Artist Registry
The White Columns Curated Artist Registry is an online platform for emerging and under-recognized artists to share images and information about their respective practices. The Registry seeks to create a context for artists who have yet to benefit from wider critical, curatorial or commercial support. To be eligible, artists cannot be affiliated with a commercial gallery in New York City.
To apply to the Registry, click here. Join our mailing list here to receive our open call announcement and other programming updates. For any further questions about the Registry, please contact us at registry@whitecolumns.org.
RESUME
SOLO EXHIBITIONS
2023 Off-kilter, Garrison Art Center, Garrison, NY
2017 Teeter, Main Window, Brooklyn, NY
2016 Assembly Required, Matteawan Gallery, Beacon, NY
2008 Remapping Savannah, Savannah College of Art and Design, Savannah, Georgia, curated by Erin Dziedzic
2006 Lay of the Land, Schroeder Romero, New York
2004 Small Towns, Schroeder Romero, Brooklyn, NY
2003 The Road to Higher Education, Part 1, Aldrich Contemporary Art Museum, Ridgefield, CT
SELECTED GROUP EXHIBITIONS
2023
Horizon Line, Joyce Goldstein Gallery, Chatham, NY, curated by David Humphrey and Susan Jennings (upcoming)
Library, Tappetto Volante Projects, Brooklyn, NY, curated by Glenn Goldberg
2022
Directions / Into the Woods, Lexington Arts+Science, Lexington, NY, Curated by Jill Benson
2019-20
Description of Events, Sculpture Space, Long Island City, NY, Curated by Patricia Zarate
2019
Unlikely Materials and the Language of Art, Galleries at Krasdale Foods, White Plains, NY
Double Vision: Artists Who Instagram, The Teaching Gallery at Hudson Valley Community College, Troy, NY
2018
Studio Mates, Front Room Gallery, New York, curated by Patricia Fabricant
Tickle the Atman, Re Institute, Millerton, NY, curated by Susan Jennings
2017
Exhibition of Newly Elected Members and Recipients of Honors and Awards, American Academy of Arts and Letters, New York
Invitational Exhibition of Visual Arts, American Academy of Arts and Letters, New York
More Women Painting, Design Sublime, Miami, FL
2016
Altered States, Hewitt Gallery of Art, Marymount Manhattan College, New York
Of an Urban Nature, +1+1 at Theodore Gallery, Brooklyn, NY
2015
Selected works from the Pierogi flat files, Art Hotel Gran Paradiso, Sorrento, Italy
de•con•struct, Matteawan Gallery, Beacon, NY 2015, curated by Krista Svalbonas
Peregrinations, Constellations, Schema Projects, Brooklyn, NY
+1 +1 at Artist Run/The Satellite Show, a collaborate installation with MADEart and LABspace for art week, Miami, FL
2014
eXergY, LABspace, Great Barrington, MA
Pins and Needles, Housatonic Museum of Art, Bridgeport, CT
2013
Disorderly Orderly, Calico, Brooklyn, NY
2011
Mark Making: The Presence of Line, Derfner Judaica Museum, Riverdale
2010
Inquiring Eyes: Greensboro Collects Art, Weatherspoon Art Museum, Greensboro, NC
2009
The Lining of Forgetting, Austin Museum of Art, Austin, TX
Wayfinding, Akus Gallery, Eastern Connecticut University, Willimantic, CT
It’s a Schro Ro Summer!, Schroeder Romero, New York
2008
The Lining of Forgetting, Weatherspoon Art Museum, Greensboro, NC, curated by Xandra Eden (catalog, traveling show)
Serial Meditations, NURTUREart, Brooklyn, NY, curated by Amy Brandt and Melissa Messina
2007
Zoom + –, Arena 1 Gallery, Santa Monica, CA, curated by Doug Beube and Sherry Frumkin
Drawings of Another Kind, Limn Gallery, San Francisco, CA
Breaking New Ground, Iona College, Brother Kenneth Chapman Gallery, New Rochelle, NY
2006
Personal Geographies, Hunter College Gallery, New York, curated by Joanna Lindenbaum (catalog)
Global, Westport Arts Center, Westport, CT, curated by Richard Klein (catalog)
Fantastic Routes, Galería Galou, Brooklyn, NY, curated by Alejandra Villasmil
Synthetic Aesthetic, The Roger Smith Lab, New York
Slow Revolution, Rotunda Gallery, Brooklyn, NY
2005
New Turf, Fleming Museum, University of Vermont, Burlington, VT, Curated by Evelyn Hankins (catalog)
Mental Maps, Dorsky Gallery, Long Island City, NY, curated by Kate Green
Lines & Curves, Limn Gallery, San Francisco, CA
Human Scale, Dumbo Arts Center, Brooklyn, NY, curated by Douglas Bohr
2004
Invitation à la Galerie Schroeder Romero, Galerie Anne Barrault, Paris
CityMaps, ArtPace, San Antonio, TX, curated by Kate Green
Mapped/from there to here, Margaret Thatcher Projects, New York
Synapses, Florence Lynch Gallery
2003
High and Inside, Marlborough Chelsea, New York, curated by Maurice Tuchman (catalog)
Road Trip, Margaret Thatcher Projects, New York
STROKE, Schroeder Romero, Brooklyn, NY
Making a Mark: Janice Caswell and Lordy Rodriquez, Visual Arts Center of Richmond, Richmond, VA
Mapping it out, The Work Space, New York
2002
AIM22, Bronx Museum of the Arts, Bronx, NY
2001
Cities and Desire, Rotunda Gallery/BRIC, Brooklyn, NY
Random Access Memory, Dumbo Arts Center, Brooklyn, NY
2000
Substance, Neoimages, New York
Loopy, Gallery Korea, New York
Size Matters, Gale Gates,Brooklyn, NY
CURATORIAL PROJECTS
2019
Double Vision: Artists Who Instagram, Teaching Gallery at Hudson Valley Community College, Troy, NY, co-curated with Erick Johnson (catalog)
2017
Double Vision: Artists Who Instagram, LABspace, Hillsdale, NY, co-curated with Erick Johnson (catalog)
2016
Of an Urban Nature, +1+1 at Theodore Art, Brooklyn (a +1+1 collaborative curatorial project)
2015
+1 +1, LABspace, Hillsdale, NY
AWARDS
2018
Residency fellowship, Maison Dora Maar, Ménerbes, France
2017
Arts and Letters Award, American Academy of Arts and Letters
2017
Hassam, Speicher, Betts, and Symons Purchase Prize, American Academy of Arts and Letters
2016
Residency fellowship, Yaddo
2015
Residency, Virgina Center for the Creative Arts
2002
Artist in the Marketplace Program, Bronx Museum of the Arts
SELECTED COLLECTIONS AND CORPORATE COMMISSIONS
Museum of Contemporary Art San Diego
Pennsylvania Academy of the Fine Arts
Capital Group Companies
Edelman
Diageo
Abercrombie & Fitch
EDUCATION
BFA, Fine Arts, School of Visual Arts, New York
MA, International Relations, University of Notre Dame, Notre Dame, IN
BA, Philosophy University of Missouri, Columbia, MO
BIBLIOGRAPHY
“Martha Bone and Janice Caswell: Two Solo Shows at Garrison Art Center,” Art Spiel, August 29, 2023, Meg Hitchcock
“Exhibit spotlights photographers who enjoy Instagram,” The Times Union, Albany, NY, March 1, 2019, Amy Griffin
“On Exhibit: Exploring artists’ Instagram connection,” The Daily Gazette, February 7, 2019, Indiana Nash
“Gallery Chronicle,” The New Criterion, April 2017, James Panero
“Q & A With Janice Caswell,” Pierogi Flat Files blog, April 22, 2015, Audrey Irving
“Artist-run @ Satellite,” Two Coats of Paint, December 6, 2015, Sharon Loudon
“Pins and Needles” at Housatonic,” Hartford Courant, January 21, 2014, Susan Dunne
Visual Complexity: Mapping Patterns of Information, 2011, Manuel Lima, Princeton Achitectural Press, New York
The Map as Art: Contemporary Artists Explore Cartography, 2009, Katherine Harmon, Princeton Architectural Press, New York
“The Lining of Forgetting at the Austin Museum of Art – Part II,” Austin on Stage, May 30, 2009
“Remapping Savannah: Site-specific installation and cartography by Janice Caswell@Pinnacle Gallery,” Connect Savannah, May 1, 2008, Bertha Husband
“Memory Landscape Drawings” Information Aesthetics, October 12, 2007, Andrew Vande
“Janice Caswell’s Landscapes” Visual Complexity, Manuel Lima
“Janice Caswell’s Mental Maps: Three-dimensional Glimpses of Memory in Physical Space,” Gay City News, New York, September 28, 2006, Rachel Liberman
“Mental Maps: Dorsky Gallery,” ARTL!ES, Houston, TX, Issue 48 – Summer 2006, Lyra Kilston
“Finding her place: The Fleming’s New Curator lands a ground-breaking exhibit,” Seven Days, Burlington, VT, July 13, 2005, Pamela Poltson
“Lovely lines draw the eye at Limn Gallery,” San Francisco Chronicle, July 9, 2005, Kenneth Baker
“Art to Start With,” New York Post, Oct. 30, 2004, Samuel T. Clover
“Dateline Brooklyn,” Artnet.com, Oct. 2004, Stephen Maine
“Small Towns, Janice Caswell,” M – The New York Art World, Oct. 2004, Joel Simpson
“The October ArtCrawl,” Freewilliamsburg.com, Oct. 2004. Keane Pepper
“City Maps,” ARTL!ES, no. 24, Spring 2004, Catherine Walworth
“Echange de très bons procédés,” Technikart, numero 79, Bénédicte Ramade
“Full House’ at the Aldrich Museum,” NY Arts, Vol. 8, No. 6-8, L.P. Streitfeld
“It’s a ‘Full House’ at the Aldrich Museum,” The Advocate & Greenwich Time, April 27, 2003, L.P. Streitfeld
“Mapping Unseen Territory: Three visual artists plot memory in two different exhibitions,” Style Weekly, Richmond, VA, April 9, 2003, Paulette Roberts-Pullen
“The Art Crawl,” freewilliamsburg.com, Feb, 2003, V35, Keane A. Pepper