STATEMENT OF WORK

I don’t know when it started, but at some point in my childhood I began making little shrines around dead animals I found in the woods. A bat, a bird, a squirrel. Each time I came upon one of these creatures, I’d place sticks, rocks, and a flower if I could find one, around the body in some configuration. It wasn’t about making meaning, but marking mystery and inexplicable significance. My memories are filled with these explorations in the woods of northern New Jersey. Finding those animals or their bones, building things with clay from a stream, stumbling upon a rusty hunk of metal from some vehicle. I’d climb on these ruins, peek inside, and wonder where it came from and why it was left there. The landscape held secrets, and wouldn’t give them up easily.

I feel the same way about art. Object-making is an exploration in itself, a desire to find what feels significant, while not knowing what that looks like or when it’ll happen. It isn’t about revealing, but knowing that something is lurking just under the surface. There is something elusive to uncover, and it defies me. Art-making is my method of finding mystery. In my practice, I often experiment with materials as a means of exploration and discovery. When painting, I don’t limit myself to a certain kind of paint but use oils, acrylic, or gouache depending on the feeling I'm after. I make and pigment my own paper and combine it with wax for use in collage, sculpture, and installation. The results are rock-like surfaces that defy explanation. By constantly investigating materials, I hope to create works that are enigmatic and slippery - the same way I feel when I experience a new landscape or place for the first time.