Artist Registry


The White Columns Curated Artist Registry is an online platform for emerging and under-recognized artists to share images and information about their respective practices. The Registry seeks to create a context for artists who have yet to benefit from wider critical, curatorial or commercial support. To be eligible, artists cannot be affiliated with a commercial gallery in New York City.




To apply to the Registry, click here. Join our mailing list here to receive our open call announcement and other programming updates. For any further questions about the Registry, please contact us at registry@whitecolumns.org.

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Updated: 2023-10-22 07:57:04

Videos


Pyramids and Parabolas I

2019
Weaving together scenes from the movie Contact with 16mm footage shot at the Very Large Array — the radio astronomy observatory in New Mexico, as well as three Mayan pyramids across the Yucatán Peninsula in Mexico—Calakmul, Uxmal, and Cobá, Pyramids and Parabolas I is the first of a multi-episodic infinite film series that imagines how geometric forms can function as portals into parallel dimensions. The parabolic shape of modern day radio telescopes—made to listen to signals emitted by celestial objects and events, and similarly the pyramidal shapes of ancient Mayan monoliths—where priests communed with forces beyond the human realm, can both be understood as ways of transiting into alternate universes.
Added on: July 28, 2023


Untitled

2021
Pyramids and Parabolas is an infinite film series that explores our relationship to the natural world by examining how we communicate with the unknown universe through geometric structures. The idea of an infinite film series allows each episode to take on a looseness and autonomy in order to experiment freely with the serial form. From collage, to essayist, to abstract, each installment of the series assumes a different genre, which can be independent of the others. The episodes all-together form a total work of art with a common theme and interconnected narrative threads. As the series unfolds, Pyramids and Parabolas will shape shift and take on a life of its own. New ideas and formal experiments may emerge from the openness of the film form that is not predetermined. The first episode established the groundwork for the dialectic between the pyramidal structure of ancient monolithic architecture and the parabolic shape of modern radio telescopes. Featuring found dash-cam footage of the apocalyptic fireball that came crashing down from outer space into Chelyabinsk, Russia, Pyramids and Parabolas started with a bang that signaled our precarity in the cosmos as a vulnerable planet amidst powerful natural forces. Our relationship to nature is not just what is on Earth; we live in a nature that is largely inhospitable to humans and other living organisms. Calling attention to the body in order to foreground the experiential aspect of the film, the second episode of Pyramids and Parabolas begins with a three-minute body scan meditation in the dark. Followed by a quote from the Three Body Problem, “Three days from now, between one and five in the morning, the entire universe will flicker for you” — which acts almost like a spell, the film is a travelogue of the artist journeying through surreal and sublime landscapes in nature. Bookended by the building of a NASA JOVE radio telescope in Twentynine Palms, California, the collage film is the artist’s quest to touch the cosmos and connect with the universe through flesh.
Added on: July 28, 2023


Oracle

2017
Oracle is a meditation on the relationship between plants, humans, and technology. Filmed collaboratively by Ben Tong and Alice Wang at Biosphere2 — a self-contained ecosystem enclosed in a 3.14-acre glass and steel structure, the work defamiliarizes the synthetic structure and the organisms living within it. In the age of the Holocene, the space of Biosphere2 becomes an allegory for our entanglement with the world. Despite our technological interventions, we find that it is no longer the case that we can disregard the noumenal world. Forces and substances like CO2, bacteria, UV rays, the weather and viruses exert their own presence. What is at stake is another way of relating to our mediated environment, our place within it, and death. The end, however, might not be as instantly catastrophic as our movies predict. Evil, as Hannah Arendt said, might be more akin to the banal. It is what we see, and what we have become normalized to — in the everyday reports of rising sea levels and destructive weather patterns. Not merely conceptualizing these threats, Oracle seeks to generate an emotional and aesthetic relationship to the world we live in, and to build complex intra-actions within our space.
Added on: July 28, 2023