Artist Registry
The White Columns Curated Artist Registry is an online platform for emerging and under-recognized artists to share images and information about their respective practices. The Registry seeks to create a context for artists who have yet to benefit from wider critical, curatorial or commercial support. To be eligible, artists cannot be affiliated with a commercial gallery in New York City.
To apply to the Registry, click here. Join our mailing list here to receive our open call announcement and other programming updates. For any further questions about the Registry, please contact us at registry@whitecolumns.org.
STATEMENT OF WORK
I am a San Francisco-based artist and geospatial software developer. Through performance and video I reinvigorate the perceptual inquiries of structural filmmakers, experimental animators, the Light and Space Movement, and concrete/visual poetry as new possibilities in digital cartography. My concerns include perceptual pleasure and fatigue, geographies of the natural and built environment, and subverting the presumed objectivity/authority of maps.
Since its premiere in April 2022 I've given over thirty performances of "A Synesthete's Atlas" across North America and Europe, during which I manipulate projected digital maps in collaboration with improvising musicians and other time-based artists as a form of expanded cinema. I describe it as a visual wash of street grids, land masses, water bodies, and curiosities from built and natural environments; others have called it truly radical cartography as well as pre-, post-, and anti-cinema.
Throughout February 2024, my "If Map #5", a map-based animation, looped on the eight story high display that crowns San Francisco's Salesforce Tower, the second tallest building west of the Mississippi River.
In September and October 2024 I was an Artist in Residence at AGA LAB in Amsterdam, creating a portfolio of screenprinted maps whose design was in dialogue with works by Eduardo Paolozzi, Corita Kent, and other Pop practitioners from the 1960s.