Artist Registry
The White Columns Curated Artist Registry is an online platform for emerging and under-recognized artists to share images and information about their respective practices. The Registry seeks to create a context for artists who have yet to benefit from wider critical, curatorial or commercial support. To be eligible, artists cannot be affiliated with a commercial gallery in New York City.
To apply to the Registry, click here. Join our mailing list here to receive our open call announcement and other programming updates. For any further questions about the Registry, please contact us at registry@whitecolumns.org.
RESUME
PHILIP AYERS
Studio and Home Address: 1410 Millstone River Road, Hillsborough, New Jersey 08844
Email: payers@pratt.edu philip.ayers@gmail.com Phone: 908-581-1607 http://www.philipayers.com
SELECTED EXHIBITIONS:
2022-23 New Jersey State Museum, Trenton, New Jersey; Arts Annual
2017 Rubelle & Norman Shafler Gallery, Pratt Institute, Brooklyn Foundation Faculty Exhibition
2014 Rubelle & Norman Shafler Gallery, Pratt Institute, Brooklyn, Faculty Exhibition
2013 (October) Salena Gallery, Long Island University, Brooklyn, New York; “Making Faces”
2013 The Painting Center, 547 West 27th Street, Suite 500, New York, New York, PHILIP AYERS, "PORTRAITS" March 26 –April 20.
2012 McNeese State University, Lake Charles, Louisiana, "National Drawing Invitational"
2012 Rubelle & Norman Shafler Gallery, Pratt Institute, Brooklyn, Foundation Faculty Exhibition
2011 The Painting Center, 547 West 27th Street, New York New York, “Philip Ayers: Paintings, History in Nature”, Catalogue Available with Essay by Kenneth Gross. Solo
2010 University of Georgia, Lamar Dodd School of Art, “Philip Ayers and William Itter, Found in Nature, Paintings and Drawings”
2010 The Painting Center, 547 West 27th Street, Suite 500, New York, New York, New Walls/Fresh Paint.
2009 The Painting Center 547 West 27th Street, New York, N.Y., 2 Person exhibition with William Itter (Traveled to University of Georgia, Athens, Georgia June 2010)
2007 Rubelle & Norman Shafler Gallery, Pratt Institute, Brooklyn, Foundation Faculty Exhibition
2005-06 The State Museum of New Jersey, Trenton NJ, NJSCA Visual Arts Fellowship Exhibition, Color -Catalogue Available
2003-04 Chrysler Museum of Art, Norfolk, Virginia, "The Bold 80s: A Collector's Vision"
2001 Abercrombie Gallery, McNeese State U., Lake Charles, Louisiana, "National Drawing Invitational"
1998 Forum Gallery, 745 Fifth Avenue, New York City, “It's Still Life”
1998 The Noyes Museum of Art, Oceanville, NJ, “Mindscapes” Five Person Exhibit
1997 Forum Gallery, 745 Fifth Avenue, New York City, “New Figuration, Familiar Faces, New Faces”
1996 Forum Gallery, New York City, “Men and Machines”
1996 The Noyes Museum of Art, Oceanville, New Jersey, “New Jersey State Council on the Arts Fellowship Exhibit,” Catalogue
1995 The Brotsky Gallery, The Educational Testing Service, Princeton, New Jersey, “Philip Ayers” Solo
1994 New Jersey State Museum, Trenton, “New Jersey Arts Annual”, Catalogue
1994 Newport Art Museum, Newport, Rhode Island, “Landscape as Metaphor”, Catalo
1993 Fitchburg Museum, Fitchburg, Massachusetts, “Landscape as Metaphor”, Catalogue
1992 Steibel Modern, New York City, “Nature Fabrilis”
1992 Rutgers University, New Brunswick, New Jersey, “30 Years”
1990 Ruth Siegel Gallery, New York City, “Philip Ayers” Solo
1988 The Monmouth Museum, Lincroft, New Jersey, Catalogue
1988 Skowhegan School of Painting and Sculpture, Skowhegan, Maine , Fresco Competition; Winning Design
1987 Koplin Gallery, Los Angeles, California, “Reveal”
1987 Florida International University, Miami, Florida, “American Art Today – Narrative Painting” Color -Catalogue
1987 Los Angeles Art Expo, Koplin Gallery, Los Angeles, California
1987 Koplin Gallery, Los Angeles, California, “Philip Ayers, Paintings“ Solo
1987 Koplin Gallery, Los Angeles, California, “Figure in Context”
1987 Semaphore Gallery, New York, NY, “Philip Ayers, Martin Wong, Duncan Hannah, and friends”
1987 Semaphore Gallery, New York, NY, “Onieric”
1986 Semaphore Gallery, New York City, “Philip Ayers” Solo
1986 Art et Industrie, New York, “Art for Money Benefit” for Fashion Moda
1986 William Paterson College, Wayne, New Jersey, “American Landscape”
1986 Queens Museum, Queens, New York, “Television’s Impact on Contemporary Art” Catalogue
1986 Indianapolis Museum of Art, Indianapolis, Indiana, “Painting and Sculpture Today” Catalogue
1986 Semaphore East, East Village, New York City, “Semaphoria”
1984 Indiana University Museum of Art, Indiana University, Bloomington, Indiana, Faculty Show, Catalogue
1983 Indiana University Museum of Art, Bloomington, Indiana, “New Faculty” Exhibit
1983 Allan Stone Gallery, New York City, “New Talent”
1982 New Jersey State Museum, Trenton, New Jersey “Twenty Years Rutgers University Art” Catalogue
1982 University of New Haven, New Haven, Connecticut, Faculty
1981 Creative Arts Center, New Haven, Connecticut, NEAs from Connecticut
1979 Organization of Independent Artists, 76 Federal Plaza, New York, New York
SELECTED BIBLIOGRAPHY:
2012 100 Boston Painters. Chawky Frenns, Editor. Schiffer Books
2010-11 Philip Ayers Painting: “Beautiful Specimen” featured as poster theme: Rutgers University, NJ, “Global Initiatives 2010-2011: The Way Forward”
2009-10 Philip Ayers Painting: “Sectioned Root”, featured as poster theme: Rutgers University, NB, “Global Initiatives, 2009-2010: Ecologies in the Balance”
1995 Newark Sunday Star Ledger Sept.3, Eileen Watkins Review, “Philip Ayers at Educational Testing Service, Brotsky Galleries”
1994 New American Paintings: Mid-Atlantic Region. Open Studios Press, Needham, Massachusetts, “Philip Ayers”
1994 The New York Times (New Jersey section), July 5, William Zimmer, “A Robust Presentation....At State Museum”, Arts Annual (painting & sculpture) New Jersey State Museum
1994 The Trenton Times, May 20, Janet Piggot, “Proof of New Jersey’s Aesthetic Vigor”,Arts Annual (painting & sculpture) New Jersey State Museum
1994 Art, New England, April-May; Alicia Faxon, “Landscape as Metaphor”, Newport Art Museum, Newport, Rhode Island
1994 The Providence Journal-Bulletin, Jan. 14, 1994; Review, Bill Van Siclen, “Landscape as Metaphor”, Newport Art Museum, Newport, Rhode Island
1992 New York Times, July 3. Review. Holland Cotter, “Nature Fabrilis” at Steibel Modern, NYC
1988 WNJN-TV State of the Arts, October and November, “Philip Ayers” Segment on Artist
1988 “American Art Today”, Florida International University, Includes Essay by John Hollander
1988 The Miami Herald, May 6. Review. “American Painting Today”, Florida International University
1988 The Miami Herald, May 20. Review. “American Painting Today”, Florida International University
1987 Art Forum, May issue. S. Freudenheim, “Suburban Hamlets”
1987 Los Angeles Times, September 18. Review. “Philip Ayers at Koplin Gallery”
1987 Art Scene, Los Angeles, California, Vol.7, No.2, October. Continuing and Recommended: “Philip Ayers, Koplin Gallery”
1987 New York Times, September. Review. “Television’s Impact on Art, Queens Museum”
1986 Arts Magazine, May issue. Album: “Philip Ayers”, pp.114-115. 1986
1986 Downtown, No.10, June 4. Cover. Andy Sichel, “Expecting the Barbarians” pp.4-5.
1986 Appearances, No.13, Fall/Winter. pp.7, 58.
GRANTS AND AWARDS:
2004 New Jersey State Council on the Arts, Artist Fellowship
1993 New Jersey State Council on the Arts, Artist Fellowship
1990 Pollock-Krasner Foundation Grant
1987 National Endowment for the Arts, Painting Fellowship - Major Award-$15,000
1986 New Jersey State Council on the Arts, Artist Fellowship
1983 Finalist in Painting, American Academy in Rome
1982 National Endowment for the Arts, Painting Fellowship - Major Award-$25,000
1980 National Endowment for the Arts, Painting Fellowship
COLLECTIONS:
Rutgers University, New Brunswick, New Jersey
Chrysler Museum of Art, Norfolk, VA
Museum of Fine Arts, Boston, MA
Chase Manhattan Bank Art Collection, New York, NY
Massachusetts College of Art, Boston MA
other corporate and private collections
EDUCATION:
1976 Rutgers University, MFA in Visual Arts, New Brunswick, New Jersey; Focus on Painting and Printmaking
1973 Massachusetts College of Art BFA, Boston, Massachusetts (The Award in Painting) Major-Painting; Minor in Film
1972 Skowhegan School of Painting and Sculpture, Skowhegan, Maine & New York, New York
1967 Atlanta College of Art (SCAD), Atlanta, Georgia (Ford Foundation Scholarship Student)
SELECTED TEACHING:
1982-85 Assistant Professor, Indiana University, Bloomington, Indiana
2005-19 Professor, Pratt Institute of Art and Design, 220 Willoughby Avenue, Brooklyn, NY
2019-Present Professor Emeritus, Pratt Institute, 220 Willoughby Avenue, Brooklyn, NY