne Papermill, NYC, NY
Painting/Not Painting, White Columns, NYC, NY
From Rags to Riches: 25 Years of Art From Dieu Donne Papermil, Dieu Donne Papermill, NYCNYC
Traveled to: Kresge Art Museum, East Lansing MI; Maryland Institute College of Art, Baltimore, MD;
Beach Museum, Manhattan, KS; Heckscher Museum of Art, Huntington, NY; Milwaukee Art Museum,
Milwaukee, WI; Fort Wayne Museum of Art, Fort Wayne IN
2000 Collector’s Choice, Exit Art, NYC, NY
Trajectories, Curated by Marian Griffiths, Smack Mellon Studios, Brooklyn, NY
Sugar and Spice, curated by Danielle Miller, Harwood Art Center, Albuquerque, NM
Small Works, curated by Tricia Collins, NYU Washington Square East Galleries, NYC, NY
Duchamp Traveling Exhibition, NY Arts Magazine Collection, Traveled to: Kulturbahnhof, Bremen, Germany;
Emmanuel Heller Gallery, Tel-Aviv, Israel; The Artist’s Museum, Lodz, Poland
Checked, April 21, 2000 Coat Check Room, Museum of Modern Art, NYC
1999 New York Undiscovered, Markham-Murray Gallery, NYC, NY
Size Matters, Curated by Mike Weiss, Gale Gates Gallery, Brooklyn, NY
Making It Up, Wake Forest University Art Gallery, Winston-Salem, NC
The Paper Show, Hartnett-Murray Gallery, NYC, NY
1997 Yikes!, Deven Golden Gallery, NYC, NY
1995 Delving and Tinkering, curated by Tom Butter, E.S. Van Dam Gallery, NYC
1994 Material Matters, Creative Arts Workshop, New Haven CT
1992 Sculpture from the Permanent Collection, The Harn Museum of Art, Univ of Florida, Gainesville, FL
Education
MFA, Yale School of Art, New Haven, CT
BFA, Maryland Institute College of Art, Baltimore, MD
Skowhegan School of Painting and Sculpture, Skowhegan, ME
Awards and Prizes
2020 Anonymous Was A Woman, Covid-19 Artist Relief Grant
2019 Stephen King's The Haven Foundation, Artist Grant
2012 Barbara Deming Memorial Fund, Artist Grant
2010 Commission for permanent laminated glass windows, New York MTA Arts for Transit,
West End Line/Bensonhurst, Brooklyn NY
2009 NY Foundation for the Arts, Artist’s Fellowship Grant
2003 Edward F. Albee Foundation Residency, Montauk, NY
1999 NY Foundation for the Arts, Artist’s Fellowship Grant
1999 Dieu Donne Papermill NYC, Workspace Program Grant
Museum and Public Collections
Albright Knox Gallery, Buffalo, NY
Birmingham Museum of Art, Birmingham, AL
Moelis & Company, NYC, NY
Art in Embassies Program, US Department of State
MTA Arts For Transit, NYC, NY
The Harn Museum of Art, Univ of Florida, Gainesville, FL
Bibliography
Amir, Susanna Starr’s Incredible Mylar Patterns, Beautiful/Decay Artist & Design Magazine, April 4, 2012
Chamber, Christopher, Picks, NY Arts Magazine, pg. 62 &76 Vol. 4, May 1999.
Chandler, Mary Voelz, Thin Thread Binds Urbanity, The Rocky Mountain News,
pg. 20 section D, Friday August 23 2002.
Clark, Bethany, Corporal Identity-Body Language, Eye2Eye, Sugarzine.com, March 23, 2004.
Everett, Deborah, Trajectories, NY Arts Magazine, page 69, Vol. 5, November, 2000
Freedman, Matt, Susanna Starr at Cynthia Broan Gallery, Review Magazine,page 23-24, Vol. 5,
Number 9, February 1, 2000
Gainer, Lee, Susanna Starr, featured daily Artist, November 21, 2011, Peek (blog)
http://leegainer.blogspot.com/2011.11/susanna-starr.html
Garriot-Stejskal, Richard, Bitter Sweet, Sponges, Crosswinds Weekly, Art Scene Feb 15-22, 2001
Garriot-Stejskal, Richard, Harwood Shows, ABQ Arts February, 2001, page 7
Gottlieb, Stacey, Susanna Starr, NYFA Current Magazine, May 2011
Gouveia, Georgette, Elementary Exhibitions, The Journal News, Arts & Culture, Feb, 2002
Glueck, Grace, Celebrating the Flesh, The New York Times, Art Review, page E41 December 5, 2003
Hamburger, Susan, Art Review, Waterfront Week, Williamsburg, Brooklyn, Vol 10.21, November 2, 2000
Johnson, Ken, Painting/Not Painting, The New York Times, Art Guide, April 13, 2001
Johnson, Ken, Pushing Paint, The New York Times, Art Guide, September 14, 2001
Katz, Carissa, At the Barn with Albee’s Colonists, The East Hampton Star,page C1 & C6, July 31 2003
Lewinson, Ann, Women Take Over, The New Haven Advocate, March 31, 1994
Long, Robert, Opinion, The East Hampton Star, Arts & Living section, Sept. 18, 2003
Maxwell, Douglas, Absorbed: Susanna Starr, exhibition catalog essay, 1999
McFadden, David, Corporal Identity: Body Language, exhibition catalog, Museum of Arts and design,
page 25, 27, 290-291, 2003/2004
Michaud, Debbie, Art Review, Art Papers, pages 41-42, Nov/Dec 2003
Patterson, Tom, All That Jazz, Winston-Salem Journal, March 7, 1999
Patterson, Tom, New York Explorers, Winston-Salem Journal, March 21, 1999 Page E4
Peterson, June, Photo of an Installation, State Line Free Press, page 4, July 18, 1987
Princenthal, Nancy, Susanna Starr at Cynthia Broan, Art In America Page 120-121, Vol. 88, No. 6 June 2000
Princenthal, Nancy, Susanna Starr,Soaking It In, Supersaturation catalog essay,
MOCA Fort Collins, CO, August 2002
Pulkka, Wesley, Arts Review, West Side Journal (Albuquerque, NM) page 8 Arts Section October 20, 2000
Pyle, David, Paints & Colors, page 118 Krause Publications, 2000
Ramoran, Edwin T., Paper Remix: Dieu Donne Workspace Program, 1995-2000, Exhibition catalog,
Dieu Donne Papermill, NYC, NY
Ryan, Zoe, Out of Body Experience, Blueprint, page 80 February, 2004
Savannah, Gae, Collector’s Choice, Exit Art, The New York Art World.com December, 2000
Schmerler, Sarah, Tunneling, Art Review, Art In America, Novemer 2010, page 182
Skowhegan: A Ten-Year Retrospective 1975-1985, exhibition catalog, page 58
Staff writer, photo of “Color Stack”, The New York Times(NJ Edition), Metropolitan Section, Oct 23, 2011, pg. 12
Staff writer, Not Everything Nice, The Weekly Alibi(Albuquerque, NM), vol.9, No. 42, Oct. 19-25, 2000
Staff Writer, The Subject is Paint, The Patent Trader, section C, page 2, February 14, 2002
Staff Writer, Exploring African, Contemproary, Epic Art, Greenwich Time, Arts Section A9, January 28, 2002
Staff writer, Punk Rock Art, Weld, Visual Arts Section, p. 17, August 30-September 6, 2012
Stein, Donna, Rages To Riches: 25 Years of Paper Art from Dieu Donne Papermill, exhibition catalog, page 20, 67
Streitfeld, L.P., With Material Possibilities, The Advocate & Greenwich Time, Page D4, March 10, 2002
Wilkinson, Jeanne, Materials Highlight Contrasts, The Tribeca Trib, page 39 Vol. 5, No 9, May 1999
Wood, Carol, Skowhegan: A Ten-Year Retrospective, New Art Examiner, April 1988
Young, Dede, Beyond The Pale: Material Possibilities, exhibition catalog, Neuberger Museum of Art,
Purchase, NY 2002
Zimmer, William, When the Subject of the Painting..., Art Review, The New York Times,
(Westchester Weekly Desk), February 24, 2002, Section 14WC page 8