Artist Registry
The White Columns Curated Artist Registry is an online platform for emerging and under-recognized artists to share images and information about their respective practices. The Registry seeks to create a context for artists who have yet to benefit from wider critical, curatorial or commercial support. To be eligible, artists cannot be affiliated with a commercial gallery in New York City.
To apply to the Registry, click here. Join our mailing list here to receive our open call announcement and other programming updates. For any further questions about the Registry, please contact us at registry@whitecolumns.org.
RESUME
Noah Erenberg
Born: 1970, Topanga, CA
Self-taught
Lives and Works: San Luis Obispo, CA
Solo Exhibitions:
2021 Noah Erenberg: Recent: Painting, Big Sky Café, San Luis Obispo, CA
2018 Radical Art by Noah Erenberg, San Luis Obispo Museum of Art, San Luis Obispo, CA
2016 Noah Erenberg: Drawings and Paintings, The Kennedy Center, Vandrbilt University, Nashville, TN
Noah Erenberg, Tri-Counties Reginal Center, San Luis Obispo, CA
2014Noah Erenberg: Recent Paintings, The Good Luck Gallery, Los Angeles CA
1999Calendar Pages, Richard Heller Gallery, Santa Monica, CA
1998Drawings, Richard Heller Gallery, Santa Monica, CA
1994Lifescape/Landscape, MCA Santa Barbarta, Santa Barbara, CA
Selected Group Exhibitions:
2022 Anonyme-Zeichner, Galerie IM Kornerpark, Berlin-Neukkolln, Germany
2015 The Outsider Art Fair, New York, (The Good Luck Gallery)
Pushing the Press: The Typecraft Design Library, Architecture and Design Museum, Los Angeles, CA
Curated by Stephen Child, David Mayes
Art Market San Francisco (The Good Luck Galletry, Los Angeles)
Art for Autism, Pan American Art Projects, Miami, FL
2014 Aqua Art Fair, Miami (The Good Luck Gallery, Los Angeles)
My Blood Whispers to Me, (curated by Annie Wharton), Kamikaze, PST, Los Angeles, CA
2010Evolution, Andre Monlleo Gallery, Santa Barbara CA
Los Angeles International Airport, Terminal 2. Organized by Department of Cultural Affairs,
City of Los Angeles
2009Folk Magic, Barristers Gallery, New Orleans LA
2006Internal Guidance Systems, curated by Colin Rhodes, UK and Anne Marie Grgich, USA.
(Multiple venues thru 2008)
2005The Mirror of the Imagination, The Arts Club, London, England
Divine Messages, Harmony Gallery, Los Angeles, CA
Take Me to the River, Inside Out Gallery, Interact Center, Minneapolis MN
2004Radiant Spaces, Private Domain, Track 16 Gallery, Santa Monica, CA, Irvine Fine Arts Center,
Irvine CA., curated by Elena Mary Siff
Me, Myself and I, Pierce College Art Gallery, Woodland Hills CA
200225th Anniversary Benefit Selections Exhibition, The Drawing Center, New York NY
Reactions, Exit Art, New York NY
Formulations, MCA Santa Barbara, Santa Barbara CA
Art Wthout Limits, City of Brea Gallery, Brea, CA
2001 Abstraction, Monlleo Gallery, Santa Barbara, CA
The WXYZ of Outsider Art, Andrew Edlin Fine Art, New York, NY
1999infra-slim spaces: the physical and spiritual in the art of today, Approaching the Millennium, Birmingham Museum of Art, Birmingham, Alabama
(Organized by ‘nvisible museum, London)
When Voices Become Pictures: Images from Western USA, Terrain Gallery,
San Francisco, CA
Radiant Spaces: Private Domain, Artworks Gallery, Bergamot Station,
Santa Monica, CA, curated by Marsea Goldberg
1998Selections Summer ‘98, The Drawing Center, New York, NY
Boomer’s Special #3, Richard Heller Gallery, Santa Monica, CA
1997The Drawing Show, Artworks Gallery, Bergamot Station, Santa Monica, CA
L.A. Slide, The Living Room, Santa Monica, CA. Traveled to Gallery 25,
Fresno CA
1996 Small Images #11, Atkinson Gallery, Santa Barbara City College, CA
Selected Bibliography:
2016 Kalm, James, The 2016 Outsider Art Fair, New York
https://www.youtube.com/watch?v=KH1Xex1IaRY&feature=youtu.be
Roome, Kristine, Believe the Hype: Outsider Art Fair 2016. Arte Fuse
(http://artefuse.com/2016/01/23/outsider-art-fair-2016-124353/
Stern, Bruce, A Radical Explanation. Brute Force, June 28, 2016.
http://brutforce.com/radical-explanation-art-noah-erenberg/
2015 Jerney, John, Contemporary Art Playfully Engages at Art Market San Francisco, Examiner.com,
May 18 2015.
Hall, Stephen S., Solving the Autism Puzzle, MIT Technology Journal, Jan’Feb 2015
2014 Black, Ezrha Jean, Breakfasting in the Ruins, artillery, June 27.
Frank, Peter, Haiku Reviews: Noah Erenberg at The Good Luck Gallery, Los Angeles, Huffpost.com, Sept. 5
2002Johnson, Ken, Lifelike, Abstract or Funky, What Exactly is a Drawing,
The New York Times, Sept. 27
Carter, Holland, Amid the Ashes: Creativity, The New York Times, Feb. 1
1999Harvey, Doug, Noah Erenberg at Richard Heller, Artissues,
November-December
O’Brien, John, Noah Erenberg at Richard Heller Gallery, Artscene, October
Cochran, Rebecca Dimling, infra-slim spaces, Birmingham Museum of Art, Birmingham, Alabama, Flash Art International, Summer
D’Amato, Jenny, Portable Transcendence in Alabama, Art & Auction, Feb. 15-28
Raabe, Nancy, Double Take, The Birmingham News, Birmingham, AL, Jan. 31
1998Johnson, Ken, Selections Summer ’98, The New York Times, July 24.
Schwendener, Martha, Selections Summer ‘98 at The Drawing Center,
Time Out New York, no. 148, July 23-30.
1995Frank, Peter, Artscene: art in southern California, January
1994Darling, Michael, Noah Erenberg at CAF, Santa Barbara Independent,
December 3
Selected Publications:
2014 Noah Erenberg, Catalog for Exhibition at the Good Luck Gallery, Los Angeles, CA. Essay by John
Tottenham.
2010Drawing Autism, Mark Batty Press, New York, NY
2004Radiant Spaces, Private Domain, Smart Art Press, Los Angeles, CA
(Exhibition catalog)
Artism: an Austism Spectrum Creation, published by the McMurray A.R.T.S.
Center and Austism Arts, Canada
2003Art of the Mind, the Art Collection of the U.C. Davis M.I.N.D. Institute, published by the Regents of the University of California and U.C. Davis M.I.N.D. Institute
Collections:
‘nvisible museum, London, England
Ruth and Marvin Sackner Archive of Concrete and Visual Poetry,
University of Iowa Arts Library, Iowa City, IA
UCLA Medical Center Art Collection, Los Angeles, CA
The M.I.N.D. Institute Medical Center, University of California, Davis
The Exit Art Reactions Collection, The Library of Congress, Washington, D.C.
Movable Ink, New York
Google Offices, Venice, CA; Spruce Goose Offices, MDR, CA
Netflix Offices, Los Angeles, CA
Grants
2020 Arts and Accessibility Grant, The National Arts and Disability Center