The White Columns Curated Artist Registry is an online catalog of digital images documenting the work of artists who are not affiliated with a commercial gallery in New York City. Each submission is reviewed by our curatorial staff; in order to be considered for the registry, one must submit work digitally via this website.
I work with and between photography, painting, video, performance, and objects. I am interested in the material and social conditions of these forms, the digital and economic systems in which they operate, and the discourses that contribute to the production of their meaning. Particularly important is the formal and discursive connections and contradictions that emerge. I register these connections, reworking them toward an alternate order—one that is often suppressed—and retooling them toward the production of new meanings and positions. As such, my research-based studio practice operates within present genealogies of feminist critique. Most broadly, my recent work has engaged the legacies of Modernism. Such legacies include global trade, the—seemingly antagonistic—relationship between socially-based and studio practice, the instrumentalization of abstraction, ideological claims about the “concrete,” and affect as a dominate mode of meaning production. I