Artist Registry


The White Columns Curated Artist Registry is an online platform for emerging and under-recognized artists to share images and information about their respective practices. The Registry seeks to create a context for artists who have yet to benefit from wider critical, curatorial or commercial support. To be eligible, artists cannot be affiliated with a commercial gallery in New York City.




To apply to the Registry, click here. Join our mailing list here to receive our open call announcement and other programming updates. For any further questions about the Registry, please contact us at registry@whitecolumns.org.

a → d e → h i → l m → p q → t u → x y → z


Madeline Djerejian
Higganum CT US
Updated: 2022-08-25 17:42:12

Videos


The Last of Beirut

2006
(silent video) The Last of Beirut weaves together text and image to construct a contemplative vision of displacement and loss on the eve of civil war in Lebanon in 1975. A confabulation of voices, alternating between that of children and parents, contrasts the naïve, often reckless response of youth to its surroundings with the anxiety of parenting in a country moving rapidly towards self-destruction. The images, which depict the days leading up to evacuation, are presented both in whole and in detail. The use of detail and close-cropped framing creates an impressionistic, barely-recollected account of the events, emphasizing the fragmentary, subjective nature of recollection and memory.
Added on: July 17, 2019


decima campesina (excerpt)

In this silent video, text from a love letter is juxtaposed with photographs taken by my father in June 1991 in Kuwait, in the aftermath of the Gulf War. The images depict what he there encountered: carnage, oil rigs still afire after the bombings, and other scenes of devastation and abandonment along Highway 80, the road between Kuwait and Basra – a.k.a. ‘The Highway of Death’. The filmic relationship between image and text unfolds in the style of a payada, a sung duel of improvised décimas.
Added on: July 28, 2021


‘The Happy Man’ … or so I have heard myself called. Chapter V (excerpt)

2015
In Part V of The Happy Man…or so I have heard myself called, British playwright, screenwriter, director and actor Harold Pinter (1930–2008) responds to a question posed to him in a 2001 interview in The Progressive, conducted by Anne-Marie Cusac: "Did anything happen to you early on that changed your life?"
Added on: August 25, 2022