Artist Registry

The White Columns Curated Artist Registry is an online platform for emerging and under-recognized artists to share images and information about their respective practices. The Registry seeks to create a context for artists who have yet to benefit from wider critical, curatorial or commercial support. To be eligible, artists cannot be affiliated with a commercial gallery in New York City.

To apply to the Registry, click here. Join our mailing list here to receive our open call announcement and other programming updates. For any further questions about the Registry, please contact us at

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Brooklyn NY US
Updated: 2022-05-09 23:07:02





Education ------------------


2019 MFA, Virginia Commonwealth University, Sculpture + Extended Media, Richmond, VA

2014 BFA, Maryland Institute College of Art (MICA), Painting with concentration in Sustainability 

and Social Practice, Baltimore, MD, USA


Solo Exhibitions ------------------


2019 In defense of pure evil, Anderson Gallery, Richmond, VA

2018 Edith, Esther Klein Gallery, Philadelphia, PA

2017 Edith’s Ghost, GHOST,


Selected Joint & Group Exhibitions ------------------




Full Capacity, (forthcoming) Alfred Ceramic Art Museum, Alfred, NY

Affection, (with Peggy Chiang), Evening Hours, NYC, NY

Geografîa Relativa, curated by Guadalajara90210, CDMX, MX 

A Ribbon, A Pearl, A Sedimentary Rock, curated by A. Linn, Gormley Gallery, Baltimore, MD




Airponics Bay, Evening Hours, NYC, NY

For the Love of Material, Terrault Gallery, jurors: Z. Charlton, K. Hileman, P. Hutinet,   Baltimore, MD

Finding Gender, Temple University, Philadelphia, PA




Yukon Gold, 891 N. Main, Providence, RI

Ventriloquist, Evening Hours, New York, NY

Genderfail Archive Project, Past & Future Fictions, MoMA PS1 (Sunday Sessions), New 

York, NY

Genderfail Archive Project, International Center of Photography, New York, NY




Miami is Nice, Spacecamp Gallery, Baltimore, MD




Mission Universe: A Curanaut’s Journey, curated by E. Lehman and S. Isaacs, Towson 

University Gallery, Towson, MD

Surface Tension, curated by J. Shaikewitz, Current Space, Baltimore, MD

Document V, curated by Temporary Art Review, The Luminary, St. Louis, MO




Salon of 1808, curated by P. Chiang/C. Van Winkle, Baltimore, MD 

Narrow Waves, U:L:O II, Springsteen Gallery at Interstate Projects, Brooklyn, NY




Bawlmer, curated by D. Butcher, Crosstown Arts, Memphis, TN

57th Chautauqua Annual Exhibition of Contemporary Art, juror Jerry Saltz, Visual Arts of Chautauqua Institution, Chautauqua, NY


Projects ------------------


2016-2020 Director, GHOST (

2014-2019 Founder/Editor, Post-Office Arts Journal (

2014-2016 Co-founder, Bb (

2013-2016 Collective member, Open Space (


Publications and Essays as Author ------------------



"Body-Music,” Montez Press




K-Y, Genderfail Press

“Sympathetic Resonance: Corin Hewitt at the ICA, Richmond,” Burnaway, Atlanta, GA

“Super Saiyan Feelings: Andrew Woolbright,” Burnaway, Atlanta, GA

“Inflatable Dolls: Women’s History Museum,” Burnaway, Atlanta, GA

“Playing in the Institute: TAG at ICA Philadelphia,” Gulf Coast Journal, Houston, TX




“K-Y,” Curiosx, Virginia Commonwealth University, Richmond, VA




Borders, and Other Printed Matter, self-published.




“Persona As Readymade, Self As Religious Artifact: The Group Show @ Rope,” Post- Office Arts Journal, August 8.

“Jeremy Cimafonte @ First Continent,” Temporary Art Review, February 17.




“Josh Abelow of Freddy Gallery,” Post-Office Arts Journal, December 22.

Arts Criticism and the Arts Outpost, Post-Office Arts Journal, September 1.

“Baltimore’s Vacants,” The Baltimore Sun, November 14.

“Rigor Raging Rigger @ Freddy (Thornton & Foster),” Post-Office Arts Journal, May 17.

“A Longing For Leisure/Caprice” catalog essay, Open Space Gallery, June 20.

“Justin Lieberman at Rowhouse Project,” self-published, April 15.

“Girth Proof Vol. 2 @ Springsteen,” Temporary Art Review, April 1.

“Notes On The Indecipherable Punchline,” ACRES, March 28.

“Jordan Bernier of Franklin Street,” Post-Office Arts Journal, February 25.

“xXx @ Current Space,” Post-Office Arts Journal, January 2.




“Opacity and Tension: Jimmi~Research at Springsteen,” Bmoreart, October 21.

“Freddy Gallery, Located in Baltimore, MD,” self-published/Bmoreart, September 11.

“The End: sophiajacob’s Closing Exhibition and Legacy,” Bmoreart, May 13.


Curatorial ------------------




ASPICE ET ABI, Bettina Yung; GHOST, Connecticut

New Spring, co-curator with John-Elio Reitman, GHOST, Connecticut




No No No No No, Dina Kelberman; Bb, Baltimore, MD *

A Temporary Curse, Stephanie Hier, Michael Bussell, Noa Glazer; Bb, Baltimore, MD *




Brass In Pocket, Third Chorus, Max Guy, Alex Goss, Maggie Fitz, Audrey Gair, Julia Yerger; Bb @ Artist-Run Hotel Satellite, Miami, FL *

Playroom, Alex Goss; Bb, Baltimore, MD *

Slsleeping, Michael Jones McKean, Christina Haines, Grace Davis, John Zane Zappas; Bb, Baltimore, MD *

A Living Landscape of Primordial Splendor, Anna Topuriya and Amy Stober; Bb, Baltimore, MD

Somethings, Fiona Sergeant; Bb, Baltimore, MD




Nip Slips, Flannery Silva, Kim Westfall, Connor Creagan, Alan Resnick, Maggie Daviet, and Allie Linn; co-curator with E. Roche, Current Space, Baltimore, MD


* Indicates co-curator with Allie Linn


Lectures/Readings/Public ------------------


2020 Community Presentation Series, NYC, NY (forthcoming)

2019 Exercise: Conversations and Collaborations, Nov. 8, Otion Front Studio, Brooklyn, NY

Visiting Artist Talk, October 30, Trinity School, NYC, NY

K-Y (Genderfail release, with Rin Kim and Maya Martinez), Wendy’s Subway, Brooklyn, NY

2018 Topic Tour: Burning Question with Cassils, panel discussion, ICA VCU, Richmond, VA

K-Y reading via Lucifer (Max Guy reader at Slummer Nights), CANADA, New York, NY

Flux Thursday Visiting Artist, Flux Factory, Queens, NY

Visiting Artist Talk, March 8, Maryland Institute College of Art, Baltimore, MD

2016 The Alternative, lecture on counter-culture as hegemony, PMF, Baltimore, MD

2015 Artist-Run, panel discussion, Artist-Run Miami, Miami, FL

Scroll: Bound 2, roundtable, The Contemporary, Baltimore, MD


Honors/Awards ------------------


2019 Runner-up, Beauchamp Prize in Critical Art Writing, Gulf Coast Journal, TX

Graduate Research Grant, VCU, Richmond, VA

2018 Paul F. Miller Graduate Scholarship in Sculpture, VCU, Richmond, VA

2015 Grit Fund grant recipient (Bb project space via Warhol Regional Regranting Program), The 

Contemporary, Baltimore, MD

Shortlisted, Breese Little Prize for Art Criticism: Volume X, Breese Little, London

2014 Harold R. Anderson Memorial Award, juror Jerry Saltz, Visual Arts of Chautauqua Institution 57th Annual Exhibition of Contemporary Art, NY

2013 Departmental Recognition Award, MICA, Baltimore, MD

2010 Fanny B. Thalheimer Scholarship, MICA

Academic Achievement Award, MICA

Academic Honors Scholarship, MICA

Trustee Scholarship, MICA


Press/Publications ------------------


2020 Farley, Michael Anthony. “Mexico City, Day 1” BmoreArt, February 5.

2017 “Art in unusual places: The eye-catching exhibits happening outside the white cube,”

AQNB, February 1.

“‘Edith’s Ghost’ by Colin Klockner,” Fluxo, January 26.

2016 Farley, Michael Anthony. “Bye Bye Bb: An Interview with Allie Linn and Colin Alexander,” ARTFCITY, August 25.

Farley, Michael Anthony. “PMF VII Weekend Highlights: Exhibitions,” ARTFCITY, April 15.

2015 New American Paintings, #118 South. 

2014 Anthony Bannon. “Here’s Back At You, Jerry,” The Chautauquan Daily, July 12.

Jones, Alex. “MICA Commencement Exhibition,” Baltimore City Paper, May 23.

Ebstein, Alex. “Highlights from the MICA Art Walk,” BmoreArt, May 22.

2012 Furtado, Jackie, Tabletop Zine Issue 006, December 1.

Crosier, Loren. “Colin Alexander,” Little Paper Planes, October 24.


Selected Collections ------------------


K-Y (Genderfail, 2019) library acquisitions by Whitney Museum of American Art Research Resources, New York, NY and elsewhere

Alfred Ceramic Art Museum