Artist Registry
The White Columns Curated Artist Registry is an online platform for emerging and under-recognized artists to share images and information about their respective practices. The Registry seeks to create a context for artists who have yet to benefit from wider critical, curatorial or commercial support. To be eligible, artists cannot be affiliated with a commercial gallery in New York City.
To apply to the Registry, click here. Join our mailing list here to receive our open call announcement and other programming updates. For any further questions about the Registry, please contact us at registry@whitecolumns.org.
RESUME
BIO
Tatyana Gubash is a multi-disciplinary artist who has exhibited her work in the United States, Canada and Europe with reviews in publications such as The New York Times, The Boston Globe, The Los Angeles Times, Newsday and Art In America. Her work is in the collection of the Pérez Art Museum Miami (PAMM) as well as private and corporate collections. The nature and properties of her chosen medium are entwined with the psychological and emotional aspects of themes exploring nature, landscape, language, communication, alienation and popular culture.
Website: tatyanagubash.com
Instagram: @tatyanagubash
EXHIBITIONS
2020 SEASON, Seattle, WA, “Born To Be Alive”
2020 Musa Collective, (ONLINE), “Collective Disquiet“
2019 Smack Mellon, Brooklyn, NY, “Idol Worship”
2018 Room 83 Spring, Watertown, MA, "Eye Feel"
2018 Museum of Contemporary Art Chicago, Chicago, IL, “MCA PrimeTime GIF Party”
2017 White Columns, (ONLINE), "Full House"
2014 Proof Gallery, Boston, MA, "Boston Does Boston 7"
2011 1K Project Space/NEXT ART FAIR, Chicago, IL,"NEXT 2011 Chicago"
2011 Mills Gallery, BOSTON CENTER FOR THE ARTS, Boston, MA,"Swap Meet"
2011 Visual AIDS/CRG Gallery, New York, NY,"The Body: Visual AIDS -- Postcards From the Edge"
2010 1K Project Space, Amsterdam, Netherlands,"Kunstvlaai 2010"
2010 Barbara Krakow Gallery, Boston, MA,"Anything But Paper Prayers"
2009 Mills Gallery, BOSTON CENTER FOR THE ARTS, Boston, MA, "Strange Loops"
2009 1K Project Space, Amsterdam, Netherlands, "Works On Paper"
2009 Lamontagne Gallery, Boston, MA, "Others Among Others"
1995 "Andrea Zittel : Selected Sleeping Arrangements [The A-Z Bed Book]", Andrea Zittel and Tatyana Gubash, University of Dundee, Scotland *catalogue*
1995 Cristinerose Gallery, New York, NY, "Open Your Heart", Benefit Auction for the AIDS Resource Center *catalogue*
1995 The Work Space, New York, NY, "Pleasant Pebble"
1994 Visionaire Magazine/Charles Cowles Gallery, New York, NY "Desire", Issue #12/, Benefit for DIFFA, *catalogue*
1994 White Columns, New York, NY, "Update '94" *catalogue*
1994 Caren Golden Gallery, New York, NY, "Al Dente"
1994 White Columns, New York, NY, "White Room"
1993 Longwood Gallery, Bronx Council on the Arts, Bronx, NY, "Female Body Parts: From Geography to Fetish"
1993 Andrea Rosen Gallery, New York, NY, "Some Artists I've Been Thinking About..."
1992 YYZ, Toronto, Canada, "The Pink Heaven Series"
1992 Kim Light Gallery, Los Angeles, CA, "The Anti-Masculine..."
1992 Art In General, New York, NY, "Salon Show" *catalogue*
1992 Hunter College Art Galleries, New York, NY, "Contemporary Icons: from the Sublime to the Fetishistic" *catalogue*
1992 Andrea Rosen Gallery, New York, NY, "Tattoo Collection"
1992 MoMA PS1 Museum, Long Island City, NY, "Slow Art: Painting in New York Now"
PUBLIC COLLECTIONS
Pérez Art Museum Miami (PAMM), Miami, FL (ONLINE ARCHIVE)
White Columns, ONLINE, Curated Artist Registry
SELECTED PRESS
William Noel Clarke, “Curator Emily Colucci’s Idol Worship“, Frontrunner Magazine, January 2020
Alexandra Israel, “Who Are Your Filth Elders?“, Cultbytes, December 2019
McQuaid, Cate, "The Ticket", The Boston Globe, March 2018
West, Nancy Shohet, "Impassioned Impasto", The Boston Globe, March 2018
McQuaid, Cate, "All under one roof", The Boston Globe, February 2014
McQuaid, Cate, "Challenging viewers to jump through 'Loops'", The Boston Globe, December 2009
Raynor, Vivien, "Grappling with Feminism and Femininity", The New York Times, March 1993
Kandel, Susan, "30 Artists Take Aim at Masculinity", Los Angeles Times, December 1992
Adams, Brooks, "Slow Art at P.S.1", Art In America, October 1992
Wallach, Amei, "The Power of Slow Art", Newsday, June 1992
Smith, Roberta,"From New York Painters, Work That Takes Time", The New York Times, May 1992
EDUCATION
School of Visual Arts, MFA, New York, NY
School of Visual Arts, Summer Painting Program in Urbino, Urbino, Italy
University of Calgary, BFA, Calgary, Alberta Canada
AWARDS AND GRANTS
Paula Rhodes Memorial Scholarship, School of Visual Arts, New York, NY