1973 Cincinnati, Ohio
1998 J.D., Harvard Law School, Cambridge, MA
1995 B.A. Philosophy, B.S. Mathematics, Miami University, Oxford, OH
Selected Group Exhibitions
2011 Drawing Gifts 2011, 8th Annual Benefit Auction for The Drawing Center, New York, NY
The Boa Constrictor and the Golden Retriever: Extremes in Tonality, Soft-Spot.net
Bitches Brew – New Art from New York (Part II), Gallery Poulsen, Copenhagen, Denmark
The Guilt Show, 45projects.com (curated by Sarah Schmerler)
A Line of Souls and a Few Words from the Holy, Fortress to Solitude, Brooklyn, NY
2010 Day Job, The Drawing Center, New York, NY (curated by Nina Katchadourian)
36 Hours in Basel, Unternehmen Mitte, Basel, Switzerland (curated by Artist Accomplices)
Fruhstuck Kommt, Golden Pudle Club, Hamburg, Germany (curated by Patrick Meagher)
The Brucennial, New York, NY (curated by Vito Schnabel and The Bruce High Quality Foundation)
2009 The Portrait Show, Fortress to Solitude, Brooklyn, NY (curated by Guillermo Creus)
Invisible Dog, No Longer Empty, Brooklyn, NY (curated by Manon Slome and Asher Remy Toledo)
Regime Change, Swarm Gallery, Oakland, CA
Spatial Perversions, The New School, New York, NY (curated by the Skybridge Curatorial Project)
2008 Avatar Atavistic, Vaudeville Park, New York, NY (curated by Andrew Prayzner)
It's Not Easy, Exit Art, New York, NY (curated by Herb Tam and Lauren Rosati)
Surreal Naiveté, M.Y. Art Prospects, New York, NY
Digital with Monument, Silver Shed, New York, NY (curated by Patrick Meagher)
2006 The Way of All Flesh, BravinLee Programs, New York, NY
2006 “Goings on About Town: Galleries–Chelsea: ‘The Way of All Flesh,’” The New Yorker, 25 Dec. 2006.
1997 Scott Rothkopf, “Breaking the Mold,” The Harvard Crimson, 12 Dec. 1997.
Lectures and Panels
2011 “This is Not a Legal Lecture,” Northeastern University School of Law, Boston, MA, 12 October 2011.
2010 “Intellectual Property in the Age of Digital Reproduction,” LMCC, New York, NY, 14 April 2010.
“VLA Art & Law Residency Symposium,” New York, NY, 25 August 2010.
2009 “Is the Concept of Artistic Merit Obsolete in Contemporary Art?,” Miyako Yoshinaga, New York, NY.