Artist Registry
The White Columns Curated Artist Registry is an online platform for emerging and under-recognized artists to share images and information about their respective practices. The Registry seeks to create a context for artists who have yet to benefit from wider critical, curatorial or commercial support. To be eligible, artists cannot be affiliated with a commercial gallery in New York City.
To apply to the Registry, click here. Join our mailing list here to receive our open call announcement and other programming updates. For any further questions about the Registry, please contact us at registry@whitecolumns.org.
RESUME
LIZ LINDEN
EDUCATION
2018 University of Wollongong, PhD in Visual Art, Wollongong, Australia
2009 Whitney Independent Study Program, New York, NY
2002 Yale University, BA in English and French Literature, New Haven, CT
2001 École Nationale Supérieur des Arts-Décoratifs, Paris, France
SELECTED Solo Exhibitions / Projects
2019 The New York Times Feminist Reading Group, in collaboration with Jen Kennedy, San José
Museum of Art, San José, California
2017 TELETHON, in collaboration with Jen Kennedy, Hammer Museum, Los Angeles, CA
Damaged Goods, Cleopatras, Brooklyn, NY
2015 Target Practice, TEAM Gallery, University of Wollongong, Wollongong, Australia
2014 I wasn’t lying; you didn’t ask the correct questions., Hagedorn Foundation Gallery, Atlanta, GA
2011 Mall of America, Artspace, New Haven, CT
City Grammar, two-person exhibition with Nanna Debois Buhl, Bureau, New York, NY
2010 making ourselves visible, in collaboration with Jen Kennedy, Brooklyn Museum, Brooklyn, NY
2009 Back to the Future, in collaboration with Jen Kennedy, February 21, 2009, Whitney
Museum of American Art, New York, NY
2007 Doubles, Buia Gallery, New York, NY
PAWNSHOP, in collaboration with Julieta Aranda and Anton Vidokle, e-flux, New York, NY
SELECTED Group Exhibitions / Projects
2021 The Position of the Sun in the Sky, White Columns (online)
2018 Past and Future Fictions, PS1, Queens, NY
In Real Life, Worth Ryder Art Gallery, University of California, Berkeley, CA
2017 En Masse: Books Orchestrated, Center for Book Arts, New York (cat.)
Archive of Affect, Nurture Art, Brooklyn, NY
Forever Transformed, Gertrude Contemporary, Melbourne, Australia
2016 Utopia is No Place, Utopia is Process, in collaboration with Jen Kennedy, Usdan Gallery,
Bennington College, Bennington, VT
The Sydney Morning Herald Feminist Reading Group, in collaboration with Jen Kennedy, Museum of Contemporary Art, Sydney, Australia
2015 RECALL, Art in Odd Places 2015, New York, NY (cat.)
pilot press… (year-long installation), in collaboration with Jen Kennedy, PARMER at Abrons Art Center, New York, NY
Then and Now: Artists in Residence, Center for Book Arts, New York, NY (cat.)
Then and Now, Castle Gallery at the College of New Rochelle, New Rochelle, NY (cat.)
When Words Collide II, in collaboration with Nanna Debois Buhl, Galleri Tom Christoffersen, Copenhagen, Denmark
2014 The New York Times Feminist Reading Group, in collaboration with Jen Kennedy, various
instutions including ICI, The Brooklyn Museum, Momenta Art, New York, NY
Art Book Weekend, Deamon’s Mouth, Oslo, Norway
As We Were Saying, in collaboration with Jen Kennedy, Elizabeth Foundation for the Arts Gallery, New York, NY
2013 Brass in Pocket, Booklyn Artists Alliance, Brooklyn, NY (cat.)
Jackson Court Commission Finalists Proposals, Rush Rhees Gallery, University of Rochester, Rochester, NY
Welcome to the Real, in collaboration with Nanna Debois Buhl, TEMP art space, New York, NY
2012 2011 Workspace Artists-in-Residence, Center for Book Arts, New York, NY
Young Curators, New Ideas IV, in collaboration with Jen Kennedy, Meulensteen Gallery, New York, NY (cat.)
Visions and Voices, in collaboration with Jen Kennedy, University of Southern California, Los Angeles, CA
Stuff Lust, Dekalb Gallery, Pratt's Institute, Brooklyn, NY (cat.)
2011 F is for Fake, in collaboration with Jen Kennedy, Cleopatra’s, Brooklyn, NY
h.arta group, in collaboration with h.arta and Jen Kennedy, Ludlow 38, New York, NY (cat.)
2010 The Last Newspaper, in collaboration with Jen Kennedy, New Museum, New York, NY
Lunds konsthall Presentation, in collaboration with Nanna Debois Buhl, Lunds konsthall, Lund, Sweden
2009 PERFORMA, live radio performance with Jen Kennedy, project by Broadside, New York, NY
Analog Sunset, in collaboration with Ethan Breckenridge and Phil Vanderhyden, Ludlow 38, New York, NY
Whitney ISP Studio Exhibition, Art in General, New York, NY
SIGN!, Art in Odd Places 2009, New York, NY (cat.)
2008 Show 1, Kate Werble Gallery, New York, NY
L’Argent, FRAC Ile-de-France/Le Plateau, Paris, France
2006 Peace Tower 2006, Whitney Biennial: Day for Night, Whitney Museum, New York, NY
GRANTS / FELLOWSHIPS / RESIDENCIES
2018 Arts Writers Grant, Creative Capital
2017 Hammer Museum Public Engagement Residency, Los Angeles, CA
2016 Brian Crowther Prize, University of Wollongong
2015 Puffin Foundation Artist’s Grant
2014 New York Council for the Humanities Project Grant Recipient
Artist’s Book of the Moment Shortlist
2013 Culture Push Fellow
2011 Artist-in-Residence, Center for Book Arts, New York, NY
2010 Danish Arts Council Grant, DANY 2010
Department of Cultural Affairs (DCA): Brooklyn Arts Council Community Regrant
Puffin Foundation Artist’s Grant
Resident Artist, Capacete, Rio de Janeiro, Brazil
BIBLIOGRAPHY
2021 The New York Times, “Why Do We Make It So Hard for Artist Moms to Flourish?” Mara Altman, 5/26/2021
2017 Art Review Asia, “Octopus 17: Forever Transformed at Gertrude Contemporary, Melbourne,” Tristen Harwood, Autumn 2017
Memo Review, “’Forever Transformed’ at Gertrude Contemporary,” Anna Parlane, 9/2/2017
Broadsheet Melbourne, “The New Gertrude,” Will Cox, 8/8/2017
Vision Radio Australia, “Behind the Scenes,” John Sheridan, 9/21/2017
Runway Conversations, “The Politics of Resilience,” 8/22/2017
Concrete Playground, “Octopus 17: Forever Transformed,” Hudson Brown, 7/4/2017
The Journal of Feminist Scholarship, “Not Mine Alone, Nor Mine to Own,” Jackie Mabey, Issue 12-13
2015 Hyperallergic.com, “The 2015 NADA Art Fair in 25 Superlatives,” Jillian Steinhauer, May 15, 2015
2014 The New York Observer, “Call It the Gray Womyn: Reading The New York Times From a
Feminist Perspective,” by Kara Bloomgarden-Smoke, February 12, 2014
2013 C Magazine, “Le baiser de l'institution: Feminism After Elles,” by Ania Wroblewski, Issue 117,
spring 2013
Gender Art/Work and the Global Imperative, by Angela Dimitrakai, published by Manchester University Press (Manchester), 2013
Politics in a Glass Case; Exhibiting Feminist Art, edited by Angela Dimitrakai and Lara Perry, published by Liverpool University Press (Liverpool), 2013
Artfcity.com, “This Week’s Must See Art Events: Grab the Popcorn Edition,” August 12, 2013
2012 The first 3 years of Ludlow 38, Tobi Maier, Antonia Lotz (eds.), Spector Books, Leipzig, Germany
2011 Artforum.com, “Critic’s Pick, Nanna Debois Buhl & Liz Linden,” by Sarah Lookofsky, July 14,2011
New Haven Register, “PICK OF THE ARTS: Artspace’s ingenious ‘Mall of America’ show,” by
Donna Doherty, March 3, 2011
2010 Differences, VOL. 21, NO. 1, “‘Women’s Time’ in Theory,” by Emily Apter, spring 2010
PUBLICATIONS
2021 October, "Art Writing and Allegory In the Anthropocene," co-written with Susan Ballard, Issue 175
2019 Camera Obscura, “Women With Cameras: the Invention of the Selfie in the Photography of Anne
Collier,” Issue 101, September 2019
The Anthropocene Review, “Robert Smithson, Geoaesthetics, and Multivalence: Looking for Art in the Anthropocene,” co-written with Susan Ballard, April 2019
2017 “Alone in the Crowd: Appropriated Text and Subjectivity in the Work of Rirkrit Tiravanija,” Third
Text, published by Routledge (London), February 2017
2016 “Reframing Pictures: Reading the Art of Appropriation,” Art Journal, published by CAA (New
York), winter 2016 (forthcoming)
The Rocks of Albany, artists’ book in collaboration with James Angus, published by Surf Street Press (Australia)
Target Practice by Jessica Michael, artist’s book, published by Surf Street Press (Australia)
2014 The New York Times Feminist Reading Group Yearbook, artists’ book in collaboration with Jen Kennedy, published by Revolver (Berlin)
2013 JANIS II, published by The Commercial/MCLEMOI (Sydney)
2010 City Grammar, artists’ book in collaboration with Nanna Debois Buhl, published by Revolver
(Berlin), fall 2010
2009 Alphabet Prime, “Making Ourselves Visible” with Jen Kennedy, Winter 2009
PUBLIC COLLECTIONS
The Hammer Museum, Los Angeles, California
The Center for Book Arts, New York
The New York Public Library, New York