Artist Registry
The White Columns Curated Artist Registry is an online platform for emerging and under-recognized artists to share images and information about their respective practices. The Registry seeks to create a context for artists who have yet to benefit from wider critical, curatorial or commercial support. To be eligible, artists cannot be affiliated with a commercial gallery in New York City.
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STATEMENT OF WORK
Interested in rewriting history through weaving, Michaëlle Sergile mainly reworks texts and books on postcolonial theories. Frantz Fanon, often cited as one of the most important authors of postcolonial theories, addressed in 1952, in Black skin, white masks, not only the power relations between colonized and colonizers, but also the relations between the person of colour and their "community". It is through this major work that the codification system took shape allowing the artist to weave books and passages thus questioning cultural identity.
The lexicon of weaving is closely linked to questions of identity. When we weave threads that intersect and form intersections, these are, in a way, discourses that take place. They reflect at times, a cultural mix where the fabric becomes a cross between different cultures. While by others, these threads reflect the intersections of an intersectional thought.
She also examines the relationship between the writings of authors such as Frantz Fanon, Mayotte Capécia and Félix Mnthali, the place of black women in these postcolonial narratives and cultural identity, and the notion of the “foreigner” through media such as photography, sculpture, the moving image and sound.