Artist Registry


The White Columns Curated Artist Registry is an online platform for emerging and under-recognized artists to share images and information about their respective practices. The Registry seeks to create a context for artists who have yet to benefit from wider critical, curatorial or commercial support. To be eligible, artists cannot be affiliated with a commercial gallery in New York City.




To apply to the Registry, click here. Join our mailing list here to receive our open call announcement and other programming updates. For any further questions about the Registry, please contact us at registry@whitecolumns.org.

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New York NY US
Updated: 2024-07-03 23:35:11

RESUME

SOLO EXHIBITIONS

2023   Off-kilter, Garrison Art Center, Garrison, NY

2017   Teeter, Main Window, Brooklyn, NY

2016   Assembly Required, Matteawan Gallery, Beacon, NY

2008   Remapping Savannah, Savannah College of Art and Design, Savannah, Georgia, curated by Erin Dziedzic

2006   Lay of the Land, Schroeder Romero, New York

2004   Small Towns, Schroeder Romero, Brooklyn, NY

2003   The Road to Higher Education, Part 1, Aldrich Contemporary Art Museum, Ridgefield, CT

 

SELECTED GROUP EXHIBITIONS

2023

Horizon Line, Joyce Goldstein Gallery, Chatham, NY, curated by David Humphrey and Susan Jennings (upcoming)

Library, Tappetto Volante Projects, Brooklyn, NY, curated by Glenn Goldberg

2022

Directions / Into the Woods, Lexington Arts+Science, Lexington, NY, Curated by Jill Benson

2019-20

Description of Events, Sculpture Space, Long Island City, NY, Curated by Patricia Zarate

2019

Unlikely Materials and the Language of Art, Galleries at Krasdale Foods, White Plains, NY

Double Vision: Artists Who Instagram, The Teaching Gallery at Hudson Valley Community College, Troy, NY

2018

Studio Mates, Front Room Gallery, New York, curated by Patricia Fabricant

Tickle the Atman, Re Institute, Millerton, NY, curated by Susan Jennings

2017

Exhibition of Newly Elected Members and Recipients of Honors and Awards, American Academy of Arts and Letters, New York

Invitational Exhibition of Visual Arts, American Academy of Arts and Letters, New York

More Women Painting, Design Sublime, Miami, FL

2016

Altered States, Hewitt Gallery of Art, Marymount Manhattan College, New York

Of an Urban Nature, +1+1 at Theodore Gallery, Brooklyn, NY

2015

Selected works from the Pierogi flat files, Art Hotel Gran Paradiso, Sorrento, Italy

de•con•struct, Matteawan Gallery, Beacon, NY 2015, curated by Krista Svalbonas

Peregrinations, Constellations, Schema Projects, Brooklyn, NY

+1 +1 at Artist Run/The Satellite Show, a collaborate installation with MADEart and LABspace for art week, Miami, FL

2014

eXergY, LABspace, Great Barrington, MA

Pins and Needles, Housatonic Museum of Art, Bridgeport, CT

2013

Disorderly Orderly, Calico, Brooklyn, NY

2011

Mark Making: The Presence of Line, Derfner Judaica Museum, Riverdale

2010

Inquiring Eyes: Greensboro Collects Art, Weatherspoon Art Museum, Greensboro, NC

2009

The Lining of Forgetting, Austin Museum of Art, Austin, TX

Wayfinding, Akus Gallery, Eastern Connecticut University, Willimantic, CT

It’s a Schro Ro Summer!, Schroeder Romero, New York

2008

The Lining of Forgetting, Weatherspoon Art Museum, Greensboro, NC, curated by Xandra Eden (catalog, traveling show)

Serial Meditations, NURTUREart, Brooklyn, NY, curated by Amy Brandt and Melissa Messina

2007

Zoom + –, Arena 1 Gallery, Santa Monica, CA, curated by Doug Beube and Sherry Frumkin

Drawings of Another Kind, Limn Gallery, San Francisco, CA

Breaking New Ground, Iona College, Brother Kenneth Chapman Gallery, New Rochelle, NY

2006

Personal Geographies, Hunter College Gallery, New York, curated by Joanna Lindenbaum (catalog)

Global, Westport Arts Center, Westport, CT, curated by Richard Klein (catalog)

Fantastic Routes, Galerí­a Galou, Brooklyn, NY, curated by Alejandra Villasmil

Synthetic Aesthetic, The Roger Smith Lab, New York

Slow Revolution, Rotunda Gallery, Brooklyn, NY

2005

New Turf, Fleming Museum, University of Vermont, Burlington, VT, Curated by Evelyn Hankins (catalog)

Mental Maps, Dorsky Gallery, Long Island City, NY, curated by Kate Green

Lines & Curves, Limn Gallery, San Francisco, CA

Human Scale, Dumbo Arts Center, Brooklyn, NY, curated by Douglas Bohr

2004

Invitation à la Galerie Schroeder Romero, Galerie Anne Barrault, Paris

CityMaps, ArtPace, San Antonio, TX, curated by Kate Green

Mapped/from there to here, Margaret Thatcher Projects, New York

Synapses, Florence Lynch Gallery

2003

High and Inside, Marlborough Chelsea, New York, curated by Maurice Tuchman (catalog)

Road Trip, Margaret Thatcher Projects, New York

STROKE, Schroeder Romero, Brooklyn, NY

Making a Mark: Janice Caswell and Lordy Rodriquez, Visual Arts Center of Richmond, Richmond, VA

Mapping it out, The Work Space, New York

2002

AIM22, Bronx Museum of the Arts, Bronx, NY

2001

Cities and Desire, Rotunda Gallery/BRIC, Brooklyn, NY

Random Access Memory, Dumbo Arts Center, Brooklyn, NY

2000

Substance, Neoimages, New York

Loopy, Gallery Korea, New York

Size Matters, Gale Gates,Brooklyn, NY

 

CURATORIAL PROJECTS

2019

Double Vision: Artists Who Instagram, Teaching Gallery at Hudson Valley Community College, Troy, NY, co-curated with Erick Johnson (catalog)

2017

Double Vision: Artists Who Instagram, LABspace, Hillsdale, NY, co-curated with Erick Johnson (catalog)

2016

Of an Urban Nature, +1+1 at Theodore Art, Brooklyn (a +1+1 collaborative curatorial project)

2015

+1 +1, LABspace, Hillsdale, NY

AWARDS

2018

Residency fellowship, Maison Dora Maar, Ménerbes, France

2017

Arts and Letters Award, American Academy of Arts and Letters

2017

Hassam, Speicher, Betts, and Symons Purchase Prize, American Academy of Arts and Letters

2016

Residency fellowship, Yaddo

2015

Residency, Virgina Center for the Creative Arts

2002

Artist in the Marketplace Program, Bronx Museum of the Arts

 

SELECTED COLLECTIONS AND CORPORATE COMMISSIONS

Museum of Contemporary Art San Diego

Pennsylvania Academy of the Fine Arts

Capital Group Companies

Edelman

Diageo

Abercrombie & Fitch

 

EDUCATION

BFA, Fine Arts, School of Visual Arts, New York

MA, International Relations, University of Notre Dame, Notre Dame, IN

BA, Philosophy University of Missouri, Columbia, MO

 

BIBLIOGRAPHY

“Martha Bone and Janice Caswell: Two Solo Shows at Garrison Art Center,” Art Spiel, August 29, 2023, Meg Hitchcock

Exhibit spotlights photographers who enjoy Instagram,” The Times Union, Albany, NY, March 1, 2019, Amy Griffin

“On Exhibit: Exploring artists’ Instagram connection,” The Daily Gazette, February 7, 2019, Indiana Nash

Gallery Chronicle,” The New Criterion, April 2017, James Panero

Q & A With Janice Caswell,” Pierogi Flat Files blog, April 22, 2015, Audrey Irving

Artist-run @ Satellite,” Two Coats of Paint, December 6, 2015, Sharon Loudon

Pins and Needles” at Housatonic,” Hartford Courant, January 21, 2014, Susan Dunne

Visual Complexity: Mapping Patterns of Information, 2011, Manuel Lima, Princeton Achitectural Press, New York

The Map as Art: Contemporary Artists Explore Cartography, 2009, Katherine Harmon, Princeton Architectural Press, New York

“The Lining of Forgetting at the  Austin Museum of Art – Part II,” Austin on Stage, May 30, 2009

Remapping Savannah: Site-specific installation and cartography by Janice Caswell@Pinnacle Gallery,” Connect Savannah, May 1, 2008, Bertha Husband

Memory Landscape Drawings” Information Aesthetics, October 12, 2007, Andrew Vande

Janice Caswell’s Landscapes” Visual Complexity, Manuel Lima

“Janice Caswell’s Mental Maps: Three-dimensional Glimpses of Memory in Physical Space,” Gay City News, New York, September 28, 2006, Rachel Liberman

Mental Maps: Dorsky Gallery,” ARTL!ES, Houston, TX, Issue 48 – Summer 2006, Lyra Kilston

“Finding her place: The Fleming’s New Curator lands a ground-breaking exhibit,” Seven Days,  Burlington, VT, July 13, 2005, Pamela Poltson

Lovely lines draw the eye at Limn Gallery,” San Francisco Chronicle, July 9, 2005, Kenneth Baker

Art to Start With,” New York Post, Oct. 30, 2004, Samuel T. Clover

Dateline Brooklyn,” Artnet.com, Oct. 2004, Stephen Maine

“Small Towns, Janice Caswell,” M – The New York Art World, Oct. 2004, Joel Simpson

“The October ArtCrawl,” Freewilliamsburg.com, Oct. 2004. Keane Pepper

City Maps,” ARTL!ES, no. 24, Spring 2004, Catherine Walworth

“Echange de très bons procédés,” Technikart, numero 79, Bénédicte Ramade

“Full House’ at the Aldrich Museum,” NY Arts, Vol. 8, No. 6-8, L.P. Streitfeld

“It’s a ‘Full House’ at the Aldrich Museum,” The Advocate & Greenwich Time, April 27, 2003, L.P. Streitfeld

Mapping Unseen Territory: Three visual artists plot memory in two different exhibitions,” Style Weekly, Richmond, VA, April 9, 2003, Paulette Roberts-Pullen

“The Art Crawl,” freewilliamsburg.com, Feb, 2003, V35, Keane A. Pepper