Artist Registry
The White Columns Curated Artist Registry is an online platform for emerging and under-recognized artists to share images and information about their respective practices. The Registry seeks to create a context for artists who have yet to benefit from wider critical, curatorial or commercial support. To be eligible, artists cannot be affiliated with a commercial gallery in New York City.
To apply to the Registry, click here. Join our mailing list here to receive our open call announcement and other programming updates. For any further questions about the Registry, please contact us at registry@whitecolumns.org.
RESUME
Bio:
I was raised in South Florida to Colombian immigrant parents. My mother became a public school art teacher and my father was a disappointed intellectual/failed union organizer who left his university after a student strike and became many kinds of laborer; chef, waitstaff, Denny’s Manager, t-shirt screen-printer, carpenter, and other things. I began training as an artist very early at truly excellent public arts schools starting in middle school. Because of those resources, I attended the Maryland Institute College of Art on a full tuition, room, and board scholarship. I lived in Baltimore for three more years working five jobs before moving to NYC to support my partner through an MFA. I worked sixty-hour weeks for four years. I have recently completed my MFA studies at Hunter College and was awarded the Robert Blackburn Printmaking Award by the Elizabeth Foundation Printshop. My ambitions are to live a full, healthy life where I can work and build a community that understands and recognizes me and my creative output; to be in solidarity with other artists by working towards systems that create more equity in the art world; to grow in my work as an educator, and to exhibit my work in the care of people who respect me and my practice.
Resume:
Solo Exhibitions:
FORTHCOMING: Solo Show, MTN Space, West Palm Beach, FL, 2025
Para Todos Todo, Free in the Open Air, curated by Daniela Mayer, MAMA Projects, NY, NY, 2024
Between One Problem and Another, Swivel Saugerties, Saugerties, NY, 2022
¡SIEMPRE HAY MÁS!, commissioned solo installation, curated by Arden Sherman in partnership with Hunter East Harlem Gallery, Galeria del Barrio, and Hope Community, inc., New York, NY, 2021
Selected Group Exhibitions:
Thank you, I’m rested now. I’ll have the lobster today, thank you, Margot Samel, NY, NY, 2024
Neuro-Queering the Drawing Studio, curated by Angela Conant, Pratt Institute Dekalb Gallery, Brooklyn, NY, 2024
Foundations, curated by Blackbird Rook for Artsy, 2024
Visage, curated by Juan Bolivar and Blackbird Rook for Artsy, 2024
Red Thread, curated by Anne-Laure Lemaitre, LATITUDE Gallery, NY, NY, 2023
None of This Ever Went Away, Fullerton College Art Gallery, Fullerton, CA, 2023
Unfurled, curated by Dana Notine, CodyWycoff Space, Queens, NY, 2022
Materia/Material, The National Academy of Design, House 7B, Nolan Park, Governor’s Island, NY, 2022
Cute Gloom, Lauren Powell Projects, Los Angeles, CA, 2022
Que Prosiga, (curated by Diana Guerra and Aro Grace), 340 E 64th Street, New York, NY, 2022
Some Strange Power, 205 Hudson Gallery, New York, NY, 2022
In With the Old: a Rummage Sale and Retrospective, P.A.D Gallery, Walter Elwood Museum of the Mohawk Valley, Amsterdam, NY, 2021
München Monopoly, Galerie Christine Mayer (curated by P.A.D Gallery,) Munich, Germany, 2021
Transient Grounds, NARS Foundation (curated by ACOMPI), House 6B, Governor’s Island, NY, 2021
We Were Already Gone, Hauser & Wirth, New York, NY, 2021
NOVEMBER 2ND, M Street Gallery, Jersey City, NJ, 2020
Belief Systems, P.A.D Gallery, New York, NY, 2020
Trust Fall, 205 Hudson Gallery online, New York, NY, 2020
Common Thread, 210 Project Space, New York, NY, 2019
Second Semester Show, 205 Hudson Gallery, New York, NY, 2019
For Which it Stands, Old Stone House, Brooklyn, NY 2018
School of Visual Arts Staff Exhibition, SVA Gramercy Gallery, New York, NY, 2018
School of Visual Arts Staff Exhibition, SVA Gramercy Gallery, New York, NY, 2017
Obstructed Views, Scott Charmin Gallery, Houston, TX, 2016
School of Visual Arts Staff Exhibition, SVA Gramercy Gallery, New York, NY, 2016
35-33-35, School 33, Baltimore, MD, 2014
Station North Salon, The Wind Up Space, Baltimore, MD, 2014
MICA Staff Show, Meyerhoff Gallery, Baltimore, MD, 2014
GOOD LIGHT, Current Space, Baltimore, MD, 2013
Sondheim Prize 2013 Semi-Finalists Exhibition, Meyerhoff Gallery, Baltimore, MD, 2013
Integration and Exchange, Nepalese Academy of Fine Arts, Kathmandu, Nepal, 2013
Baker Award Artists Exhibition 2012, Joe2, Baltimore, MD, 2012
Station North Salon, The Wind Up Space, Baltimore, MD, 2012
Walk The Line, School 33, Baltimore, MD, 2012
Cultivating a Presence, Fox Gallery, Baltimore, MD, 2011
Disegno II: Undergraduate Drawing, MICA, Maryland, CCA, California, KCAI, Missouri, 2009
Selected Awards and Distinctions:
Robert Blackbrun Printmaking Award, Elizabeth Foundation for the Arts, 2022
Leeman-Boksenbaum Thesis Prize, 2022
Dedalus Foundation Master of Fine Arts Fellowship nomination, 2022
Stanton Grant, 2020, 2021
Virginia Center for the Creative Arts Grant, 2013
Jacques and Natasha Gelman Fellowship, 2007-2011
Diversity in the Arts Internship, Dept. of Rare Books and Manuscripts, Walters Art Museum, 2010
Studio Art Center International Honors Scholarship, 2009
Distinguished Alumni Award, 2009
MICA in NY, AICAD NY Studio Program Scholarship, 2009
National Association of Women Artists Scholarship, 2007
Lectures and Events:
Guest critic, Pratt Institute, NY, NY, 2023
Guest lecturer, Fullerton College, CA, 2023
Guest lecturer, Laguna College of Art and Design, CA, 2023
Guest lecturer, Towson University MFA, MD, 2022
Guest artist, "How Art Gets Made", presented by Woman Interwoven and the New York Public Library, 2021
Organizer, Surveillance City: Examining the Urban Panopticon from 9/11 to Covid, panel discussion with Ingrid Burrington, Fabian Rogers, & Hasan Elahi, moderated by Janus Rose, 2021
Guest artist, Instagram Live discussion with Nora Maites and Hunter East Harlem Gallery 2021
Lecturer, ART@COVID.EDU: Studio Art MFAs & The Cost of Remote Learning, Cue Art Foundation, New York, NY, 2020
Residencies:
Virginia Center for the Creative Arts, Amherst, Virginia, January 2014
AICAD NY Studio Program, New York City, 2009
Press:
IMPULSE, Christina Barrera’s “Revolutionary Festival”, Mariado Martínez Pérez, 2024
Hyperallergic, Artists Denounce Supreme Court’s Ruling on Affirmative Action, Rhea Nayyar, 2023
Some Strange Power Exhibition Catalog, “Some Strange Power”, Anne-Laure Lemaitre, 2022
New York Magazine, Approval Matrix, 2021
Art News, Editor’s Picks, Tanner West, 2021
Bmoreart. A Celebration of Photography: Good Light at Current Space, Mac Falby, 2013
Open Lab Magazine, Interview with Christina Barrera, Katherine Nonemaker, 2013
Baltimore City Paper, Walk the Line, Andrea Appleton, 2012
Publications:
Assemblage Journal, “ We Are Already Here: Positioning Ourselves in a World of Absurdity,” Kim Nam, June 2021
We Were Already Gone zine, “¡El Tiempo! No Hace Si No Pasar,” Polygraph Press, New York, 2021
Qui Parle 23:1, Berkely, CA, 2014
GOOD LIGHT, Baltimore, MD, 2013
Studio Visit Magazine Vols. 17 & 18, Open Studios Press, Boston, MA, 2012
Education:
Hunter College, summa cum laude, May 2022, NY, NY
MFA in Studio Art
Maryland Institute College of Art (MICA), summa cum laude, May 2011, Baltimore, MD
BFA in Interdisciplinary Fine Arts and Art History