Artist Registry
The White Columns Curated Artist Registry is an online platform for emerging and under-recognized artists to share images and information about their respective practices. The Registry seeks to create a context for artists who have yet to benefit from wider critical, curatorial or commercial support. To be eligible, artists cannot be affiliated with a commercial gallery in New York City.
To apply to the Registry, click here. Join our mailing list here to receive our open call announcement and other programming updates. For any further questions about the Registry, please contact us at registry@whitecolumns.org.
RESUME
SOLO & THREE-PERSON EXHIBITIONS
2023 Artificial Interference, SPRING/BREAK Art Show, New York, NY
2021 I Saw It With My Own Eyes, 5&J, Lubbock, TX
2018 Jeremiah Palecek | Peter Ramon | Amy Vensel, Giampietro Gallery, New Haven, CT
SELECTED GROUP EXHIBITIONS
2024
The Desert Was Red And Red The Dust Was Raised, Las Cruces Museum of Art, Las Cruces, NM
2023
Back to School, The Front, New York, NY
Process Driven, (online) Ely Center of Contemporary Art, New Haven, CT
2022
Certain Matter, Miossi Gallery at Cuesta College, San Luis Obispo, CA
Like A Slight Hiccup…, La Grange Gallery, Cernay-Lès-Reims, France, (catalog)
Spinning Plates, (online) Odetta Gallery, New York, NY
2021
International Painting Symposium Exhibition, Rothko Museum, Daugavpils, Latvia (catalog)
Orbit, Poimena Gallery, Tasmania, Australia
Flat Files, (online) Deanna Evans Projects, Brooklyn, NY
Every Woman Biennial, Superchief Gallery, New York, NY
Flow, (online) Odetta Gallery, New York, NY
8x8, (online) Flatfile Gallery, New York, NY
Equivalents, (online) Equity Gallery, New York, NY
2020
El que busca, encuentra… y sigue encontrando, (online) White Columns, New York, NY
New Optics, The Painting Center, New York, NY (catalog)
Art in Embassies Exhibition, United States Embassy, Bratislava, Slovakia (catalog)
Chrysalistasis, (online) Lyons Wier Gallery, New York, NY, (catalog)
Surface, (online) Harwood Art Center, Albuquerque, NM (catalog)
Grey/Gray (Matter), Divisible Projects, Dayton, OH
Fe*Mail*, A.I.R. Gallery, Brooklyn, NY
2019
Every Woman Biennial, New York, NY
Black Box, La ‘S’ Grand Atelier, Vielsalm, Belgium
2018
Heat of the Moment, Eastside International, Los Angeles, CA
Small Works, Trestle Gallery, Brooklyn, NY
Nothing But Good, PARK, Tilburg, Netherlands
New Geometry II, Giampietro Gallery, New Haven, CT
Black Box, Saarländisches Künstlerhaus, Saarbrücken, Germany
2017
Alignable Angles, Schelfhaudt Gallery at University of Bridgeport, Bridgeport, CT
Personal Territories, Five Points Gallery, Torrington, CT
Mixmaster, Mattatuck Museum, Waterbury, CT
Black Box, Faux Mouvement Centre d’Art Contemporain, Metz, France
Nasty Women, Knockdown Center, Queens, NY
2016
Celebrating Diversity, Giampietro Gallery, New Haven, CT
Surface Work, Real Art Ways, Hartford, CT
Elsewhere, Artspace, Hartford, CT
Nor’Easter, New Britain Museum of American Art, New Britain, CT
2015
Dwelling, Artspace, New Haven, CT
New Directions, Barrett Art Center, Poughkeepsie, NY
2014
Transported/Illuminated, Artspace, New Haven, CT
RESIDENCIES
2025 Pouch Cove, Newfoundland, Canada
2021 Rothko Museum, Daugavpils, Latvia
2019 Millay Colony for the Arts, Austerlitz, NY
2016 Vermont Studio Center, Johnson, VT
AWARDS AND GRANTS
2022 Finalist, New Mexico Arts Purchase Initiative
2020 Harwood Art Center Surface Grant
2018 Lancaster Museum and Public Art Foundation Award
2017 Artist’s Resource Trust Grant, Berkshire Taconic Community Foundation
2016 Vermont Studio Center Merit Grant
2013 Wofsey Award, Faber Birren National Color Show
ARTIST TALKS, PANELS AND WORKSHOPS
2024
Panelist, Abstraction in the Borderlands, Las Cruces Museum of Art, Las Cruces, NM
2023
Visiting Artist Workshop, Brushless Painting: Alternative Techniques in Contemporary Painting, El Paso Community College, El Paso, TX
2022
Panelist, Materiality in Contemporary Abstraction, Cuesta College, San Luis Obispo, CA
Visiting Artist Workshop, Brushless Painting: Alternative Techniques in Contemporary Painting, Cuesta College, San Luis Obispo, CA
2021
Panelist, Authorship, Prints and Multiples in the Digital Space, Equity Gallery, New York, NY
Artist Talk, 17th International Painting Symposium, Mark Rothko Art Centre, Daugavpils, Latvia
2020
Artist Talk, Harwood Art Center, Albuquerque, NM
2017
Panelist, Alignable Angles, University of Bridgeport, Bridgeport, CT
Artist Talk, Mattatuck Museum, Waterbury, CT
Panelist, Personal Territories, Five Points Gallery, Torrington, CT
2015
Artist Talk, Curator Tour with Alaina Claire Feldman, Artspace, New Haven, CT
Artist Talk, Curator Tour with Susan Greenberg Fisher, Artspace, New Haven, CT
Artist Talk, Barrett Art Center, Poughkeepsie, NY
BIBLIOGRAPHY
2023
Roman Kalinovski, “New Faces and Voices at SPRING/BREAK 2023,” Arcade Project, Sept. 8, 2023
2022
Like A Slight Hiccup… France: La Grange Gallery, 2022. Exhibition catalog.
2021
International Painting Symposium Exhibition “Mark Rothko 2021.” Latvia: Rothko Museum, 2021. Exhibition catalog.
Art in Embassies Exhibition. Slovakia: United States Embassy, 2021. Exhibition catalog.
2020
Chrysalistasis. New York: Lyons Wier Gallery, 2020. Exhibition catalog.
New Optics. New York: The Painting Center, 2020. Exhibition catalog.
Surface. New Mexico: Harwood Art Center, 2020. Exhibition catalog.
2019
Melena Ryzik, “An Art Show for Hundreds of Women. And That’s Just the Artists.” The New York Times, May 16, 2019
2018
Rob Moonen, PARK 2016-2018, Tilburg: Druk Gianotten Printed Media, 2018
Jacquelyn Gleisner, “Review | Jeremiah Palecek, Peter Ramon, and Amy Vensel,” Connecticut Art Review, Nov. 29, 2018
Kathy Leonard Czepiel, “Shape Shift,” Daily Nutmeg, Feb. 28, 2018
Jacquelyn Gleisner, “Alignable Angles (degrees of points of view)” Art New England, January/February, 2018
Julia Leatham, “What Fred Giampietro’s Art Exhibit Taught Me About Life and the
Nature of my Fickle Soul,” Yale Daily News, Feb. 16, 2018
“Thought Provokers,” Interview by Edward Clark, Boston Voyager, Sept. 17, 2018
2016
“Amy Vensel/Barnett Newman,” Nothing But Good, Dec. 10, 2016
Susan Dunne, “Eclectic Mix of Abstract, Off-Kilter Exhibits at Real Art Ways,” Hartford Courant, Jul. 26, 2016
John Arvanitis, “Women of Abstraction,” Take Magazine, Aug. 1, 2016
COLLECTIONS
Rothko Museum, Daugavpils, Latvia
U.S. Department of State, Rangoon, Burma
Greenfield Partners, Westport, CT
Private collections worldwide
EDUCATION
2014 Continuing Studies, Silvermine School of Art, New Canaan, CT
1995 Graduate Studies Certificate, Portfolio Center, Atlanta, GA
1993 B.S. Advertising and Philosophy, Syracuse University, Syracuse, NY