Artist Registry


The White Columns Curated Artist Registry is an online platform for emerging and under-recognized artists to share images and information about their respective practices. The Registry seeks to create a context for artists who have yet to benefit from wider critical, curatorial or commercial support. To be eligible, artists cannot be affiliated with a commercial gallery in New York City.




To apply to the Registry, click here. Join our mailing list here to receive our open call announcement and other programming updates. For any further questions about the Registry, please contact us at registry@whitecolumns.org.

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Brooklyn NY US
Updated: 2023-07-11 11:49:27

RESUME

LIZ LINDEN                                                               

ealinden@gmail.com                                

www.lizlinden.com

www.contemporaryfeminism.com

www.surfstreetpress.com.au

 

EDUCATION

2018      University of Wollongong, PhD in Visual Art, Wollongong, Australia 

2009      Whitney Independent Study Program, New York, NY

2002      Yale University, BA in English and French Literature, New Haven, CT

2001      École Nationale Supérieur des Arts-Décoratifs, Paris, France

            

SELECTED Solo Exhibitions / Projects

2019     The New York Times Feminist Reading Group, in collaboration with Jen Kennedy, San José

Museum of Art, San José, California

2017     TELETHON, in collaboration with Jen Kennedy, Hammer Museum, Los Angeles, CA

Damaged Goods, Cleopatras, Brooklyn, NY

2015      Target Practice, TEAM Gallery, University of Wollongong, Wollongong, Australia

2014      I wasn’t lying; you didn’t ask the correct questions., Hagedorn Foundation Gallery, Atlanta, GA

2011      Mall of America, Artspace, New Haven, CT

                  City Grammar, two-person exhibition with Nanna Debois Buhl, Bureau, New York, NY

2010      making ourselves visible, in collaboration with Jen Kennedy, Brooklyn Museum, Brooklyn, NY         

2009      Back to the Future, in collaboration with Jen Kennedy, February 21, 2009, Whitney

Museum of American Art, New York, NY

2007      Doubles, Buia Gallery, New York, NY

                  PAWNSHOP, in collaboration with Julieta Aranda and Anton Vidokle, e-flux, New York, NY

 

 

SELECTED Group Exhibitions / Projects

2021    The Position of the Sun in the Sky, White Columns (online)

2018     Past and Future Fictions, PS1, Queens, NY

            In Real Life, Worth Ryder Art Gallery, University of California, Berkeley, CA

2017     En Masse: Books Orchestrated, Center for Book Arts, New York (cat.)

            Archive of Affect, Nurture Art, Brooklyn, NY

            Forever Transformed, Gertrude Contemporary, Melbourne, Australia

2016      Utopia is No Place, Utopia is Process, in collaboration with Jen Kennedy, Usdan Gallery,

Bennington College, Bennington, VT

                  The Sydney Morning Herald Feminist Reading Group, in collaboration with Jen Kennedy, Museum of Contemporary Art, Sydney, Australia

2015      RECALL, Art in Odd Places 2015, New York, NY (cat.)

                  pilot press… (year-long installation), in collaboration with Jen Kennedy, PARMER at Abrons Art Center, New York, NY

                  Then and Now: Artists in Residence, Center for Book Arts, New York, NY (cat.)

                  Then and Now, Castle Gallery at the College of New Rochelle, New Rochelle, NY (cat.)

                  When Words Collide II, in collaboration with Nanna Debois Buhl, Galleri Tom Christoffersen, Copenhagen, Denmark

2014      The New York Times Feminist Reading Group, in collaboration with Jen Kennedy, various

instutions including ICI, The Brooklyn Museum, Momenta Art, New York, NY

                  Art Book Weekend, Deamon’s Mouth, Oslo, Norway

                  As We Were Saying, in collaboration with Jen Kennedy, Elizabeth Foundation for the Arts Gallery, New York, NY

2013      Brass in Pocket, Booklyn Artists Alliance, Brooklyn, NY (cat.)           

                  Jackson Court Commission Finalists Proposals, Rush Rhees Gallery, University of Rochester, Rochester, NY

                  Welcome to the Real, in collaboration with Nanna Debois Buhl, TEMP art space, New York, NY

2012      2011 Workspace Artists-in-Residence, Center for Book Arts, New York, NY

                  Young Curators, New Ideas IV, in collaboration with Jen Kennedy, Meulensteen Gallery, New York, NY (cat.)

                  Visions and Voices, in collaboration with Jen Kennedy, University of Southern California, Los Angeles, CA

                  Stuff Lust, Dekalb Gallery, Pratt's Institute, Brooklyn, NY (cat.)

2011      F is for Fake, in collaboration with Jen Kennedy, Cleopatra’s, Brooklyn, NY

                  h.arta group, in collaboration with h.arta and Jen Kennedy, Ludlow 38, New York, NY (cat.)

2010      The Last Newspaper, in collaboration with Jen Kennedy, New Museum, New York, NY

                  Lunds konsthall Presentation, in collaboration with Nanna Debois Buhl, Lunds konsthall, Lund, Sweden

2009      PERFORMA, live radio performance with Jen Kennedy, project by Broadside, New York, NY

                  Analog Sunset, in collaboration with Ethan Breckenridge and Phil Vanderhyden, Ludlow 38, New York, NY

                  Whitney ISP Studio Exhibition, Art in General, New York, NY

                  SIGN!, Art in Odd Places 2009, New York, NY (cat.)

2008      Show 1, Kate Werble Gallery, New York, NY

                  L’Argent, FRAC Ile-de-France/Le Plateau, Paris, France

2006      Peace Tower 2006, Whitney Biennial: Day for Night, Whitney Museum, New York, NY

 

GRANTS / FELLOWSHIPS / RESIDENCIES

2018     Arts Writers Grant, Creative Capital

2017     Hammer Museum Public Engagement Residency, Los Angeles, CA

2016      Brian Crowther Prize, University of Wollongong

2015      Puffin Foundation Artist’s Grant

2014      New York Council for the Humanities Project Grant Recipient

                  Artist’s Book of the Moment Shortlist

2013      Culture Push Fellow

2011      Artist-in-Residence, Center for Book Arts, New York, NY  

2010      Danish Arts Council Grant, DANY 2010

Department of Cultural Affairs (DCA): Brooklyn Arts Council Community Regrant

Puffin Foundation Artist’s Grant

Resident Artist, Capacete, Rio de Janeiro, Brazil

 

BIBLIOGRAPHY

2021   The New York Times, “Why Do We Make It So Hard for Artist Moms to Flourish?” Mara Altman, 5/26/2021

2017   Art Review Asia, “Octopus 17: Forever Transformed at Gertrude Contemporary, Melbourne,” Tristen Harwood, Autumn 2017

           Memo Review, “’Forever Transformed’ at Gertrude Contemporary,” Anna Parlane, 9/2/2017

            Broadsheet Melbourne, “The New Gertrude,” Will Cox, 8/8/2017

           Vision Radio Australia, “Behind the Scenes,” John Sheridan, 9/21/2017

            Runway Conversations, “The Politics of Resilience,” 8/22/2017

           Concrete Playground, “Octopus 17: Forever Transformed,” Hudson Brown, 7/4/2017

           The Journal of Feminist Scholarship, “Not Mine Alone, Nor Mine to Own,” Jackie Mabey, Issue 12-13

2015      Hyperallergic.com, “The 2015 NADA Art Fair in 25 Superlatives,” Jillian Steinhauer, May 15, 2015

2014      The New York Observer, “Call It the Gray Womyn: Reading The New York Times From a

Feminist Perspective,” by Kara Bloomgarden-Smoke, February 12, 2014

2013      C Magazine, “Le baiser de l'institution: Feminism After Elles,” by Ania Wroblewski, Issue 117,

spring 2013

Gender Art/Work and the Global Imperative, by Angela Dimitrakai, published by Manchester University Press (Manchester), 2013

Politics in a Glass Case; Exhibiting Feminist Art, edited by Angela Dimitrakai and Lara Perry, published by Liverpool University Press (Liverpool), 2013

Artfcity.com, “This Week’s Must See Art Events: Grab the Popcorn Edition,” August 12, 2013

2012      The first 3 years of Ludlow 38, Tobi Maier, Antonia Lotz (eds.), Spector Books, Leipzig, Germany

2011      Artforum.com, “Critic’s Pick, Nanna Debois Buhl & Liz Linden,” by Sarah Lookofsky, July 14,2011

New Haven Register, “PICK OF THE ARTS: Artspace’s ingenious ‘Mall of America’ show,” by

Donna Doherty, March 3, 2011

2010      Differences, VOL. 21, NO. 1, “‘Women’s Time’ in Theory,” by Emily Apter, spring 2010

 

PUBLICATIONS

2021    October, "Art Writing and Allegory In the Anthropocene," co-written with Susan Ballard, Issue 175

2019     Camera Obscura, “Women With Cameras: the Invention of the Selfie in the Photography of Anne

Collier,” Issue 101, September 2019

The Anthropocene Review, “Robert Smithson, Geoaesthetics, and Multivalence: Looking for Art in the Anthropocene,” co-written with Susan Ballard, April 2019

2017     “Alone in the Crowd: Appropriated Text and Subjectivity in the Work of Rirkrit Tiravanija,” Third

Text, published by Routledge (London), February 2017

2016      “Reframing Pictures: Reading the Art of Appropriation,” Art Journal, published by CAA (New

York), winter 2016 (forthcoming)

                  The Rocks of Albany, artists’ book in collaboration with James Angus, published by Surf Street Press (Australia)

                  Target Practice by Jessica Michael, artist’s book, published by Surf Street Press (Australia)

2014      The New York Times Feminist Reading Group Yearbook, artists’ book in collaboration with Jen Kennedy, published by Revolver (Berlin)

2013      JANIS II, published by The Commercial/MCLEMOI (Sydney)

2010      City Grammar, artists’ book in collaboration with Nanna Debois Buhl, published by Revolver

(Berlin), fall 2010

2009      Alphabet Prime, “Making Ourselves Visible” with Jen Kennedy, Winter 2009

 

PUBLIC COLLECTIONS

The Hammer Museum, Los Angeles, California

The Center for Book Arts, New York

The New York Public Library, New York