Artist Registry
The White Columns Curated Artist Registry is an online platform for emerging and under-recognized artists to share images and information about their respective practices. The Registry seeks to create a context for artists who have yet to benefit from wider critical, curatorial or commercial support. To be eligible, artists cannot be affiliated with a commercial gallery in New York City.
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STATEMENT OF WORK
My-Lan Hoang-Thuy works through processes of accumulation, assemblage, painting, and photography to reconfigure past fragments into new compositions. Paint and pigment are layered, peeled, cut and reassembled, mimicking the way memory is built, eroded and reconfigured over time. Tactile, structural works form a palimpsest-like quality, hovering between memory and abstraction. My Lan's installations appear as visual timelines, alongside an archive of photographs that chronicle daily life, mapping the sedimentary remnants of perpetual becoming.
Recent exhibitions include This Transition Will Never End (Group Show), FRAC Champagne Ardenne, Reims (2025); Vestige (Group Show), Project Native Informant, London (2024); Notes, Galerie Mitterrand, Paris (2024); I Hit You With a Flower, Stedelijk Museum, Schiedam (2024); Femme Actuelle, Maison Européenne de la Photographie, Paris (2023); Boys Band, Christie’s, Paris (2023). Her work has been shown at Centre Pompidou, Paris; FRAC Grand Large Hauts-de-France, Dunkerque; Musée d’Art Moderne de Saint-Étienne, among others, and is held in the collections of FRAC Champagne-Ardenne, FRAC Auvergne, and FRAC Nouvelle-Aquitaine.