Artist Registry


The White Columns Curated Artist Registry is an online platform for emerging and under-recognized artists to share images and information about their respective practices. The Registry seeks to create a context for artists who have yet to benefit from wider critical, curatorial or commercial support. To be eligible, artists cannot be affiliated with a commercial gallery in New York City.




To apply to the Registry, click here. Join our mailing list here to receive our open call announcement and other programming updates. For any further questions about the Registry, please contact us at registry@whitecolumns.org.

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Brooklyn NY US
Updated: 2023-10-24 14:31:45

STATEMENT OF WORK

Matty Davis is an artist and choreographer whose work uses embodied forms of risk, trust, and empathy to locate and expand relationships to the self, other people, land, and history. Unique and multi-faceted, each of these relationships, i.e., projects, is part of a broader orbit around perennial questions of mortality, desire, and how to deal with one another and survive together.

 

His practice is marked by its responsivity, a principle allows shifting angles of inquiry, processes, collaborators, and vocabularies that bend according to the demands of an ever-changing world.

 

Davis was born in Pittsburgh, PA, where his grandfather worked in the steel mills and his dad’s plane crashed. He grew-up as a multi-sport athlete, which exposed him to visceral experiences of surface, injury, resilience, cooperation, and play that continue to influence his interdisciplinary work. While expansive in its outcomes—sculpture, drawing, photography, and publishing—his projects tend to center on live performance, which he values as shared space in which to be transformatively alive. His performances have been described as “balancing ecstatically on the edge of life and death” (Jesse Zaritt).

 

Over the last several years, Davis’s work has been mostly presented in site-specific contexts appropriate to the demands and underlying meaning of a given work. Beyond what is happening within a performance, he is critically attuned to what is present and happening around it. Institutionally, Davis’s work has been presented at the Art Institute of Chicago, Kanal Centre Pompidou, Bozar, the Palais de Tokyo, the Max Ernst Museum, Printed Matter, Pioneer Works, the Fine Arts Center Gallery at the University of Arkansas, the Museum of Contemporary Art Chicago, Steppenwolf Theater, Danspace, and the 92nd St. Y, among others. He has been commissioned to make performances for artists including Hito Steyerl, and has performed in works with and by Guido van der Werve, David Hallberg, and Francesco Vezzoli. In 2019, Davis was named 1 of 25 Artists to watch by Dance Magazine. He enjoys teaching masterclasses and workshops at various institutions throughout the US and abroad, including New York University, the University of Iowa, Virginia Commonwealth University, the Kansas City Art Institute, the School of the Art Institute of Chicago, Oberlin College, and Charleroi Danse. He currently lives in California and is most often working outside somewhere. For more information about the extent of his work, please visit www.mattydavis.net