The White Columns Curated Artist Registry
is an online platform for emerging and under-recognized artists to share images and information about their respective practices. The Registry seeks to create a context for artists who have yet to benefit from wider critical, curatorial or commercial support. To be eligible, artists cannot be affiliated with a commercial gallery in New York City.
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STATEMENT OF WORK
I think of pictorial space as something malleable, something that is shifting and subversive. In my drawings and paintings I am looking for a finely calibrated balance of idiosyncratic elements that creates a new, oftentimes paradoxical, spatial proposition. Space is not the stage for an event; it is the event itself.
My latest works begin as self-generative digital drawings. Working in front of a monitor for long periods of time induces a disembodied state; a total immersion where a sense of the tangible world is lost in a digital space that is weightless, without surface, consisting only of light. As visual relationships develop on the screen, they suggest possibilities for translation into the tactile reality of paint. The trackpad becomes a proxy for exploring imagined terrains. The painting process is then one of testing, trying to find a specific, though sometimes antagonistic, marriage between insistent surfaces and indefinable depths.
Portions of these paintings are made through a cumulative process similar to that of a dot matrix printer. Small, individual strokes or bands are painted in a regulated and mechanical fashion that forms gradients through minute striations of individual colors. These gradients become conveyor belts, moving planes of space with color. Multiple underlayers of contrasting color amplify and complicate chromatic relationships on the surface, and create an internal luminosity reminiscent of the screen, as painting chases the digital aura of the original image.