Artist Registry


The White Columns Curated Artist Registry is an online platform for emerging and under-recognized artists to share images and information about their respective practices. The Registry seeks to create a context for artists who have yet to benefit from wider critical, curatorial or commercial support. To be eligible, artists cannot be affiliated with a commercial gallery in New York City.




To apply to the Registry, click here. Join our mailing list here to receive our open call announcement and other programming updates. For any further questions about the Registry, please contact us at registry@whitecolumns.org.

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NY NY US
Updated: 2022-11-16 14:23:39

RESUME

One & Two-Person Exhibitions / Performances / Screenings 

2022     Julie Harrison: Body Language Inside Out , curated by John Trendler, Crescent Tree Gallery, Claremont, CA

2021     Interpretation Board, Site-Responsive Installation, The Residency Project, Pasadena CA

2015     Fragments, curated by Mamoon Azmy, Wekalet Behna, Alexandria Egypt (catalogue)

1997     If It Rained Here, collaboration with Joe Elliott, Rowe Gallery, Univ/ of North Carolina, Charlotte NC

1997     Julie Harrison: New Work, curated by Kathy Brew, Thundergulch, New York City

1995     New Work by Julie Harrison, Samuel Weiss Library, Stevens Institute of Technology, Hoboken NJ

1994     Julie Harrison, University Gallery, Central Michigan University, Mt. Pleasant MI

1989     Positive Images, collaboration with Harilyn Rousso, Borough of Manhattan Community College, NYC

1986     The Other Side and Other Works by Julie Harrison, Anthology Film Archives, NYC

1985     The Other Side and Other Works by Julie Harrison, The Performance Space, Albuquerque NM

1983     Raw Stock, curated by Martha Wilson, Franklin Furnace, New York City

1983     Paintings by Arrangement, with Robert Kleyn, curated by Stefan Eins, Fashion Moda, Bronx NY

1982     New Work, Satellite Exchange Society, Vancouver, Canada

1981     One Life to Live, collaboration with Robert Kleyn, The Bank, Amsterdam, The Netherlands

1980     The Ride, collaboration with Liz Copeland, 626 Performance Theatre, New York City

1980     Utopia or Else!, collaboration w/ Ilona Granet, Diane Torr, Women’s Interart Center, New York City

1980     Boundary, collaboration w/ Neil Zusman, Nantucket Island School of Art and Design, Nantucket MA

1979     It’s About Time, collaboration w/ Diane Torr, Mercer Street Studio, New York City

1979     Prudencia en Transito, collaboration w/ Cara Brownell, Robert Cooney, Franklin Furnace, NYC

1978     Ellipsis, collaboration w/ Cara Brownell, Chana Gazit, Experimental TV Center, Binghamton NY

1978     Complete Order, collaboration w/ Cara Brownell, 96 Grand St. Gallery, New York City

 

Museum Group Exhibitions 

2018.    Club 57: Film, Performance, and Art in the East Village, 1978–1983: Joe Lewis and Friends, Museum of Modern Art, Girls Wrestling Video, NYC

2013.    XTR STN (Transfer Station), a project by Alan W Moore & Collaborative Projects, New Museum, NYC

2011     Looking at Music 3.0, curated by Barbara London, Museum of Modern Art, New York City

2006     Too Much Bliss, Clark Humanities Museum, Scripps College, Claremont CA

2005     Too Much Bliss, Smith College Museum of Art, Northampton MA

2003     Corporal Identity—Body Language, curated by Ursula Ilse-Neuman, Museum of Arts and Design, NYC

2003     Form and Contents: Corporal Identity—Body Language, Museum f�r Angewandte Kunst, Triennial 9, Frankfurt Germany

1998     The Next Word, curated by Johanna Drucker, Neuberger Museum, Purchase NY

1993     Silence=Death, Munchner Stadtmuseum, Munich Germany

1987     The Other New York, American Museum of the Moving Image, Queens NY

1986     The Other New York, curated by Sara Hornbacher, The State Museum of Albany, New York

1986     Kid’s TV, The New Museum, NYC

1985     Computer Generated Art, Bronx Museum of the Arts, Bronx, NY

 

Selected Group Exhibitions 

2022     String Room Gallery, “Life As Clouds,” curated by Tara Kohn & Anna Ialeggio, Wells College, Aurora NY

2021     Gibson Contemporary, “Some Are Drawing,” curated by David Gibson, NYC

2021     Redline Contemporary Art Center, “Shame Radiant,” curated by Todd Herman, Denver CO

2020     Poets House, “Participating Witness: The Poetics of Granary Books,” curated by Steve Clay, NYC 

2018     Mahady Gallery, “Make, Believe: The Maslow Collection and the Moving Image,” curated by Herb Shellenberger and Ryan Ward, Marywood University, Scranton, PA 

2017     BRIC, “Public Access/Open Networks,” curated by Jenny Gerow, Reya Sehgal + Lakshmi Padmanabhan, Brooklyn NY

2016     Printed Matter, “The A More Store,” a project of Collaborative Projects, New York City

2015     Institute for Women and Art, “MTV: Momentum Technology Videos,” Rutgers, State Univ. of NJ 

2014     Cuchifritos Gallery/Essex St Market, “The Real Estate Show, What Next: 2014,” NYC

2013     Proteus Gowanus Gallery, “War of Words,” curated by Diane Bertolo, Brooklyn NY

2012     Hunter College Gallery, “Times Square Show Revisited,” curated by Shawna Cooper +  Karli Wurzelbacher 

2012     Lesley Heller Gallery, “The Herd Remorse,” curated by Lenore Malen, New York City

2011     Printed Matter, “A Show about Colab (and Related Activities),” curated by Max Schumann, NYC 

2011     Anthology Film Archives, “Experimental TV Center Tribute,” curated by Maria Elena Venuto, NYC 

2011     DIGit Festival, “Flicks From the Underground,” curated by Ron Littke, Narrowsburg, NY

2011     Echo Park Film Center, “Artist’s Film and Television: New York 1975–1985,” curated by Lisa Kahane + Peter Frank, Los Angeles

2011    Subliminal Projects Gallery, “Art, Access & Decay: New York 1975–1985,” curated by Lisa Kahane  + Peter Frank, Los Angeles

2009     Walker Art Center, “Free Verse: The Collaborative Artists’ Book,” curated by Eric Lorberer, Minneapolis 

2007     Mills College, F.W. Olin Library, “Synesthesia: Selections from Granary Books”

2003     University of California / San Diego, “In the Margins: Granary’s Books,” curated by Steve Clay

2002     University of Delaware, “Personal Visions: Artists’ Books at the Millennium

2000     San Francisco Center for Book Arts, “New York”

1997     A.I.R. Gallery, NYC, “25th Anniversary”

1995     Art in General, NYC, “Que Sera Sera: The Afterlife Show,”

1994     “Combat Zone,” curated by Mary Beth Edelson, window installation on Broadway, NYC 

1994     Dru Arstark Gallery, NYC, “Group Show” 

1993     Stadtbibliothek, Hannover, “Silence=Death” 

1993     Fachbereich Kunst und Design, Fachhochschule, Hannover, “Silence=Death”

1987     Artists in the Electronic Age, City College, NYC

1987     Techno Bop, The Kitchen, NYC

1985     Group Show, Michael Katz Gallery

 

Film Festivals 

1990     National Educational Video & Film Festival, Oakland 

1990     Women in the Director’s Chair Festival, Chicago 

1986     National Video Festival, American Film Institute 

1986     Festival Internationale de Films et Video de Femmes, Montreal 

1984     La Video Fameuse Fete Video Festival, Quebec, Canada 

1984     Video Culture/Canada Video Festival, Toronto, Canada 

1984     World-Wide Video Festival, Den Haag, Holland 

1984     Toronto Film Festival, Festival of Festivals, Toronto 

1982     World-Wide Video Festival, Den Haag, Holland 

1982     Festival Internationale Cinema e Video, Rome, Italy 

1980     Video Roma International Video Festival, Rome Italy 

 

Awards 

2021     Artist Residency Award, The Residency Project, Pasadena CA

2020     Artist Residency Award, Tides Institute and Museum of Art, Eastport, Maine

2011     Finishing Funds, Experimental TV Center, Owego NY

2006     National Endowment for the Arts Award (for E.A.T. exhibition at Stevens Institute of Technology) 

2000     Artist Residency Award, Visual Studies Workshop, Rochester NY

1993     Artist Residency Award, Steven L. Barstow Award, Central Michigan University

1990     Gold Apple Award (1st prize), National Educational Film & Video Festival

1988     Video Fellowship, New York Foundation for the Arts 

1988     Media Grant, Funding Exchange, Paul Robeson Fund, New York City 

1987     Media Grant, National Endowment for the Arts

1987     Memorial Award, Barbara Lathum, Chicago Art Institute 

1986     Film Grant, Film Fund, Video

1985     Media Grant, New York State Council on the Arts 

1985     Finishing Funds, Media Bureau, The Kitchen New York City 

1983     Artist Residency Award, Visual Studies Workshop

1982     Artist Residency Award, Satellite Exchange Society, Vancouver, BC 

1981     Honorable Mention, Atlanta Film & Video Festival 

1981     Fellowship, Creative Artists Public Service Program, New York City 

1981     Colorado Award (1st prize), Athens Film & Video Festival  

 

Invitational Books / Journals / Zines / DVDs 

2022     The Woven Tail Press (magazine), November

2021     Shame Radiant, edited by Todd Herman, eastwindow gallery, Boulder CO

2016     A Book About Colab (And Related Activities, edited by Max Schumann, NY: Printed Matter 

2011     M/E/A/N/I/N/G #5: 25th Anniversary Edition, edited by Mira Schor and Susan Bee, NYC 

2010     ETC: The Experimental Television Center 1969–2009, Electronic Arts Intermix, NYC

2002     The East Village, Volume 9, “LA | NY” www.theeastvillage.com 

2002     The Astrophysicist’s Tango Partner Speak, (with Brigid McLeer), www.heelstone.com

1999     Shark: a journal of poetics and art writing, Issue #2, curated by Emilie Clark

1998     Leonardo: the Journal of the Int’l Society for the Arts, Sciences and Technology, “Artist’s Pages” (with Joe Elliot), (LEONARDO 31:4, 1998, pp.278–279)

1987     Tellus Audio Cassette Magazine, “Tellus #17 Video Art Music”

1985     Tellus Audio Cassette Magazine, “Tellus #5 & 6 Double Audio Visual Issue”  

 

Press / Reviews 

2022     “Organic Intelligence: Recent Drawings by Julie Harrison,” by Johanna Drucker, JD: ABC, 10 Oct

2021     “Julie Harrison’s ‘Bodies’,” by Kimberly Lyons, Interalia Magazine , Meeting Points Issue, November

2015     “Images of War, Re-Photographed and Transformed,” by Joseph Nechvatal. Hyperallergic. ` hyperallergic.com. 13 March 

2015.    “Fragments ... Julie Harrison,” by Omar Adel. Gudran for Art and Development, Interview / Video Report. www.omaradel.com. 7 February 

2002     “Debtor’s Prison,” Joe Elliot, Journal of Artists Books, November 

2002.    “Debtor’s Prison,” Denise Bazzett, New Pages Reviews, NewPages.com 

1994     “Art of the Future,” Morning Sun, Mt. Pleasant Mi., March

1994.    “Mixed Media,” Directions, Carol Tanis, December 

1990     “Non Print Views,” Choice, P.D. Turner, March

1990.    “Let’s Talk About Sex,” Village Voice, Amy Taubin, July 10 

1990.    “---,” Booklist, Nancy McCray, October 

1989     “New Resources,” Information From Health 

1989.    “Nonprint Materials,” Library Journal, Judith Kessee 

1989.    “Positive Images,” Booklist, Nancy McCray 

1987     Introduction to Visual Literacy, Deborah Curtiss, illus.

1985     “Eye on the Vid,” John Richardson, The Albuquerque Tribune, December 

1985.    “In & Out of Production,” Mary Guzzy, The Independent. illus., October 

1985.    “Independent’s Day,” Ellin Stein, Video Times, September

1984     “Video as Canvas #2,” Ann Sargent-Wooster, The Village Voice

1984.    “Healthy Glow Proof,” Toronto Globe & Mail, September 

1983     “Passages at the E.T.C.,” Shalom Gorewitz, The Independent Magazine

1983.    “Hi-Tech Myth/Unreal Doc,” Ann Sargent-Wooster, The Village Voice

1983.    “From the Somber to the Hilarious,” Jack Hitt, The Villager 

1982     “Hi-Tech,” Ann Sargent-Wooster, The Village Voice

1982.    “High Tech in Lower Manhattan, C. Blaine, Video Guide, Canada

1982.    “Festival laat de vooruitgang van video zien,” Peter van Vueren, De Volkskrant, Amsterdam 

1981     “Stream Inc Presents a Double Matinee,” Jack Anderson, The New York Times

1981.    “Expression Thru the Television Media,” M. Gulachok, Focus, Owego, NY 

1979     “The March of Time,” Noel Carroll, Soho Weekly News, NYC

 

Public Work & Commissions

2021     Interpretation Board, curated by Sarah Umles, The Residency Project, Pasadena CA

1987     Barriers and Bridges, Guggenheim Museum’s Learning Through Art Program, permanent outdoor sculpture in NYC made with kids

1986     Urban Totems, Guggenheim Museum’s Learning Through Art Program, permanent outdoor sculpture in NYC made w/ kids

 

Authored Publications

2011-18  “Julie in the Jungle,” a blog about working in Mexico, Brazil, Guatemala, and Egypt

2004     “Art & Technology,” ISSA Review, Stevens Institute of Technology

2001     Debtor’s Prison, artist’s book, in collaboration with Lewis Warsh, Granary Books, NYC

1997     If It Rained Here, limited-edition book, in collaboration with Joe Elliot, Granary Books, NYC

1998     “Artist’s Pages,” Leonardo: the Journal of the Int’l Society for the Arts, Sciences and Technology, in collaboration with

Joe Elliot, (LEONARDO 31:4, pp278–279)

1993     Wac Stats: The Facts About Women, co-editor (w/ Andrea Blum, Barbara Ess, Gail Vachon), The New Press NYC

 

Education 

1980     M.A., Steinhardt School, New York University

1976     B.A., School of Fine Art, University of New Mexico