In my current work, I use objects and images from my immediate surroundings as tools for looking at the intangible or unintelligible. I string together disparate parts proposing a series of absurd relationships as a way to investigate the everyday. Every object is a point of convergence of ideas and information. Where did it come from? How was it made? Who owned it? Imagine that there is a thread which represents an idea or bit of information. Imagine that this thread is attached to all of the objects in the world that are linked to its particular associations. Consider the number of things that exist in the world, the countless paths between them and then the vast knot that would result from these connections. My work is an attempt to make some of those connections visible, an exploration of how we make meaning and the frailty of our conclusions. Each artwork becomes an entry in a quotidian index taken from the world’s growing tangle of visual information.