Artist Registry


The White Columns Curated Artist Registry is an online platform for emerging and under-recognized artists to share images and information about their respective practices. The Registry seeks to create a context for artists who have yet to benefit from wider critical, curatorial or commercial support. To be eligible, artists cannot be affiliated with a commercial gallery in New York City.




To apply to the Registry, click here. Join our mailing list here to receive our open call announcement and other programming updates. For any further questions about the Registry, please contact us at registry@whitecolumns.org.

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Champaign IL US
Updated: 2023-07-20 18:20:09

RESUME

Bio: Tali Weinberg’s work is held in public and private collections and is exhibited internationally. Recent exhibitions include the Griffith Art Museum, 21C Museum, Berkeley Art Museum, University of Colorado Art Museum, Center for Craft, Praxis, and Form & Concept. Her art has been featured in academic journals and popular press including the New York Times, onEarth Magazine, Surface Design Journal, Fiber Art Now, and Ecotone. Honors include an Illinois Artist Fellowship, Tulsa Artist Fellowship, Serenbe Fellowship, Windgate Fellowship to Vermont Studio Center, Lia Cook Jacquard Residency, SciArt Bridge Residency for cross-disciplinary collaboration, and a residency at the Museum of Art and Design, among others. She has taught at California College of the Arts (CCA), University of Tulsa, and Penland School of Craft. Tali holds an MFA from CCA and a BA and MA from New York University. 

 

Resume

 

Public Collections

  • Berkeley Art Museum
  • Georgia Museum of Art

 

Solo & Two-Person Exhibitions

  • 2022, Memories of Future Fires, Dreamsong Gallery, Minneapolis, MN
  • 2021, Water Ways, Praxis Gallery, Cleveland, OH
  • 2019, Beyond Measure, Lewis Project Space, Tulsa, OK
  • 2018, In Times of Seismic Sorrows: Rena Detrixhe & Tali Weinberg, Center for Craft, Asheville, NC
  • 2018, Variations on the Theme of Loss: Emily Chase & Tali Weinberg, 108 Contemporary, Tulsa, OK
  • 2016, It’s Not Just About the Rain, Guitar Shop Gallery, Oakland, CA

 

Selected Group Exhibitions

  • 2022, Arrivals, Form & Concept Gallery, Santa Fe, NM
  • 2022, Undercurrents, Chautauqua Visual Arts Galleries, Chautauqua, NY
  • 2022, The Data Imaginary: Fears & Fantasies, Flinders University Art Museum, Adelaide, Australia
  • 2021, The Data Imaginary: Fears & Fantasies, Griffith University Art Museum, Brisbane, Australia
  • 2020, Live Wire: Materials of Revolution, Form & Concept Gallery, Santa Fe, NM
  • 2020, Climate in Crisis, University of Nebraska Art Gallery, Omaha, NE
  • Recall/Respond, Gilcrease Museum, Tulsa, OK
  • 2020 China-US Technology and Innovation in Fiber Art, virtual exhibition hosted by Academy of Art & Design, Beijing, China and University of the Arts, Philadelphia
  • 2019, Documenting Change: Our Climate Past, Present & Future, CU Art Museum, Boulder, CO
  • 2019, Overflow, Gallatin Gallery, New York, NY
  • 2019, Seeing Now, 21 C Museum, Oklahoma City, OK
  • 2018, Way Bay 2, Berkeley Art Museum, Berkeley, CA 
  • 2018, Land-Sc(r)aping, Living Arts, Tulsa, OK
  • 2017, Shelter: Crafting a Safe Home, Contemporary Craft, Pittsburg, PA (catalogue)
  • 2017, Nature and Neon, Arrowmont, Gatlinburg, TN (Juried, 2nd Prize) 
  • 2016, Hangzhou Triennial of Fiber Art, Zhejiang Art Museum, Hangzhou, China (catalogue)
  • 2016, (Text)iles: The Text is a Fabric, Earl and Virgina Green Art Gallery, Los Angeles, CA
  • 2016, And Who is My Neighbor: Stories from the Margins, Earl and Virgina Green Art Gallery, Los Angeles, CA
  • 2015, FiberSHED, Marin Community Foundation, Novato, CA
  • 2015, (processing)-Bay Area Artists and the Archive, Worth Ryder Art Gallery, Berkeley, CA
  • 2015, Introductions, Root Division, San Francisco, CA (catalogue)
  • 2014, The Possible, Berkeley Art Museum, Berkeley, CA
  • 2014, International TECHstyle Art Biennial, San Jose Museum of Quilts & Textiles, San Jose, CA

 

Selected Awards/Fellowships/Residencies

  • 2022, Illinois Artist Fellowship, Illinois Arts Council Agency
  • 2022, Digital Weaving Residency, Praxis Fiber Workshop, Cleveland, OH
  • 2022, Dreamsong Artist Residency, Minneapolis, MN
  • 2021, Museum of Art and Design Artist in Residence, virtual
  • 2021, Artist Grant, Illinois Arts Council Agency
  • 2021, Sculpture Space Artist Residency, Utica, NY (postponed due to Covid 19)
  • 2019, Serenbe Fellowship, Serenbe Farms, GA
  • 2019, SciArt Bridge Residency for Crossdisciplinary Collaboration, SciArt Initiative, virtual
  • 2019, Creative Projects Grant, Oklahoma Visual Arts Coalition
  • 2019, WIP Residency, Textile Arts Center, New York, NY
  • 2019, Penland Winter Residency, Penland, NC
  • 2018, Wassaic Artist Residency, Wassaic, NY
  • 2018, Caldera Artist Residency, Sisters, OR
  • 2017-19, Tulsa Artist Fellowship, Tulsa, OK
  • 2016, Wingate Fellowship & Artist Residency, Vermont Studio Center, Johnson, VT
  • 2015, Artist Residency, Oregon College of Art & Craft, Portland, OR
  • 2015, Lia Cook Jacquard Residency, 1 month, California College of the Arts, Oakland, CA
  • 2015, Penland Winter Residency with studio assistantship, 3 weeks, Penland, NC
  • 2011, Artist in Residence, 7 months, Textile Arts Center, Brooklyn, NY

 

Selected Bibliography / Press           

  • Roxanne Escobales, “Woven from the Planets Woes,” The World Today, Chatham House, Oct/Nov 2021 
  • Miriam Quick, "Making Data Physical Could Help Us Care for the Planet," Nightingale: The Journal of the Data Visualization Society, April 21, 2020
  • Denna Jones, "The Telling of a Crisis,” COVER Magazine, Issue 59, Summer 2020
  • Molly Backes, “Bound Together: Tali Weinberg’s Tapestry of Climate Change,” Tulsa Voice, November 2019
  • Patrick Rogers, “The World’s Beauty and Destruction—Bound Together,” onEarth Magazine, October 2019
  • Amy Brady, Interview, Burning Worlds, May 2019
  • Alina Tugend, “Can Art Help Save the Planet,” New York Times, March 14, 2019
  • Zack Reeves, “A Delicate Act: Variations on the Theme of Loss,” Tulsa Voice, April 2018
  • Tenzin Tsomo, “Tali Weinberg: Textile Translations,” Surface Design Journal. Spring 2017 Vol. 41 No. 1

 

Selected Writing & Publications

  • “Inextricably Bound: Mapping the Entanglement of Corporeal/Ecological/Economic/Political Bodies,” Ecotone: The Body Issue, Winter 2019
  • Caldera, artist book published by Walls Divide Press, November 2019, edition of 80
  • "Bodies on the Line," published in Text Means Tissue, edited by Francesca Capone. 2017
  • "Resistance," published in Love for Love Hate for Hate, edited by Beverly Acha. December 2016