Artist Registry
The White Columns Curated Artist Registry is an online platform for emerging and under-recognized artists to share images and information about their respective practices. The Registry seeks to create a context for artists who have yet to benefit from wider critical, curatorial or commercial support. To be eligible, artists cannot be affiliated with a commercial gallery in New York City.
To apply to the Registry, click here. Join our mailing list here to receive our open call announcement and other programming updates. For any further questions about the Registry, please contact us at registry@whitecolumns.org.
RESUME
David O currently lives and works in Manchester and Scotland, UK.
Supporting CV and References.
David Osbaldeston.
UPCOMING . . .
Jan - March 2025 'Tales from the Expanded Moment' Matt’s Gallery, London
2025 Art & Text, Group Exhibition, PUBLICS, Helsinki. Curated by Paul O'Neill
2024/5 A Pastiche of Different Techniques, Monograph. Published by Slimvolume. Edited by Andrew Hunt
PREVIOUS . . .
2024 Contribution to online journal ‘Soanyway’ magazine. Issue 15 Ekphrasis & Prosopopoeia (the personification of abstraction)
2024 A Pastiche of Different Techniques, Solo Exhibition, Glasgow Print Studio, Trongate, Glasgow
2022/3 A Pastiche of Different Techniques, Solo Exhibition, Moon Grove, Manchester
2020/21 Drawing Biennial, The Drawing Room, London.
The Serving Library Collection, 019, Ghent. Oct - Ongoing
2019 Double Act, Cample Line Gallery, Scotland.
CR McBerny, curated by Andrew Hunt, Berlin, Manchester.
Annotated Compendia, Fruitmarket Gallery, Edinburgh & Touring. Curated by Jonathan P Watts & Ryan Gander.
2018 The Serving Library V David Osbaldeston, The Bonington Gallery, Nottingham Trent University.
Maquettes, THE BLOCK, London
CR McBerny - Manchester, Berlin, New York, curated by Andrew Hunt. April – Dec
2017 Drawing Biennal, The Drawing Room, London
Public View, Bluecoat Gallery, Liverpool
2016 Paint Her to Your Own Mind, The Laurence Sterne Trust, Shandy Hall, Coxwold, Yorkshire
The Practice of Theories, Wysing Arts Centre, Cambridge.
The Top & Bottom of It. Mechanism for a Future Reference, Matt’s Gallery, London.
2015 Graphics Interchange Format, Focal Point Gallery, Southend-on-Sea.
Modern History, Vol 1, Grundy Art Gallery, Blackpool. Curated by Lynda Morris,
Modern History Vol 2, Atkinson Gallery Southport. Curated by Lynda Morris,
Modern History Vol 3, Bury Art Gallery, Manchester. Curated by Lynda Morris
Drawing Biennial 2015, The Drawing Room, London.
2014 Chancellors Fellow, Residency in Art Writing, Edinburgh College of Art & Edinburgh Sculpture Workshop.
Annals of the Twenty Ninth Century, Wysing Arts Centre, Cambridge.
The Measure of All Things, Collective Gallery, Edinburgh.
A Model of the Serving Library, Dexter Sinister, Tate, Liverpool.
2013 Inflection Sandwich, Piper Keys, London.
Drawing Biennial, The Drawing Room, London.
Life is an Illusion, Love is a Dream, The Royal Standard, Liverpool.
2012 Marbled Reams, The Modern Institute, Glasgow.
What We Have Done and What We Are About to Do, CCA, Glasgow.
Publish & be Damned, ICA, London. Curated by kit Hammonds
2010 Rijksakademie Open Ateliers, Amsterdam.
Out of Time (The Light of Day, The Action of the Play)* Castlefield Gallery, Manchester.
Professional Recognition, Commissions and Awards
2014 Artist in Residence, Art Writing, Edinburgh College of Art/ Edinburgh Sculpture Workshop, University of Edinburgh.
2013 Artist in Residence, Wysing Arts Centre, Bourn, Cambridge. Supported by Paul Hamlyn Foundation.
2012 Arts Council England, Grants for Arts Award.
2010 ACME Firesation, Work/Live Residency, London.
Dutch Ministry of Culture, Rjksakademie Van Beeldende Kunsten, Amsterdam. Artist in Residence
The Elephant Trust (Estate of Roland Penrose)