Artist Registry
The White Columns Curated Artist Registry is an online platform for emerging and under-recognized artists to share images and information about their respective practices. The Registry seeks to create a context for artists who have yet to benefit from wider critical, curatorial or commercial support. To be eligible, artists cannot be affiliated with a commercial gallery in New York City.
To apply to the Registry, click here. Join our mailing list here to receive our open call announcement and other programming updates. For any further questions about the Registry, please contact us at registry@whitecolumns.org.
RESUME
Edythe F. Wright
EDUCATION MFA, School of the Museum of Fine Arts/Tufts University, Boston, Massachusetts
BFA, Rhode Island School of Design, Providence, Rhode Island
SOLO EXHIBITIONS
Fifth Business Projects, Woodstock, VT 2013 "The Institute of Domestic Archaeolgy, 1999�2013
MEME Gallery, Cambridge, 2010 "Inspiron© and Unravelling"
Sarah Doyle Gallery, Brown University, 2006 "On Loan from the Institute of Domestic Archaeology"
Artists Foundation, Boston, MA , 2001 "The Telephone Tells Secrets"
Mobius, Boston, MA 2001 "Domestic Archaeology"
SELECTED GROUP EXHIBITIONS
Color Works, Barnard VT, 2019
Crit Group, Woodstock VT, 2017
Grounding, King Farm, Woodstock VT, 2016
Unbound, Artistree, Pomfret, VT, 2015
Faculty Biennnial, RISD Museum, Providence, RI 2013
Stuff Lust, DeKalb Gallery, Pratt Institute, Brooklyn, NY 2012
The Secret House, 5th Business Projects, Woodstock, VT, 2012
CAMAC Gallery, Marnay-sur-Seine, France 2008, "Ampex Revisited"
DeCordova Museum, Lincoln, MA 2007, "Trainscape: Installation Art for Model Trains"
Open Square Gallery, Holyoke, MA, 2006 ?Intersections: Sculpture & Installation from Distinguished Massachusetts Artists?
Firehouse Gallery, Burlington, VT , 2005, "On the Order of Things", (curated by C. Sean Horton and Ruth Erickson)
Rose Art Museum, Brandeis University 2004 "Domestic Archeology: Boston and Beyond", (curated by Raphaela Platow)
Lillian Immig Gallery, Emmanuel College, 2004 "Wile", (curated by Kathleen Bitetti)
Oni Gallery, Boston, 2003 "Envisioning Information" (curated by Fifth Business)
White Columns, New York, NY, 2002 "Regarding Gloria" (curated by Catherine Morris and Lauren Ross)
The Boston Center for the Arts, Boston, MA, Dec., 2001?Feb., 2002 "The Drawing Show" (curated by Bill Arning)
Bernard Toale Gallery, Boston, MA, 2001 "The Drawing Show: Selected Works From the Boston Drawing Project" (curated by James Hull)
The Gallery, Mount Ida College, Newton Centre, MA, Nov., 2001?Jan., 2002 " Recent Work?Chamberlayne School of Design Faculty"
Tufts University Gallery, Medford, MA, 2000
Native Gallery, Providence, RI 1996 "Recent Work"
BIBLIOGRAPHY
The Daily News Tribune September 23, 2007, ?Fantasies on Track? by Chris Bergeron
Boston Phoenix September 18, 2007, ?Locomotion Commotion? by Greg Cook
Lincoln Journal September 18, 2007, ?Trainscape: Art in Locomotion? by Ben Aaronson
September 11, 2005, The Barre Montpelier Times Argus ?Tongue and Cheek Science at the Firehouse?by Anne Galloway
March 10, 2004 Boston Globe ?In ?Domestic Archaeology Show?, everyday objects are commonplace? by Christine Temin
February 13, 2004 The Boston Phoenix ?Smash hits: The BCA?s 18th Drawing Show and Emmanuel College?s Wile? by Christopher Millis
February 6, 2004 Boston Globe ?Fort Point lines up unique works on cutting ?Edge?? by Cate McQuaid
January 15, 2004 Boston Globe ?Putting Domestic Chaos in Order? by Leslie Anderson
May 2003 Art in America ?Art & Politics I: Feminism at 40? by Carey Lovelace
February 7, 2003 Boston Globe ?At Oni, Artists Take Life?s ?Information? and Make Something of It? by Cate McQuaid
Jan/Feb 2003 Flash Art Reviews ?Regarding Gloria at White Columns? by Merrily Kerr
November 25, 2002 The New Yorker ?Goings on About Town?
October 13, 2002 New York Times Sunday ?Power and Glory in Sisterhood Past and Present? by Edward M. Gomez
January 2002 Boston Herald ?Drawing Attention? by Joanne Silver
May 2001 Boston Sunday Globe ?Local Artists Redirecting Our Gaze? by Christine Temin
May/June 2000 ArtsMedia ?Mastering the Art of Survival? by Bill Eisele
HONORS
Tenot Bursary Grant 2008
TransCultural Exchange Travel Grant 2008
LEF Foundation General Fund Grant 2005
Artist?s Prize Award Nominee, Institute of Contemporary Art, Boston 2004
Massachusetts Cultural Council Artist Grant?Sculpture 2003
Joan Mitchell Painting and Sculpture Award Nominee 2001
Joan Mitchell MFA Painting and Sculpture Award Nominee 2000
Boit Competition, School of the Museum of Fine Arts, award recipient 1999
Annual Drawing Show, SMFA, award recipient 1999
West Texas Biennial Art Show, first prize for sculpture 1991