Often I feel like a missionary for the idea of landscape. Two questions are at the center of each project I undertake: How have changes in technology shifted the experience of landscape? How does public interaction with and understanding of a landscape affect how a space is experienced? Such questions lend well to the site-specific nature of my works. When I approach a new location I try to develop and cultivate a kind of empathy for the place by intentional and rigorous overexposure. This often takes the form of first-hand exploration coupled with historical research. Eventually I begin to see what has gone unseen and then move my process into a “collection phase,” where I identify an idea, icon, occurrence, or object to collect. The final collection is then contextualized to expose a conceptual layer in environment that had gone unseen, despite being in plain sight.