The White Columns Curated Artist Registry is an online catalog of digital images documenting the work of artists who are not affiliated with a commercial gallery in New York City. Each submission is reviewed by our curatorial staff; in order to be considered for the registry, one must submit work digitally via this website.
B.F.A., Hartford Art School, West Hartford, CT.
Lives and works in New York City
SOLO EXHIBITIONS AND PROJECTS:
2004 DCKT Contemporary, New York, NY. Two person show.
1998 Linda Kirkland Gallery, New York, NY.
1997 REEL TO REAL, Linda Kirkland Gallery, New York, NY.
1996 HOME, Clementine Gallery, New York, NY. Two person show.
SELECTED GROUP EXHIBITIONS:
2015 SUMMER, Amy Simon Gallery, CT
2006 MARKS OF DISTINCTION, OHT Gallery, Boston, Massachusetts.
2005 THE SEISMOLOGIST, Sara Nightingale Gallery, Water Mill, New York. Curated by David Hunt.
SEID SHOW, New York, NY. Curated by Leslie Gerber-Seid.
INAUGURAL, DCKT Contemporary, New York, NY.
2004 Niki’s Apartment, New York, NY. Curated by Christopher Moylan.
2003 RANDOM ORDER, White Columns, New York, NY. Curated by
Stephanie Theodore Gallery, Long Island City, NY.
2000 THE RAPTURE, New York, NY. Curated by Janet Phelps.
1999 THE LIGHT SHOW, The Islip Art Museum. East Islip, New York.
1998 GOTHIC DISTRESS, Trans Hudson Gallery. New York, NY. Curated by Karin Gusti.
1997 UNREAL, 57 Hope Street Gallery. Brooklyn, NY.
BLACK & WHITE, Linda Kirkland Gallery. New York, NY.
1995 EITHER/OR, curated by Kenny Schachter. New York, NY.
LANDSCAPE/NOT LANDSCAPE, Curated by Douglas Maxwell. Camino Gallery, Boca Raton, Florida. Catalog available.
NIGHT VISION AND OTHER OBSESSIONS, M. Oestreicher Fine Arts. New Orleans, LA.
1993 TEN NEW ARTISTS, Curated by Walter Robinson and Carlo McCormick. Catalog available.
Warren St. Gallery. Curated by Stephen Westfall. Hudson, New York.
2006 Cate McQuaid, ‘MARKS OF DISTINCTION, PAPER IN ITS PRIME,’ The Boston Globe, February 9.
2005 Helen A. Harrison, ‘THE SEISMOLOGIST,’ Arts and Entertainment, The New York Times, November 13.
Eric Ernst, ‘TEASED BY A CURATORIAL THEME,’ The Southhampton Press, November 3.
2004 Magazine cover, The Literary Review. Fall, 2004
Critics Pick, The ‘L’ Magazine, August 4-31, ’04 issue.
2003 Ken Johnson, 'Random Order,' Art in Review, The New York Times, June 6th.
Marcel Krenz, 'Random Order,' New York, New York, Flash Art International, Issue 231.
2000 Phoebe Kest, ‘MAKE YOUR DREAMS . . .,’O, The Oprah Magazine Premiere Issue.
1999 Annabelle Kerins, ‘ILLUMINATING WORKS LIGHT...’ Newsday, January 8.
John Lee, 'THE LIGHT SHOW...’ Islip Bulletin, January 14.
1998 Douglas Maxwell, ‘PAM HARRIS,’ Review Magazine, May.
Simon Watson, ‘First Looks’ and ‘Art Picks,’ Simon Says, Volume 2 Issue 10.
1997 Judith Friedman, book author, ‘ARTISTS AND THE SUBURBS.’
Dominique Nahas, ‘REEL TO REAL,’ Review Magazine, July.
1996 Kate Westerbak, ‘HOME IS...,’ Cups Magazine, November 1996. An interview about the ‘HOME’ show at Clementine Gallery.
Jennifer Dalton, ‘HOME,’ Review Magazine, November.
Jeanne Wilkinson, ‘A CHELSEA AFTERNOON.’ Review Magazine,
2007 Jentel Residency, Banner, Wyoming. Spring/Summer ‘07
AICA Award, 'MARKS OF DISTINCTION,' OHT Gallery, Boston, Mass.
1998 Triangle Artist Workshop at The World Trade Center.
My work can be found in many private and corporate collections, including Time Warner, General Dynamics, RJ Lee Group, The State Department, John W. Henry, Anglo-Irish Bank (New York and Boston) and American embassies in Kabul, Afghanistan and Sofia, Bulgaria.