Artist Registry
The White Columns Curated Artist Registry is an online platform for emerging and under-recognized artists to share images and information about their respective practices. The Registry seeks to create a context for artists who have yet to benefit from wider critical, curatorial or commercial support. To be eligible, artists cannot be affiliated with a commercial gallery in New York City.
To apply to the Registry, click here. Join our mailing list here to receive our open call announcement and other programming updates. For any further questions about the Registry, please contact us at registry@whitecolumns.org.
RESUME
Solo Exhibitions / Performances / Screenings
2024 Landforms and Bodyscapes: Drawings by Julie Harrison, Southern Vermont Arts Center, Manchester, VT
2024 Landforms and Bodyscapes: Drawings by Julie Harrison, Delaware Valley Arts Alliance, Narrowsburg, NY
2022 Julie Harrison: Body Language Inside Out , cur. by John Trendler, Crescent Tree Gallery, Claremont, CA
2021 Interpretation Board, Site-Responsive Installation, The Residency Project, Pasadena CA
2015 Fragments, curated by Mamoon Azmy, Wekalet Behna, Alexandria Egypt (catalogue)
1997 If It Rained Here, collaboration with Joe Elliott, Rowe Gallery, Univ/ of North Carolina, Charlotte NC
1997 Julie Harrison: New Work, curated by Kathy Brew, Thundergulch, New York City
1995 New Work by Julie Harrison, Samuel Weiss Library, Stevens Institute of Technology, Hoboken NJ
1994 Julie Harrison, University Gallery, Central Michigan University, Mt. Pleasant MI
1989 Positive Images, collaboration with Harilyn Rousso, Borough of Manhattan Community College, NYC
1986 The Other Side and Other Works by Julie Harrison, Anthology Film Archives, NYC
1985 The Other Side and Other Works by Julie Harrison, The Performance Space, Albuquerque NM
1983 Raw Stock, curated by Martha Wilson, Franklin Furnace, New York City
1983 Paintings by Arrangement, with Robert Kleyn, curated by Stefan Eins, Fashion Moda, Bronx NY
1982 New Work, Satellite Exchange Society, Vancouver, Canada
1981 One Life to Live, collaboration with Robert Kleyn, The Bank, Amsterdam, The Netherlands
1980 The Ride, collaboration with Liz Copeland, 626 Performance Theatre, New York City
1980 Utopia or Else!, collaboration w/ Ilona Granet, Diane Torr, Women’s Interart Center, New York City
1980 Boundary, collaboration w/ Neil Zusman, Nantucket Island School of Art and Design, Nantucket MA
1979 It’s About Time, collaboration w/ Diane Torr, Mercer Street Studio, New York City
1979 Prudencia en Transito, collaboration w/ Cara Brownell, Robert Cooney, Franklin Furnace, NYC
1978 Ellipsis, collaboration w/ Cara Brownell, Chana Gazit, Experimental TV Center, Binghamton NY
1978 Complete Order, collaboration w/ Cara Brownell, 96 Grand St. Gallery, New York City
Museum Group Exhibitions
2018. Club 57: Film, Performance, and Art in the East Village, 1978–1983: Joe Lewis and Friends, Museum of Modern Art, Girls Wrestling Video, NYC
2013. XTR STN (Transfer Station), a project by Alan W Moore & Collaborative Projects, New Museum, NYC
2011 Looking at Music 3.0, curated by Barbara London, Museum of Modern Art, New York City
2006 Too Much Bliss, Clark Humanities Museum, Scripps College, Claremont CA
2005 Too Much Bliss, Smith College Museum of Art, Northampton MA
2003 Corporal Identity—Body Language, curated by Ursula Ilse-Neuman, Museum of Arts and Design, NYC
2003 Form and Contents: Corporal Identity—Body Language, Museum f�r Angewandte Kunst, Triennial 9, Frankfurt Germany
1998 The Next Word, curated by Johanna Drucker, Neuberger Museum, Purchase NY
1993 Silence=Death, Munchner Stadtmuseum, Munich Germany
1987 The Other New York, American Museum of the Moving Image, Queens NY
1986 The Other New York, curated by Sara Hornbacher, The State Museum of Albany, New York
1986 Kid’s TV, The New Museum, NYC
1985 Computer Generated Art, Bronx Museum of the Arts, Bronx, NY
Selected Group Exhibitions
2024 Voynich, Wonzimer Gallery, curated by Marcie Begleiter, Los Angeles CA
2024 Viral Integrations, University of California Irvine, curated by elin o’Hara slavick, Irvine CA
2023 The Table, curated by Sfera Lewis, Level Gallery, Ridgewood NY
2023 The Elastic Mind, curated by Kohl King, South Gallery, Broward College, Pembroke Pines FL
2022 String Room Gallery, “Life As Clouds,” curated by Tara Kohn & Anna Ialeggio, Wells College, Aurora NY
2021 Gibson Contemporary, “Some Are Drawing,” curated by David Gibson, NYC
2021 Redline Contemporary Art Center, “Shame Radiant,” curated by Todd Herman, Denver CO
2020 Poets House, “Participating Witness: The Poetics of Granary Books,” curated by Steve Clay, NYC
2018 Mahady Gallery, “Make, Believe: The Maslow Collection and the Moving Image,” curated by Herb Shellenberger and Ryan Ward, Marywood University, Scranton, PA
2017 BRIC, “Public Access/Open Networks,” curated by Jenny Gerow, Reya Sehgal + Lakshmi Padmanabhan, Brooklyn NY
2016 Printed Matter, “The A More Store,” a project of Collaborative Projects, New York City
2015 Institute for Women and Art, “MTV: Momentum Technology Videos,” Rutgers, State Univ. of NJ
2014 Cuchifritos Gallery/Essex St Market, “The Real Estate Show, What Next: 2014,” NYC
2013 Proteus Gowanus Gallery, “War of Words,” curated by Diane Bertolo, Brooklyn NY
2012 Hunter College Gallery, “Times Square Show Revisited,” curated by Shawna Cooper + Karli Wurzelbacher
2012 Lesley Heller Gallery, “The Herd Remorse,” curated by Lenore Malen, New York City
2011 Printed Matter, “A Show about Colab (and Related Activities),” curated by Max Schumann, NYC
2011 Anthology Film Archives, “Experimental TV Center Tribute,” curated by Maria Elena Venuto, NYC
2011 DIGit Festival, “Flicks From the Underground,” curated by Ron Littke, Narrowsburg, NY
2011 Echo Park Film Center, “Artist’s Film and Television: New York 1975–1985,” curated by Lisa Kahane + Peter Frank, Los Angeles
2011 Subliminal Projects Gallery, “Art, Access & Decay: New York 1975–1985,” curated by Lisa Kahane + Peter Frank, Los Angeles
2009 Walker Art Center, “Free Verse: The Collaborative Artists’ Book,” curated by Eric Lorberer, Minneapolis
2007 Mills College, F.W. Olin Library, “Synesthesia: Selections from Granary Books”
2003 University of California / San Diego, “In the Margins: Granary’s Books,” curated by Steve Clay
2002 University of Delaware, “Personal Visions: Artists’ Books at the Millennium
2000 San Francisco Center for Book Arts, “New York”
1997 A.I.R. Gallery, NYC, “25th Anniversary”
1995 Art in General, NYC, “Que Sera Sera: The Afterlife Show,”
1994 “Combat Zone,” curated by Mary Beth Edelson, window installation on Broadway, NYC
1994 Dru Arstark Gallery, NYC, “Group Show”
1993 Stadtbibliothek, Hannover, “Silence=Death”
1993 Fachbereich Kunst und Design, Fachhochschule, Hannover, “Silence=Death”
1987 Artists in the Electronic Age, City College, NYC
1987 Techno Bop, The Kitchen, NYC
1985 Group Show, Michael Katz Gallery
Film Festivals
1990 National Educational Video & Film Festival, Oakland
1990 Women in the Director’s Chair Festival, Chicago
1986 National Video Festival, American Film Institute
1986 Festival Internationale de Films et Video de Femmes, Montreal
1984 La Video Fameuse Fete Video Festival, Quebec, Canada
1984 Video Culture/Canada Video Festival, Toronto, Canada
1984 World-Wide Video Festival, Den Haag, Holland
1984 Toronto Film Festival, Festival of Festivals, Toronto
1982 World-Wide Video Festival, Den Haag, Holland
1982 Festival Internationale Cinema e Video, Rome, Italy
1980 Video Roma International Video Festival, Rome Italy
Awards
2024 Artist Residency Award, Nordisk Kunstnarsenter Dale, Dale i Sunnfjord, Norway
2023 Art and Science Residency, Celia & Wally Gilbert, Cold Spring Harbor Lab, Cold Spring Harbor, NY
2021 Artist Residency Award, The Residency Project, Pasadena CA
2020 Artist Residency Award, Tides Institute and Museum of Art, Eastport Maine
2011 Finishing Funds, Experimental Television Center, Owego NY
2006 National Endowment for the Arts Award (for E.A.T. exhibition at Stevens Institute of Technology)
2000 Artist Residency Award, Visual Studies Workshop, Rochester NY
1997 Artist Residency Award, Experimental Television Center, Owego NY
1994 Artist Residency Award, Experimental Television Center, Owego NY
1993 Artist Residency Award, Steven L. Barstow, Central Michigan University, Mt Pleasant MI
1990 Gold Apple Award (1st prize), National Educational Film & Video Festival
1988 Video Fellowship, New York Foundation for the Arts
1988 Media Grant, Funding Exchange, Paul Robeson Fund, New York City
1987 Artist Residency Award, Experimental Television Center, Owego NY
1987 Media Grant, National Endowment for the Arts
1987 Barbara Latham Memorial Award, Chicago Art Institute
1986 Film Grant, Film Fund, Video
1985 Artist Residency Award, Experimental Television Center, Owego NY
1985 Media Grant, New York State Council on the Arts
1985 Finishing Funds, Media Bureau, The Kitchen New York City
1983 Artist Residency Award, Visual Studies Workshop, Rochester NY
1982 Residency Award, Satellite Exchange Society, Vancouver BC
1981 Honorable Mention, Atlanta Film & Video Festival
1981 Fellowship, Creative Artists Public Service Program, New York City
1981 Colorado Award (1st prize), Athens Film & Video Festival
Invitational Books / Journals / Zines / DVDs
2022 The Woven Tail Press (magazine), November
2021 Shame Radiant, edited by Todd Herman, eastwindow gallery, Boulder CO
2016 A Book About Colab (And Related Activities, edited by Max Schumann, NY: Printed Matter
2011 M/E/A/N/I/N/G #5: 25th Anniversary Edition, edited by Mira Schor and Susan Bee, NYC
2010 ETC: The Experimental Television Center 1969–2009, Electronic Arts Intermix, NYC
2002 The East Village, Volume 9, “LA | NY” www.theeastvillage.com
2002 The Astrophysicist’s Tango Partner Speak, (with Brigid McLeer), www.heelstone.com
1999 Shark: a journal of poetics and art writing, Issue #2, curated by Emilie Clark
1998 Leonardo: the Journal of the Int’l Society for the Arts, Sciences and Technology, “Artist’s Pages” (with Joe Elliot), (LEONARDO 31:4, 1998, pp.278–279)
1987 Tellus Audio Cassette Magazine, “Tellus #17 Video Art Music”
1985 Tellus Audio Cassette Magazine, “Tellus #5 & 6 Double Audio Visual Issue”
Press / Reviews
2022 “Organic Intelligence: Recent Drawings by Julie Harrison,” by Johanna Drucker, JD: ABC, 10 Oct
2021 “Julie Harrison’s ‘Bodies’,” by Kimberly Lyons, Interalia Magazine , Meeting Points Issue, November
2015 “Images of War, Re-Photographed and Transformed,” by Joseph Nechvatal. Hyperallergic. ` hyperallergic.com. 13 March
2015. “Fragments ... Julie Harrison,” by Omar Adel. Gudran for Art and Development, Interview / Video Report. www.omaradel.com. 7 February
2002 “Debtor’s Prison,” Joe Elliot, Journal of Artists Books, November
2002. “Debtor’s Prison,” Denise Bazzett, New Pages Reviews, NewPages.com
1994 “Art of the Future,” Morning Sun, Mt. Pleasant Mi., March
1994. “Mixed Media,” Directions, Carol Tanis, December
1990 “Non Print Views,” Choice, P.D. Turner, March
1990. “Let’s Talk About Sex,” Village Voice, Amy Taubin, July 10
1990. “---,” Booklist, Nancy McCray, October
1989 “New Resources,” Information From Health
1989. “Nonprint Materials,” Library Journal, Judith Kessee
1989. “Positive Images,” Booklist, Nancy McCray
1987 Introduction to Visual Literacy, Deborah Curtiss, illus.
1985 “Eye on the Vid,” John Richardson, The Albuquerque Tribune, December
1985. “In & Out of Production,” Mary Guzzy, The Independent. illus., October
1985. “Independent’s Day,” Ellin Stein, Video Times, September
1984 “Video as Canvas #2,” Ann Sargent-Wooster, The Village Voice
1984. “Healthy Glow Proof,” Toronto Globe & Mail, September
1983 “Passages at the E.T.C.,” Shalom Gorewitz, The Independent Magazine
1983. “Hi-Tech Myth/Unreal Doc,” Ann Sargent-Wooster, The Village Voice
1983. “From the Somber to the Hilarious,” Jack Hitt, The Villager
1982 “Hi-Tech,” Ann Sargent-Wooster, The Village Voice
1982. “High Tech in Lower Manhattan, C. Blaine, Video Guide, Canada
1982. “Festival laat de vooruitgang van video zien,” Peter van Vueren, De Volkskrant, Amsterdam
1981 “Stream Inc Presents a Double Matinee,” Jack Anderson, The New York Times
1981. “Expression Thru the Television Media,” M. Gulachok, Focus, Owego, NY
1979 “The March of Time,” Noel Carroll, Soho Weekly News, NYC
Public Work & Commissions
2021 Interpretation Board, curated by Sarah Umles, The Residency Project, Pasadena CA
1987 Barriers and Bridges, Guggenheim Museum’s Learning Through Art Program, permanent outdoor sculpture in NYC made with kids
1986 Urban Totems, Guggenheim Museum’s Learning Through Art Program, permanent outdoor sculpture in NYC made w/ kids
Authored Publications
2011-18 “Julie in the Jungle,” a blog about working in Mexico, Brazil, Guatemala, and Egypt
2004 “Art & Technology,” ISSA Review, Stevens Institute of Technology
2001 Debtor’s Prison, artist’s book, in collaboration with Lewis Warsh, Granary Books, NYC
1997 If It Rained Here, limited-edition book, in collaboration with Joe Elliot, Granary Books, NYC
1998 “Artist’s Pages,” Leonardo: the Journal of the Int’l Society for the Arts, Sciences and Technology, in collaboration with
Joe Elliot, (LEONARDO 31:4, pp278–279)
1993 Wac Stats: The Facts About Women, co-editor (w/ Andrea Blum, Barbara Ess, Gail Vachon), The New Press NYC
Education
1980 M.A., Steinhardt School, New York University
1976 B.A., School of Fine Art, University of New Mexico