The White Columns Curated Artist Registry
is an online platform for emerging and under-recognized artists to share images and information about their respective practices. The Registry seeks to create a context for artists who have yet to benefit from wider critical, curatorial or commercial support. To be eligible, artists cannot be affiliated with a commercial gallery in New York City.
To apply to the Registry, click here. Join our mailing list here to receive our open call announcement and other programming updates. For any further questions about the Registry, please contact us at firstname.lastname@example.org.
STATEMENT OF WORK
I create a complex but credible visuality, after-impressionism. I use more human-shaped, layered, two-eyed visual fields in photographic and painting constructions. I react against the rectangularity and seamless over-coherence of classical representation. Pinhole photography and more recently digital photography and the computer helped develop my sense of multiplicity and time's passage. I make my use of Photoshop transparently evident as a modernist syntax. I tolerate multiple levels of awareness--even at the cost of immediacy. Sometimes I collage Guatemalan woven textiles as a visual ground to paint against, influenced by their rhythmic use of complementary colors. I don't really work at the level of documentary, but sometimes I catch an intimate angle on topics, like "The Dictatorship of the Auto." I appreciate feedback to email@example.com. An example of my writing and thoughts about art, in Art In America's Oct 2014 issue, can be found online by googling "Pantheon of the Anteater."