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STATEMENT OF WORK
This series of painting draws from my experience with computers which involved the transition from punch cards to the evolution of an extremely accessible OS. As technology grew, the user didn't need awareness of the code operating in the background, resulting in an unquestioning acceptance of change in our daily activities. I became curious and then intrigued with the change, both in social behaviors and perceptual comprehension as humans adapted to the advances in technology.
These paintings reference visual and mental perception by refactoring traditional methods of art production with computer software. With a file comprised of a field of numbers, code is a reflection of human brain capability to interpret light. Source material for these paintings is derived from smartphones pics and scanned photographs. Some of the photos date from the middle of the 20th century. Images are brought to the painting surface by way of transfer, using the printer as an extension of the painter’s brush.
There is a push and pull struggle with the output of the printer, partially due to the unstable nature of the ink. Within the production of the painting, there is possibility of alteration over time, like the ever-changing state of culture at large.