The Curated Artist Registry is now accepting submissions!
Applications are due no later than Thursday July 31, 2025 at 11:59 PM EST



Artist Registry


The White Columns Curated Artist Registry is an online platform for emerging and under-recognized artists to share images and information about their respective practices. The Registry seeks to create a context for artists who have yet to benefit from wider critical, curatorial or commercial support. To be eligible, artists cannot be affiliated with a commercial gallery in New York City.




To apply to the Registry, click here. Join our mailing list here to receive our open call announcement and other programming updates. For any further questions about the Registry, please contact us at registry@whitecolumns.org.

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London GB
Updated: 2025-06-13 16:55:26

STATEMENT OF WORK

I'm an artist based in London, UK. My works share an aesthetic attitude but float across the disciplinary boundaries of painting, drawing, printmaking and performance. Separate processes and visual languages are compressed into one surface, like multitrack instrumentation into the flow of a song. Coherent yet fluid, my images crystallise elements that are in the process of dispersal and reconfiguration.

Action quickens into image and marks echo into pattern. Gestures travel across bodies of work, becoming motifs. The editing eye crops, dismantles and abstracts whilst a curatorial impulse traces lateral connections across forms, times and senses.

Recent bodies of work include the simultaneous production of small drawings and large paintings. The paintings co-exist as backdrops for improvised live actions, or perhaps they are dancing partners for sensitive duets. These serial and fractured dances are then translated through meticulous drawing. The act of making and presenting (work and self) is addressed, as is mediacy – a deceleration of visual information as it moves through material guises.

My works are a dance between moment and document, abstraction and representation, intuition and self-consciousness. My practice is fed by practical research into art, movement, and music pedagogy as well as a critical engagement in art histories (focusing on embodied or transdisciplinary approaches). Alongside my studio-based practice I occasionally produce writing and sound, often using prosody to emphasise the materiality of language, a place where form and meaning catch.