Artist Registry

The White Columns Curated Artist Registry is an online platform for emerging and under-recognized artists to share images and information about their respective practices. The Registry seeks to create a context for artists who have yet to benefit from wider critical, curatorial or commercial support. To be eligible, artists cannot be affiliated with a commercial gallery in New York City.

To apply to the Registry, click here. Join our mailing list here to receive our open call announcement and other programming updates. For any further questions about the Registry, please contact us at

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Las Cruces NM US
Updated: 2021-06-24 19:14:33


Selected Exhibitions


Orbit, Poimena Gallery, Tasmania, Australia 

I Saw It With My Own Eyes, 5&J, Lubbock, TX  (solo)

Flat File, Deanna Evans Projects, Brooklyn, NY

Page Turner, Odetta Gallery, New York, NY

Every Woman Biennial, Superchief Gallery, New York, NY 

8x8, Flatfile Gallery, New York, NY


El que busca, encuentra… y sigue encontrando, White Columns, New York, NY 

Chrysalistasis, Lyons Wier Gallery, New York, NY 

New Optics, The Painting Center, New York, NY 

Ambassador’s Exhibition, United States Embassy, Bratislava, Slovakia

Surface, Harwood Art Center, Albuquerque, NM 

Grey/Gray (Matter), Divisible Projects, Dayton, OH

Fe*Mail*, A.I.R. Gallery, Brooklyn, NY

Ensemble, The Painting Center, New York, NY


Every Woman Biennial, New York, NY

Black Box, La ‘S’ Grand Atelier, Vielsalm, Belgium


Small Works, Trestle Gallery, Brooklyn, NY

Heat of the Moment, ESXLA, Los Angeles, CA

Nothing But Good, PARK, Tilburg, Netherlands

Jeremiah Palecek | Peter Ramon | Amy Vensel, Giampietro Gallery, New Haven, CT 

Black Box, Saarländisches Künstlerhaus, Saarbrücken, Germany

New Geometry II, Giampietro Gallery, New Haven, CT


Alignable Angles, Schelfhaudt Gallery, Bridgeport, CT

Mixmaster, Mattatuck Museum, Waterbury, CT

Personal Territories, Five Points Gallery, Torrington, CT

Black Box, Faux Mouvement Centre d’Art Contemporain, Metz, France

Sensing the Surround, Whitney Gallery, Hamden, CT

Nasty Women, Knockdown Center, Queens, NY 


Surface Work, Real Art Ways, Hartford, CT

Celebrating Diversity, Giampietro Gallery, New Haven, CT

Elsewhere, Artspace, Hartford, CT

Nor’Easter, New Britain Museum of American Art, New Britain, CT


Dwelling, Artspace, New Haven, CT

New Directions, Barrett Art Center, Poughkeepsie, NY

Holiday Exhibition, Giampietro Gallery, New Haven, CT


Transported/Illuminated, Artspace, New Haven, CT


Faber Birren National Color Award Show, SAA, Stamford, CT



2021 Mark Rothko Art Centre, Daugavpils, Latvia 

2019 Millay Colony for the Arts, Austerlitz, NY

2016 Vermont Studio Center, Johnson, VT



2020 Harwood Art Center Surface Grant

2018 Lancaster Museum and Public Art Foundation Award

2017 Artist’s Resource Trust Fund Grant, Berkshire Taconic Community Foundation

2016 Vermont Studio Center Merit Grant

2013 Wofsey Award, Faber Birren National Color Show 


Public Artist Talks/Panels

2020 Artist Talk, Harwood Art Center, Albuquerque, NM

2017 Artist Talk, Schelfhaudt Gallery, Bridgeport, CT

2017 Artist Talk, Mattatuck Museum, Waterbury, CT

2017 Artist Talk, Five Points Gallery, Torrington, CT

2015 Curator Tour with Alaina Claire Feldman, Director of Exhibitions at Independent Curators International, Artspace, New Haven, CT

2015 Curator Tour with Susan Greenberg Fisher, Executive Director of the Renee & Chaim Gross Foundation, Artspace, New Haven, CT

2015 Artist Talk, Barrett Art Center, Poughkeepsie, NY



Melena Ryzik, “An Art Show for Hundreds of Women. And That’s Just the Artists.” The New York Times, May 16, 2019

Rob Moonen, PARK 2016-2018, Tilburg: Druk Gianotten Printed Media, 2018

Jacquelyn Gleisner, “Review | Jeremiah Palecek, Peter Ramon, and Amy Vensel,” Connecticut Art Review, Nov. 29, 2018

“Thought Provokers,” Interview by Edward Clark, Boston Voyager, Sept. 17, 2018

Kathy Leonard Czepiel, “Shape Shift,” Daily Nutmeg, Feb. 28, 2018

Julia Leatham, “What Fred Giampietro’s Art Exhibit Taught Me About Life and the Nature of my Fickle Soul,” Yale Daily News, Feb. 16, 2018

Jacquelyn Gleisner, “Alignable Angles (degrees of points of view)” Art New England, January/February, 2018

Niek Hendrix, “PARK; 139 x Nothing But Good,” Lost Painters, Jan. 28, 2018

Jessica Fallis, “What Does Abstraction Mean in the 21st Century?” FPG Blog, Mar. 29, 2017

“Amy Vensel/Barnett Newman,” Nothing But Good, Dec. 10, 2016

John Arvanitis, “Women of Abstraction,” Take Magazine, Aug. 1, 2016

Susan Dunne, “Eclectic Mix of Abstract, Off-Kilter Exhibits at Real Art Ways,” Hartford Courant, Jul. 26, 2016



1993 Syracuse University, Syracuse, NY, B.S. Advertising