Working in two-dimensions, I have developed my own hybrid of drawing/painting/printmaking, in which I intuitively re-work the paper until a space and story emerge.

My installations reflect my life-long interest in the relationship between our internal physical sense of occupying bodies and our perceptions of occupying architectural space. I push the delicate material of tracing paper to its limit, relying on its folds to lend stability to forms. Over the course of an exhibit, the paper eventually gives way to gravity, and at the exhibit’s closing, the work is recycled.