RESUME

b. Sydney, Australia

Education

2014 Skowhegan School of Painting and Sculpture, Skowhegan, ME

2011-13 Core Program, Museum of Fine Arts Houston, TX

2011 Whitney Museum of American Art Independent Study Program, New York, NY

2009 Master of Fine Arts, Studio Art, School of the Art Institute of Chicago, IL

Selected Solo/Two Person Exhibitions

2022 Sloth Pants, Doom Clock, Hand Occluding Face, Center3 (cur. Sally Frater), Hamilton, Canada

2021 12M5141521, 14a, Hamburg, Germany 

2018 Penelope Unbound (with Dafni Barbageorgopoulou), Daily Lazy Projects, Athens, Greece

2017 Mirror Lamp Hammer, Paris, London, Hong Kong, Chicago, IL  

2017 Not Even, Good Enough, Atlanta, GA

2017 Mirror Lamp Hammer, Cunsthaus, Tampa, FL

2016 Objective Confess, Minerva, Sydney, Australia

2015 Titled, Ideas Platform, Artspace, Sydney, Australia

2014 Resistance Abstract, F.L.A Gallery (with Lisa Iglesias), Gainesville, FL

2011 Objective Confess, Golden Gallery, Chicago, IL

2011 Australia, db project, Sydney, Australia

2009 Australia (cur. Katherine Pill and Francesca Wilmott; with Aaron Gent), Concertina Gallery, Chicago, IL

Selected Group Exhibitions

2023 Direct Contact: Cameraless Photography Now, The Sidney and Lois Eskenazi Museum of Art (cur. Lauren Richmond), Indiana University Bloomington, IN

2020 Dust: Plates of the Present, Centre Pompidou, Paris, France

2020 National Photography Prize, Murray Art Museum of Albury, NSW, Australia

2019  Art Papers 20th Annual Art Auction, Atlanta, GA

2018  Slop Style, Moisturizer Gallery, Gainesville, FL

2018  If you lived here… 14x48 Public Art Project Billboard, New York, NY

2018  Art Papers 19th Annual Art Auction, Atlanta, GA

2018  Art on Paper Fair, Cinders Gallery, Pier 36, New York, NY

2017  UPROOT (cur. Gabriel de Guzman), Smack Mellon, Brooklyn, NY

2017  The way it is (is to finding a way to keep going), Minerva, Sydney, Australia  

2017  Spring 1883, Minerva Gallery, The Establishment, Sydney, Australia

2017 Darklands, (cur. Sebastian Goldspink), ALASKA Projects, Sydney, Australia 

2016 Spring 1883, Minerva, The Windsor Hotel, Melbourne, Australia

2016 The Invitational, Boca Raton Museum of Art, Boca Raton, FL

2016 PDF-Objects (cur. Jason Lazarus and Sean Ward), Mana Contemporary. Chicago, IL

2016 Affect and Exchange (cur. Benison Kilby), Kings, Melbourne, Australia

2016 Orlando Museum of Art Florida Prize in Contemporary Art, Orlando Museum of Art, Orlando, FL

2015 A Painting Is A Painting Isn’t A Painting (cur. Hamza Walker), The Kadist Foundation, San Francisco, CA

2015 Casual Conversation, Verging on Harassment, Minerva, Sydney, Australia

2015 Discourse in New Media (cur. Rodrigo Valenzuela), The Frye Art Museum, Seattle, WA (screening)

2015 RESPOND, Smack Mellon, Brooklyn, NY

2014 SKOWPerforms, Socrates Sculpture Park, Queens, NY (performance)

2014 Vox X: Present Tense (cur. Matthew Brannon and Howie Chen), Vox Populi, Philadelphia, PA

2014 The Disappearance (cur. David Teh), Centre for Contemporary Art, Singapore (screening)

2014 Stream presented by Two Chairs and C. Bass International Fine Arts, public installation, South Windham, VT

2013 Things are going to change I can feel it (cur. by Cindy Smith), The Dedalus Foundation, New York, NY (screening)

2013 Core Exhibition, Laura Lee Blanton Gallery, Museum of Fine Arts Houston, TX

2012 Performing Transition, Kiasma Museum of Contemporary Art, Helsinki, Finland (screening)

2012 Dallas Biennale, Dallas Contemporary, Dallas, TX

2011 NADA Miami Beach, Golden Gallery, Miami, FL

Selected Reviews and Publications

2018  Carmen Winant, Between Pictures and Concrete Objects, Interview, Aperture Foundation online, December  

2018  Penelope Unbound: Fragmentation, Growth and Healing at Daily Lazy Projects, und.athens, November 28

2017  Not Even featured on Terremoto.mx, June 15

2017  Avi Alpert, “Back to the World Itself: Photography as Exposition with a Postcript on the Politics of Art Criticism after the US Election,” Temporary Art Review, June 2

2016 Jessie French, “Worth Their Weight in Gold: Young Australian Artists to Invest in Right Now,” I-D Magazine, July 8

2016 Matthew J. Palm, “Modern Musings,” Orlando Sentinel, July 15, p. 3-5

2016 Richard Reep & Jessica Bryce Young, “Built on a sense of longing,” Orlando Weekly, July 13

2015 Holland Cotter, “Raging at Racism, From Streets to Galleries,” The New York Times, September 23, p. C25-28

2015 Cindy Smith Stream, published by Two Chairs, exhibition catalogue

2014 Jill Frank, Abstract Acts of Resistance at F.L.A. Gallery in Gainesville, “Burnaway,” June 23

2013 Robert Boyd, “Jolly Good Core Fellows”, the great god pan is dead, March 23

2012 Sally Frater, “Dallas Biennale”, …might be good, Issue 191, June 1

2011 Jane O’Sullivan, Young COFA Graduate Shows in Chicago, Art Collector, September

2011 Alaina Claire Feldman, “Objective Confess at Golden Gallery”, Kaleidoscope, November 7

2011 Michael Weinstein, “Anthea Behm/ Golden Gallery”, New City Art, September 29, pp 5

2010  Amelia Jones, “The Return of Feminism(s) and the Visual Arts, 1970/2009”, Feminisms is still our name, ed. M. Hedlin Hayden & J. Sjoholm Skrubbe, Cambridge Scholars Publishing, London, pp 11-56

Selected Writing and Publications

2018—Editor, daily-lazy.com blog 

2019 “Unlearning Photography,” collaboration with Luke Stettner, Shifter 

2019  “A Conversation / Noor Abed and Anthea Behm,” ASAP/J, June (online)

2015  Do It (Adelaide), commissioned contribution, published by Samstag Museum of Art, Adelaide, Australia

Selected Pedagogical Positions

2018—Co-Director, the Interdisciplinary Art & Theory Program, Jack Shainman Gallery, NY

2018—Part-Time Faculty, Parsons School of Design, MFA Program, The New School. NY

2014—Associate Professor, Creative Photography, University of Florida, Gainesville, FL