Curated Artist Registry

The White Columns Curated Artist Registry is an online catalog of digital images documenting the work of artists who are not affiliated with a commercial gallery in New York City. Each submission is reviewed by our curatorial staff; in order to be considered for the registry, one must submit work digitally via this website.

ALL ARTISTS ALPHABETICALLY: a → d e → h i → l m → p q → t u → x y → z

Brooklyn NY
Updated: 2017-01-19 02:19:15



2007            M.F.A. in Painting, Savannah College of Art and Design, Savannah, GA

2004           Post Baccalaureate Certificate, School of the Museum of Fine Arts, Boston, MA

2001            B.A. in Visual Art with a minor in English, Guilford College, Greensboro, NC


Solo and Two-Person Exhibitions


I Love You, but You Make Me Completely Crazy, two-person exhibition with Alex Gingrow and Michael Scoggins, Galerie Ernst Hilger at Mana Contemporary, Jersey City, NJ


Your Forest for My Trees, two-person exhibition with Alex Gingrow and Michael Scoggins, Diana Lowenstein Fine Art, Miami, FL


All the Money IS in the Label, Mike Weiss Gallery, New York, NY


Select Group Exhibitions


abc@WFG, curated by Norm Magnusson, WFG Gallery, Woodstock, NY

Maker Marks, Zoller Gallery, Penn State University, State College, PA

Outside In: Paintings from Other Places, curated by Honor Bowman, International Gallery of Contemporary Art, Anchorage, AK


The Model Reader, Transmitter Gallery, Brooklyn, NY

To the Best of My Recollection, curated by Noah Klersfeld, Hunterdon Art Museum, Clinton, NJ

Making Mischief, curated by Michelle Perron, Center Galleries, College for Creative Studies, Detroit, MI

Mot Juste, curated by Julie Lohnes, Union College Gallery, Schenectady, NY (catalog)


Guilford College Alumni Art exhibition, curated by Theresa Hammond, Guilford College Gallery, Greensboro, NC

TXTED, curated by Marisa Sage, Salisbury University, Salisbury, MD (catalog)


Cannon Fodder, curated by Craig Drennen, University of North Dakota, Grand Forks, ND

The Decline and Fall of the Art World, Part I: The One-Percenters, Freight+Volume Gallery, New York, NY (catalog)


Ladscape Remix, curated by Rod Malin, Guest Spot Gallery, Baltimore, MD

New York South, Caseworks Project at the University of Memphis Art Museum, Memphis, TN

Day Job, curated by Nina Katchadourian, Feldman Gallery at the Pacific Northwest College of Art, Portland, OR

Day Job, curated by Nina Katchadourian, Freedman Center at Albright College, Reading, PA


In the End was the Word: Language as a Medium of the Contemporary Visual Arts, curated by Peter Weiermair, Ursula Blickle Foundation, Kraichtal, Germany (catalog)

Pastiche and Provenance, curated by Aaron Bernard and Kevin Palme, Hot Iron Studios, Asheville, NC

Pastiche and Provenance, curated by Aaron Bernard and Kevin Palme, Slocumb Gallery at East Tennessee State University, Johnson City, TN

Visible Alternative, curated by Artist Accomplices, part of the New Museum’s Festival of Ideas for a New City, St. Patrick’s School, New York, NY

Myself, curated by Marjorie Vecchio, The Shepard Fine Arts Gallery at the University of Nevada, Reno, Reno, NV (catalog)

I Love the Art World and the Art World Loves Me, curated by Eric Doeringer, The Elizabeth Foundation for the Arts, New York, NY


Day Job, curated by Nina Katchadourian, The Drawing Center, New York, NY (catalog)

Return to New York, HP Garcia Gallery, New York, NY

36 Hours in Basel, curated by Cecelia Stucker and Cassidy Weiss, Basel, Switzerland

 Escape from New York, curated by Olympia Lambert, Silk Factory, Patterson, NJ


Obsession ‘09, Adler & Co. Gallery, San Francisco, CA

Hot Head-Cool Head, ambulant performance with John Bjerklie, Parker’s Box Gallery, Brooklyn, NY


Gen X: Post-Boomers and the New South, Mobile Museum of Art, Mobile, AL                

Experiencing the War in Iraq, traveling exhibition, Pawtucket Armory, Pawtucket, RI and Narrows Center for the Arts, Fall River, MA


Faith, curated by Brent Birnbaum, Diesel Gallery, Brooklyn, NY

Guilford College Alumni Exhibition, curated by Theresa Hammond, Guilford College Art Gallery, Greensboro, NC


30,000 More or Less, MFA thesis exhibition (solo), Savannah, GA

Made in NAMA, Gallery 51, North Adams, MA

Monster, curated by David Howe, StarCCA Gallery, Savannah, GA

Winter Invitational ’06, SCAD Atlanta, Atlanta, GA

Do Not Be Afraid, ambulant performance with John Bjerklie, Savannah, GA


Tug of War, juried by David Howe, StarCCA Gallery,  Savannah, GA

White Walls, guest artist, performance of Drawing Emergency Help Center with Kevin Strickland, Atlanta, GA


Residencies, Honors, and Speaking Engagements


Guest Artist, New York Studio Residency Program, New York, NY (honorarium)

Visiting Artist and Lecturer, Palmer Museum, Penn State University, State College, PA (honorarium)


Visting Artist and Guest Speaker, Wassaic Project Artist Residency, Wassaic, NY

Guest Artist, New York Professional Outreach Program (NYPOP), part of the University of Massachusetts at Amherst Department of Art, Architecture and Art History (honorarium)

Art Garda Residency, Sirmione, Italy

Guest Speaker, Woodward Lecture Series, Center Galleries at the College for Creative Studies, Detroit, MI (honorarium)

Guest Speaker, Delve: Art+Comedy, Made in NY Media Center IFP, Brooklyn, NY


Wassaic Project Artist Residency, Wassaic, NY

VCCA Residency, Amherst, VA

Guest Speaker, SVA summer high school program, New York, NY (honorarium)

Fountainhead Residency, Miami, FL


Hambidge Center Residency, Rabun Gap, GA

Guest Artist, Savannah College of Art and Deisgn MFA New York studio visit program, funded by the Tremaine Foundation (honorarium)


Guest Artist, New York Professional Outreach Program (NYPOP), part of the University of Massachusetts at Amherst Department of Art, Architecture and Art History (honorarium)

 Accepted to White Columns Slide Registry, New York, NY


Visiting Artist of the Visiting Artist, Painting Department, Savannah College of Art and Design, Savannah, GA

Guest Speaker, Ernest G. Welch School of Art, Georgia State University, Atlanta, GA (honorarium)


Short List Candidate for Skowhegan School of Painting and Sculpture Residency


Panelist and Roundtable Presenter at Guilford College Alumni Art Exchange


Contemporary Artists Center Residency, North Adams, MA 

Accepted to The Drawing Center Slide Registry, New York, NY


Curatorial Projects


Maker Marks, co-curated with Michael Scoggins, Zoller Gallery, Penn State University, State College, PA


Maker Marks, co-curated with Michael Scoggins, Brooklyn Fire Proof, Brooklyn, NY



Batet, Janet. “’Tu bosque por mis arboles’: Confesiones intimas.” ­El Nuevo Herald, June 7, 2014.

Bhatnagar, Priya. “I Like the Art World and the Art World Likes Me: Elizabeth Foundation for the Arts Project Space.” Frieze, Issue 139, May 2011, p. 136-7.

Bjornland, Karen. “Artists give visual form to our use of language in exhibit,” The Daily Gazette, 22 January 2015,

Bors, Chris. “I Like the Art World and the Art World Likes Me.” Art Papers, May-June 2011, p. 52-3,

Bos, Monique.  “Painting Alumni Represent ‘New South’ in Exhibition.”, 28 April 2008.

Butcher, Dwayne. “Interview: Alex Gingrow.” Number: Seventy Eight. Spring 2014. p. 8-9.

Colucci, Emily. “Art Attack at ‘The Decline and Fall of the Art World, Part I.’” Societe Perrier,, 14 August 2013.

Griffin, Amy. “Text Appeal: Three-part Exhibit Examines the Use of Words in Visual Art.” 15 January, 2015.

Holloway, R. Ross.  “Know not what we do in Iraq.”, 26 April 2008

Indrisek, Scott. “Alex Gingrow.” Modern Painters. November 2012. pg. 99.

Johnson, Ken. “Day Job.” New York Times, 21 January, 2011, pg. C30.

Johnson, Ken. “Alex Gingrow,” New York Times, 16 August 2012, pg. C28.

Kirsh, Andrea. “Art Fairs in Miami, 2012—Traffic everywhere and a show stopper at the new Miami Project,”, 10 December 2012.

Laluyan, Oscar A. “AF First Ever End of the Year 2012 Review,” Arte Fuse,, 2 January 2013.

Laluyan, Oscar A. “The Gingrow Chronicles: Beyond the Frame,” Arte Fuse,, 7 August 2012.

Micchelli, Thomas. “Tales from the Darkside: Narrative Drawings at the Hunterdon Art Museum.” Hyperallergic. , 15 August 2015

New American Paintings, #116 Northeast Competition, January 2015, Open Studios Press.

Pepi, Michael. “Art about the Art World.” The Brooklyn Rail,, 4 September 2013.

Plagens, Peter. “Alex Gingrow: All the money IS in the label,” Wall Street Journal, 17 August 2012, pg. A20.

Raffield, G. Scott. “Iceberg Theory: Alex Gingrow in conversation with G. Scott Raffield.” ArtFile Magazine,

Samelson, Henry. “Buddy of Work” March 2013.

(staff writer) “Ready to Engage: Artists Embrace Interpretive Role during Times of Conflict.” Art Matters, Fall 2007.

Tschida, Anne. “Words on Paper in Great Art Form.” file:///Users/alexgingrow/Desktop/Portfolio/Press:Reviews/Words%20on%20paper%20in%20great%20art%20form%20%7C%20Knight%20Arts.webarchive.  May 2014.

Yeapanis, Stacia. “Other People’s Pixels Interviews Alex Gingrow.” May 2013.

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